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<title>&#x27;Wind In The Willows&#x27;: A Christmas Take On A Classic</title>
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<description><![CDATA[This year's Christmas tale is adapted for radio from Kenneth Grahame's 1908 children's favorite The Wind in the Willows. Washington, D.C., actress Jennifer Mendenhall narrates Chapter 5 &mdash; "Dolce Domum," or "sweet home" &mdash; starring Mole and Rat.]]></description>
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<title>Rosanne Cash Runs Down Her Father&#x27;s &#x27;List&#x27;</title>
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<description><![CDATA[When Cash was 18, her father (you know him as Johnny) gave her a list of 100 essential country songs to help the budding singer-songwriter understand the music that came before her. After holding on to it for decades, Rosanne Cash has turned that gift into an album. This interview first aired on Oct. 5, 2009.]]></description>
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<title>Pat Kingsley: Hollywood &#x27;Suppress&#x27; Agent</title>
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<description><![CDATA[She's worked with some of the biggest names in Hollywood for the past three decades, including Tom Cruise, Robert Redford, Demi Moore and Will Smith. As part of our series called The Long View, Renee Montagne interviews legendary publicist Pat Kingsley and learns that the job often means keeping things quiet.]]></description>
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<title>David Sedaris: A Christmas Tale Worth Repeating</title>
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<description><![CDATA[In our Christmas tradition, writer David Sedaris is back for another holiday storytelling of his life as Crumpet the Elf. The not-so-secret alter-ego of Sedaris was a Santa's little helper in a Macy's department store. Sedaris recounts the tale from his memoirs The SantaLand Diaries.]]></description>
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<title>Why We Love (Or Love To Hate) Memoirs</title>
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<description><![CDATA[From St. Augustine's Confessions, to Frederick Douglass' journey from slave to abolitionist, to Sarah Palin's account of "going rogue," the experiences, triumphs and travails of others have enthralled readers for centuries. Journalist and author Ben Yagoda discusses his new book, Memoir: A History.]]></description>
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<title>Ken Tucker&#x27;s Top 10 Recordings Of 2009</title>
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<description><![CDATA[Fresh Air's music critic Ken Tucker's picks for the best music of 2009 include songs by Taylor Swift, Billy Currington and Michael Franti as well as albums by Loudon Wainwright III, the Fiery Furnaces, and Bob Dylan.]]></description>
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<title>In Case You Missed It: Events And Trends Of 2009</title>
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<description><![CDATA[Vogue Magazine film critic John Powers talks about the year in media: the major events, the trending topics and the evolution of social networking.]]></description>
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<title>When 10 Won&#x27;t Do: David Edelstein&#x27;s Top 13 Films</title>
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<description><![CDATA[Movies you've heard plenty about (Avatar, Where the Wild Things Are) rub elbows with movies you may have missed (Summer Hours, Everlasting Moments) on our critic's list of the finest big-screen features of 2009. Edelstein joins Terry Gross to talk about the year in pictures.]]></description>
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<title>No Batteries Required: Board Game Sales Soar</title>
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<description><![CDATA[While Xboxes, PlayStations and Wiis top holiday wish lists, sales of more traditional games are increasing. Industry insiders say board game sales were up by more than 20 percent last year, and they're expected to be even higher this year as people look for cheaper entertainment.]]></description>
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<title>Tamales For Christmas Are A True Texas Tradition</title>
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<description><![CDATA[Forget the fruitcake and nix the nog. In Texas, it wouldn't be Christmas without tamales. Across the state, and elsewhere in the Southwest, families gather during the holiday season for a tamalada, or traditional tamale-making session. The event combines a social gathering with hours and hours of cooking.]]></description>
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<title>When &#x27;It&#x27;s Complicated,&#x27; Life Can Be Fun (For A Bit)</title>
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<description><![CDATA[For all its breezily affectionate tone, Nancy Meyers' comedy about a once-married twosome having a later-in-life rematch is at its core a revenge fantasy for the jilted wife. Not that there's anything wrong with that &mdash; or with Meryl Streep's entertainingly neurotic performance &mdash; but The First Wives' Club came by its bile more honestly.]]></description>
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<title>Gilliam&#x27;s Mad &#x27;Doctor&#x27; Spins An Elusive Tale</title>
<link>http://www.npr.org/templates/story/story.php?storyId=121712620&#x26;ft=1&#x26;f=1008</link>
<description><![CDATA[If our storytelling styles suggest the way we see the world, Terry Gilliam's view is a true blur of fantasy and reality. The Imaginarium of Doctor Parnassus leads audiences through a cramped contemporary London and into worlds of open, crystalline fantasy, and if the narrative gets a little knotty, Gilliam's eye-teasing, mind-tickling tale is worth the wild ride.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=114447021&#x26;ft=1&#x26;f=1008">
<title>Culturetopia: The Straight-Up Movies Edition</title>
<link>http://www.npr.org/templates/story/story.php?storyId=114447021&#x26;ft=1&#x26;f=1008</link>
<description><![CDATA[This week on the arts and entertainment podcast: Movies, movies movies, from Avatar to Terry Gilliam's The Imaginarium Of Dr. Parnassus.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=120966815&#x26;ft=1&#x26;f=1008">
<title>&#x27;The Help&#x27; Author Says Criticism Makes Her &#x27;Cringe&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=120966815&#x26;ft=1&#x26;f=1008</link>
<description><![CDATA[Kathryn Stockett's first novel, The Help, has become a New York Times best-seller &mdash; and it has its readers buzzing about its racial themes. She says the book is not autobiographical, even though she was raised in Mississippi with a black maid. But Stockett says criticism over how she characterizes the black maids makes her "cringe."]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=121713882&#x26;ft=1&#x26;f=1008">
<title>Beware, Zombies: This &#x27;Guide&#x27; Will Save Humankind</title>
<link>http://www.npr.org/templates/story/story.php?storyId=121713882&#x26;ft=1&#x26;f=1008</link>
<description><![CDATA[Essayist Jake Halpern may be a 33-year-old man with a wife, kids and a job at Yale, but that doesn't mean he's no fun and games. When it comes to zombies, Halpern knows you can't take the living dead lightly &mdash; and that's why he's endorsing the ultimate zombie survival guide.]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=b37be618e073ee44bdad6fe74c9f393f">
<title>Rocking and Dancing From Night Into Day</title>
<link>http://feeds.nytimes.com/click.phdo?i=b37be618e073ee44bdad6fe74c9f393f</link>
<description><![CDATA[To aid your New Year’s Eve revelry, the pop and jazz critics of The New York Times have chosen some of the most promising shows.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=88c1d8f27e7df49b716484373b3e90f0">
<title>Movie Review | &#x27;It&#x2019;s Complicated&#x27;: A September-September Romance</title>
<link>http://feeds.nytimes.com/click.phdo?i=88c1d8f27e7df49b716484373b3e90f0</link>
<description><![CDATA[In the pleasurable, daffy if at times daft “It’s Complicated,” Meryl Streep takes a character and makes you love her.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=c47716b45e0e592c1e77f1c6faad0491">
<title>Art: Urban Uplift: Sanctuaries for the Spirit</title>
<link>http://feeds.nytimes.com/click.phdo?i=c47716b45e0e592c1e77f1c6faad0491</link>
<description><![CDATA[Churches remain a special category of real estate in New York, set-aside zones dedicated to the proposition that all of us need quiet places to be alone in public.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=30b04edf6ebadcccb7bcbacbc591f18d">
<title>Art Review | &#x27;Only in New York&#x27;: Back When &#x2018;Look&#x2019; Meant a Magazine</title>
<link>http://feeds.nytimes.com/click.phdo?i=30b04edf6ebadcccb7bcbacbc591f18d</link>
<description><![CDATA[In the Museum of the City of New York’s smartly packaged exhibition “Only in New York: Photographs From Look Magazine,” you can see how one publication catered to voracious consumers of images.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=bf30d32651cd93bf6eb2d05e03c5a651">
<title>Dreamy Sales of Jung Book Stir Analysis</title>
<link>http://feeds.nytimes.com/click.phdo?i=bf30d32651cd93bf6eb2d05e03c5a651</link>
<description><![CDATA[“The Red Book” by Carl Jung has surprised booksellers and its publisher with strong sales — despite its $195 price tag.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3d7ce89f5dc057417da382bb61ad12e7">
<title>Movie Review | &#x27;Sherlock Holmes&#x27;: The Brawling Supersleuth of 221B Baker Street Socks It to &#x2019;Em</title>
<link>http://feeds.nytimes.com/click.phdo?i=3d7ce89f5dc057417da382bb61ad12e7</link>
<description><![CDATA[There are worse things than loutish, laddish cool, and as a series of poses and stunts, “Sherlock Holmes” is intermittently diverting.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=289ee877b4819e68e4ae1eb3bdd693fb">
<title>Movie Review | &#x27;The Imaginarium of Doctor Parnassus&#x27;: A Traveling Show Comes to Town, but Its Guests Are the Ones on a Journey</title>
<link>http://feeds.nytimes.com/click.phdo?i=289ee877b4819e68e4ae1eb3bdd693fb</link>
<description><![CDATA[Terry Gilliam’s latest is a full three-ring affair, complete with puffs of smoke, glitter and grunge, some hocus-pocus, mumbo jumbo and even a dwarf.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=c9267b5e982080814db0582734f88276">
<title>Movie Review | &#x27;Sita Sings the Blues&#x27;: Legendary Breakups: Good (Animated) Women Done Wrong in India</title>
<link>http://feeds.nytimes.com/click.phdo?i=c9267b5e982080814db0582734f88276</link>
<description><![CDATA[“Sita Sings the Blues,” Nina Paley’s new animated film, is ambitious and visually loaded.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=469603cacb2698b0f8efbf90f47d0e7a">
<title>Dance Review | Alvin Ailey American Dance Theater: Showing the Pain of Love and Life That Goes Way Beyond Words</title>
<link>http://feeds.nytimes.com/click.phdo?i=469603cacb2698b0f8efbf90f47d0e7a</link>
<description><![CDATA[It’s no wonder that Samuel Lee Roberts so perfectly inhabits the tortured spirit that animates “In/Side,” a solo by Robert Battle.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=3e262c2c205c3441c146428c3592675a">
<title>Inside Art: When Famous Owners Sell Famous Paintings</title>
<link>http://feeds.nytimes.com/click.phdo?i=3e262c2c205c3441c146428c3592675a</link>
<description><![CDATA[When Famous Owners.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=98809a508e43f90f92d982ff0d4a2e4c">
<title>Books of The Times: Interpretation of Language, Lives and Spies</title>
<link>http://feeds.nytimes.com/click.phdo?i=98809a508e43f90f92d982ff0d4a2e4c</link>
<description><![CDATA[The third and presumably final volume of the Spanish novelist Javier Marías’s ambitious, sprawling philosophical novel.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=8d393edcb150ed5c163bf95adc9b2822">
<title>Theater Review | &#x27;Red Noir&#x27;: A Sleuth With a Chorus at the Ready</title>
<link>http://feeds.nytimes.com/click.phdo?i=8d393edcb150ed5c163bf95adc9b2822</link>
<description><![CDATA[“Red Noir,” written by the poet Anne Waldman, conjures something closer to a tribal 1960s be-in, without the drugs or the nudity.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=63d3807dde1d3a5fdf658024a032e8da">
<title>Theater Review | &#x27;Newsical the Musical&#x27;: Ripped From the Headlines, Then Skewered in Song</title>
<link>http://feeds.nytimes.com/click.phdo?i=63d3807dde1d3a5fdf658024a032e8da</link>
<description><![CDATA[“Newsical the Musical” is a frenetic revue at the 47th Street Theater that tries to riff off the news.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=c47ea63d8513b179e510e4e39a37f32a">
<title>Antiques: Modernist Furniture of Futures Past</title>
<link>http://feeds.nytimes.com/click.phdo?i=c47ea63d8513b179e510e4e39a37f32a</link>
<description><![CDATA[Modernist Furniture.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=22ff0cd921963adec9a87e7a24a8b327">
<title>Art in Review</title>
<link>http://feeds.nytimes.com/click.phdo?i=22ff0cd921963adec9a87e7a24a8b327</link>
<description><![CDATA[Reviews of Volker Hueller, Lee Friedlander and Zhang Huan in gallery shows.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=53bcdfe4177b269158c106194d0d69ca">
<title>Reimagining a Pivotal Year in China</title>
<link>http://feeds.nytimes.com/click.phdo?i=53bcdfe4177b269158c106194d0d69ca</link>
<description><![CDATA["Bodyguards and Assassins'' by Teddy Chen -- a fanciful account of Sun Yat-sen's 1905 visit to Hong Kong -- is a likely blockbuster with its star-studded ensemble cast and loads of martial-arts action.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=97466ebb9e70f3a8ff0d66afe0a6d433">
<title>Design: Peter Miles Applies His Quirky, Simple Style to a Range of Platforms</title>
<link>http://feeds.nytimes.com/click.phdo?i=97466ebb9e70f3a8ff0d66afe0a6d433</link>
<description><![CDATA[The English graphic designer Peter Miles, now living in New York, has used his spare approach with clients ranging from German arts publishers to indie magazines.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=f70ed4d2e048f385ddbe59f8c4346990">
<title>Art Review: Exhibition on Works of Federico Barocci Revives Interest in Italian Painter</title>
<link>http://feeds.nytimes.com/click.phdo?i=f70ed4d2e048f385ddbe59f8c4346990</link>
<description><![CDATA[Barocci, a major influence in the 16th century, is now recognized as not only anticipating the Baroque and Rococo, but being a formative force in their creation.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=b9b96cdae7055f6fda9c5b739b8451c9">
<title>Review: Iphigenia Travels From Aulis to Tauris (and Back Again) on Brussels Stage</title>
<link>http://feeds.nytimes.com/click.phdo?i=b9b96cdae7055f6fda9c5b739b8451c9</link>
<description><![CDATA[Gluck never intended for his two Iphigenia operas to be performed in tandem, but La Monnaie in Brussels had the wisdom to do just that.


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=93c5f43faebe621c69d47c8fa862649a">
<title>On the London Stage: A Pained Artist Inveighs Against Nature</title>
<link>http://feeds.nytimes.com/click.phdo?i=93c5f43faebe621c69d47c8fa862649a</link>
<description><![CDATA[Few plays put the actual artistic process at center stage with as much energy and command as John Logan's "Red."


]]></description>
</item>

<item rdf:about="http://feeds.nytimes.com/click.phdo?i=e6674ac83dfa646ab4c23cb1ac46bed9">
<title>Moscow Cultural Landmark Is Seen as Threatened</title>
<link>http://feeds.nytimes.com/click.phdo?i=e6674ac83dfa646ab4c23cb1ac46bed9</link>
<description><![CDATA[Prime Minister Vladimir V. Putin has signed a decree that critics say would allow developers to demolish a Soviet-era cultural landmark, the Central House of Artists.


]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2010/01/04/100104crci_cinema_denby">
<title>David Denby: &#x26;#8220;Avatar&#x26;#8221; and &#x26;#8220;Sherlock Holmes.&#x26;#8221;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2010/01/04/100104crci_cinema_denby</link>
<description><![CDATA[James Cameron&#8217;s &#8220;Avatar&#8221; is the most beautiful film I&#8217;ve seen in years. Amid the hoopla over the new power of 3-D as a narrative form, and the excitement about the complicated mix of digital animation and live action that made the movie possible&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_aletti">
<title>Vince Aletti: Robert Bergman, at the National Gallery of Art, P.S.1, and the Yossi Milo gallery.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_aletti</link>
<description><![CDATA[The breathlessly over-the-top critical support that propelled the 1998 publication of Robert Bergman&#8217;s photographs of Americans on the margins (in his afterword, Meyer Schapiro called the portraits &#8220;truly profound works of art&#8221;) seemed all out of proportion to the modesty and intimacy of the&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/tables/2009/12/21/091221gota_GOAT_tables_lyon">
<title>Shauna Lyon: Permanent Brunch, in the East Village.</title>
<link>http://www.newyorker.com/arts/reviews/tables/2009/12/21/091221gota_GOAT_tables_lyon</link>
<description><![CDATA[paragraph class="noindent">Wouldn&#8217;t it be awesome, this East Village restaurant posits, to have bacon&#8212;five kinds!&#8212;for breakfast, lunch, and dinner? Actually, everyone does that these days. So add in fluffy pancakes, seared steak and eggs sunny-side-up, smoked salmon layered with avocado on&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/artworld/2009/12/21/091221craw_artworld_schjeldahl">
<title>Peter Schjeldahl: A Gabriel Orozco retrospective.</title>
<link>http://www.newyorker.com/arts/critics/artworld/2009/12/21/091221craw_artworld_schjeldahl</link>
<description><![CDATA[If you&#8217;ve missed out on the avant-gardish art of the past couple of decades&#8212;some people make a point of doing so&#8212;you now have a one-stop chance to catch up on the good parts. They are in a Gabriel Orozco retrospective at the&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/atlarge/2009/12/21/091221crat_atlarge_menand">
<title>Louis Menand: Arthur Koestler and his century.</title>
<link>http://www.newyorker.com/arts/critics/atlarge/2009/12/21/091221crat_atlarge_menand</link>
<description><![CDATA[Arthur Koestler was arrested by Francisco Franco&#8217;s Nationalist forces in the city of M&#225;laga on February 9, 1937. Koestler had come to Spain, in the midst of the Civil War, as a correspondent for a British paper called the News Chronicle, and although M&#225;laga&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_als">
<title>Hilton Als: Remembering Joseph Papp.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_als</link>
<description><![CDATA[The eminently readable &#8220;Free for All&#8221; has a highly theatrical momentum. Composed by Kenneth Turan and Joseph Papp, the late Public Theatre founder and impresario, the book is a forum for people&#8217;s voices&#8212;some disgruntled&#8212;about their relationships with the Brooklyn-born director, who&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/theatre/2009/12/21/091221goth_GOAT_theatre">
<title>Goings on About Town: The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2009/12/21/091221goth_GOAT_theatre</link>
<description><![CDATA[PageBreak -->
OPENINGS AND PREVIEWS 
Please call the phone number listed with the theatre for timetables and ticket information. 
  
  
THE EMPEROR JONES 
The Irish Rep production of Eugene O&#8217;Neill&#8217;s drama, directed by Ciaran O&#8217;Reilly, moves to SoHo Playhouse. In previews. Opens Dec. 22. (15&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/readings/2009/12/21/091221goab_GOAT_above1">
<title>Goings on About Town: Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2009/12/21/091221goab_GOAT_above1</link>
<description><![CDATA[goatTitle-->ANDREW MOTION 
Great Britain&#8217;s former poet laureate reads from his work on Dec. 15 at 7 at 192 Books. (192 Tenth Ave., between 21st and 22nd Sts. For reservations, which are required, call 212-255-4022.) The following night at 7, he joins Alice Quinn, the executive director of&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/horizon/2009/12/21/091221gohz_GOAT_horizon">
<title>Goings on About Town: On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2009/12/21/091221gohz_GOAT_horizon</link>
<description><![CDATA[THE THEATRE 
FUNNY HA-HA 
Jan. 2 
Victor Garber stars in No&#235;l Coward&#8217;s 1939 farce &#8220;Present Laughter,&#8221; as Garry Essendine, a British theatre actor preparing for a trip to Africa. Nicholas Martin directs for the Roundabout, at the American Airlines Theatre. (212-719-1300.) 
  
MOVIES 
OUT&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2009/12/21/091221goni_GOAT_nightlife">
<title>Goings on About Town: Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2009/12/21/091221goni_GOAT_nightlife</link>
<description><![CDATA[PageBreak -->
ROCK AND POP 
Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
  
BOWERY BALLROOM 
6 Delancey St. (212-533-2111)&#8212;Dec. 19: Garage a Trois has a cheeky name, but it is one serious outfit. Featuring the revered talents of&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2009/12/21/091221gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2009/12/21/091221gomo_GOAT_movies</link>
<description><![CDATA[PageBreak -->
OPENING 
  
ALVIN AND THE CHIPMUNKS: THE SQUEAKQUEL 
A comedy blending live action and animation, directed by Betty Thomas, with the voices of Jason Lee, Anna Faris, and Justin Long. Opening Dec. 23. (In wide release.) 
  
AVATAR 
James Cameron&#8217;s 3-D science-fiction thriller, about a&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/2009/12/21/091221goav_GOAT_avenue_marx">
<title>Goings on About Town: Michael&#x26;#8217;s</title>
<link>http://www.newyorker.com/arts/reviews/2009/12/21/091221goav_GOAT_avenue_marx</link>
<description><![CDATA[paragraph class="noindent">New York is rich in culture, cuisine, and commerce. The suburbs have parking spots and fast food, and they also have Michael&#8217;s, the largest arts-and-crafts supply chain in North America. But as of October, New York became the first metropolis in the Northeast&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/dance/2009/12/21/091221goda_GOAT_dance">
<title>Goings on About Town: Dance</title>
<link>http://www.newyorker.com/arts/events/dance/2009/12/21/091221goda_GOAT_dance</link>
<description><![CDATA[goatTitle-->NEW YORK CITY BALLET 
Balanchine&#8217;s staging of &#8220;The Nutcracker&#8221; has been entertaining and delighting children (and adults) since its premi&#232;re, in 1954. (David H. Koch, Lincoln Center. 212-721-6500. Dec. 15-17, Dec. 21, and Dec. 28-29 at 6; Dec. 18 at 8; Dec. 19&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/classical/2009/12/21/091221gocl_GOAT_classical">
<title>Goings on About Town: Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2009/12/21/091221gocl_GOAT_classical</link>
<description><![CDATA[PageBreak -->
CONCERTS IN TOWN 
  
&#8220;MESSIAH&#8221; 
Handel&#8217;s &#8220;entertainment&#8221; on Christian themes is getting a great workout in Gotham this season. Perhaps the most formidable of the final performances on offer are those of the New York Philharmonic, which has hired the eminent German chorus&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/art/2009/12/21/091221goar_GOAT_art">
<title>Goings on About Town: Art</title>
<link>http://www.newyorker.com/arts/events/art/2009/12/21/091221goar_GOAT_art</link>
<description><![CDATA[PageBreak -->
MUSEUMS AND LIBRARIES 
  
METROPOLITAN MUSEUM 
Fifth Ave. at 82nd St. (212-535-7710)&#8212;&#8220;Vel&#225;zquez Rediscovered.&#8221; Through Feb. 7. |  &#8220;The &#8216;Young Archer,&#8217; Attributed to Michelangelo.&#8221; Ongoing. |  &#8220;Art of the Samurai: Japanese Arms and Armor, 1156-1868.&#8221; Through Jan. 10. |  &#8220;American&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/above/2009/12/21/091221goab_GOAT_above">
<title>Goings on About Town: Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2009/12/21/091221goab_GOAT_above</link>
<description><![CDATA[goatTitle-->COOKIE TAKEDOWN 
This home-baking competition might seem like something of a stretch for its founder, Matt Timms, whose bread-and-butter events, as it were, generally concentrate on hardier fair. Home-cooked chili contests are Timms&#8217;s main thing, but his passion for a calorie-heavy good&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_denby">
<title>David Denby: &#x26;#8220;It Should Happen to You,&#x26;#8221; at Film Forum.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/21/091221gonb_GOAT_notebook_denby</link>
<description><![CDATA[Gladys Glover (Judy Holliday), a lonely young woman in New York, becomes famous by putting her name on a huge billboard in Columbus Circle. Yet she never knows why she wants fame, or what&#8217;s wrong with getting it without earning it, or what she&#8217;s going to&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted4">
<title>Books: &#x22;Tinsel&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted4</link>
<description><![CDATA[In 2006, Stuever set out to characterize the experience of Christmas&#8212;its aesthetics, economics, and metaphysics&#8212;in an average Texas town. The resulting dissection of the holiday is cultural anthropology at its most exuberant. According to Stuever, fakery, not excess, is the signature of the modern American Christmas&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted2">
<title>Books: &#x22;The Glass Room&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted2</link>
<description><![CDATA[In this stirring historical novel, shortlisted for the 2009 Man Booker Prize, Viktor and Liesel Landauer commission a house in Czechoslovakia that is to embody the rational spirit of nineteen-twenties Europe: the Landauer House, with the transparent Glass Room as its center. In the room, &#8220;there is nothing&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted1">
<title>Books: &#x22;Liver&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted1</link>
<description><![CDATA[In this collection of glancingly connected stories, the body&#8217;s largest internal organ comes under repeated assault: from alcohol, at a derelict private drinking club in London; from cancer and hepatitis C, the latter doing a star turn as a first-person narrator, gleefully chronicling its multiplication in a&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted3">
<title>Books: &#x22;City Boy&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/21/091221crbn_brieflynoted3</link>
<description><![CDATA[White&#8217;s second volume of memoirs covers the sixties and seventies, when living in New York was &#8220;something like a religious vocation, full of obvious penances and rarefied rewards.&#8221; White relished the artistic and social freedom afforded by the city&#8217;s isolation from the rest of&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/recordings/2009/12/21/091221gore_GOAT_recordings_greenman">
<title>Ben Greenman: James Brown&#x26;#8217;s &#x26;#8220;The Singles, Volume Eight: 1972-73.&#x26;#8221;</title>
<link>http://www.newyorker.com/arts/reviews/recordings/2009/12/21/091221gore_GOAT_recordings_greenman</link>
<description><![CDATA[paragraph class="noindent">Since his death, in 2006, James Brown has become one of the most repackaged artists in history, thanks in no small part to an ambitious series of double-disk sets released by Hip-O Select. The sets have looked at Brown&#8217;s full singles catalogue, year&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2009/12/21/091221crci_cinema_lane">
<title>Anthony Lane: &#x26;#8220;Nine,&#x26;#8221; &#x26;#8220;The Imaginarium of Dr. Parnassus,&#x26;#8221; &#x26;#8220;The Young Victoria,&#x26;#8221; and &#x26;#8220;A Single Man.&#x26;#8221;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2009/12/21/091221crci_cinema_lane</link>
<description><![CDATA[The beginning of &#8220;Nine&#8221; feels like an end. The first words we hear are &#8220;You kill your film,&#8221; uttered at a press conference by an Italian movie director named Guido Contini (Daniel Day-Lewis). We then find him at the Cinecitt&#224; film studios, in Rome&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_frerejones">
<title>Sasha Frere-Jones: The Phenomenal Handclap Band, at the Bowery Ballroom.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_frerejones</link>
<description><![CDATA[A few years ago, the producers Daniel Coll&#225;s and Sean Marquand were working with other musicians, like the New York salsa legend Joe Bataan, when they decided to start something from the ground up. The result is the Phenomenal Handclap Band, and you&#8217;ll need both hands&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/musical/2009/12/14/091214crmu_music_frerejones">
<title>Sasha Frere-Jones: Indecent acts of origami.</title>
<link>http://www.newyorker.com/arts/critics/musical/2009/12/14/091214crmu_music_frerejones</link>
<description><![CDATA[In 1987, the singer David Yow and the bassist David Sims were at loose ends after their band, Scratch Acid, broke up. Based in Austin, Scratch Acid was a volcanic, loopy, and virtuosic group led by one of the few singers who can convincingly claim Iggy Pop as an influence&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/revivals/2009/12/14/091214gomo_GOAT_movies_brody">
<title>Richard Brody: Judd Apatow&#x26;#8217;s &#x26;#8220;Funny People&#x26;#8221; on DVD.</title>
<link>http://www.newyorker.com/arts/events/revivals/2009/12/14/091214gomo_GOAT_movies_brody</link>
<description><![CDATA[paragraph class="noindent">From silent comedies by Ernst Lubitsch to loud ones by the Farrelly brothers, the funniest people on the set have often been behind the camera. By giving his actors well-structured setups within which to cut loose, Judd Apatow makes most contemporary comedies feel instantly old-fashioned&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_schjeldahl">
<title>Peter Schjeldahl: Urs Fischer, at the New Museum.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_schjeldahl</link>
<description><![CDATA[8220;Why must the show go on?&#8221; No&#235;l Coward wondered. The question recurs apropos a desperately ingratiating Urs Fischer exhibition at the New Museum. Frail japes by the mildly talented Swiss-born sculptor&#8212;the international art world&#8217;s chief gadfly wit since Maurizio Cattelan faded&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/television/2009/12/14/091214crte_television_franklin">
<title>Nancy Franklin: Comedy comes of age on TNT.</title>
<link>http://www.newyorker.com/arts/critics/television/2009/12/14/091214crte_television_franklin</link>
<description><![CDATA[It&#8217;s not the best time to be a middle-aged man in this country, but it&#8217;s not a bad time for television shows about middle-aged men. This week, comedy comes to TNT, in the form of &#8220;Men of a Certain Age,&#8221; an hour&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/tables/2009/12/14/091214gota_GOAT_tables_peed">
<title>Mike Peed: Bark Hot Dogs.</title>
<link>http://www.newyorker.com/arts/reviews/tables/2009/12/14/091214gota_GOAT_tables_peed</link>
<description><![CDATA[paragraph class="noindent">Fitting that the New York hot dog should receive its latest refurbishment on this North Park Slope block, a strip that recently swapped its insurance agencies and nonprofits for half a dozen jarringly unscuffed storefronts, including a sex shop and a maternity boutique, each painted its own&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2009/12/14/091214crth_theatre_lahr">
<title>John Lahr: Tennessee Williams and David Mamet on the damage that we do.</title>
<link>http://www.newyorker.com/arts/critics/theatre/2009/12/14/091214crth_theatre_lahr</link>
<description><![CDATA[When we first encounter Cate Blanchett as Blanche DuBois in the Sydney Theatre Company&#8217;s thrilling production of Tennessee Williams&#8217;s &#8220;A Streetcar Named Desire&#8221; (directed by Liv Ullmann, at the Brooklyn Academy of Music), she is literally backed into a corner, sitting on her small&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_als">
<title>Hilton Als: Mitchell Zuckoff&#x26;#8217;s &#x26;#8220;Robert Altman.&#x26;#8221;</title>
<link>http://www.newyorker.com/arts/critics/notebook/2009/12/14/091214gonb_GOAT_notebook_als</link>
<description><![CDATA[Mitchell Zuckoff&#8217;s new oral biography &#8220;Robert Altman&#8221; is a brilliantly researched, near-cinematic evocation of how the boy from Kansas City became one of the twentieth century&#8217;s greatest native Americans. Altman, who came of age as a TV director, was his generation&#8217;s&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/readings/2009/12/14/091214goab_GOAT_above1">
<title>Goings on About Town: Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2009/12/14/091214goab_GOAT_above1</link>
<description><![CDATA[goatTitle-->&#8220;SECRET SCIENCE CLUB&#8221; 
This periodical gathering of entertaining scientists presents two events this month. On Dec. 8 at 8, the neuroscientist Ben Backus discusses the biological and emotional roots of perception. On Dec. 15 at 8, the climatologist James Hansen, who is the director of NASA&#8217&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/horizon/2009/12/14/091214gohz_GOAT_horizon">
<title>Goings on About Town: On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2009/12/14/091214gohz_GOAT_horizon</link>
<description><![CDATA[THE THEATRE 
FAMILIAL LOVE 
Dec. 28 
Liev Schreiber and Scarlett Johansson star in a revival of Arthur Miller&#8217;s &#8220;A View from the Bridge,&#8221; directed by Gregory Mosher, at the Cort. Schreiber plays a Brooklyn dockworker, and Johansson, in her Broadway d&#233;but, plays his teen&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2009/12/14/091214goni_GOAT_nightlife">
<title>Goings on About Town: Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2009/12/14/091214goni_GOAT_nightlife</link>
<description><![CDATA[PageBreak -->
ROCK AND POP 
Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
  
THE BELL HOUSE 
149 7th St., between Second and Third Aves., Brooklyn (718-643-6510)&#8212;Dec. 12: Formed in 1984 from the ashes of the Irish pop-punk&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/revivals/2009/12/14/091214gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2009/12/14/091214gomo_GOAT_movies</link>
<description><![CDATA[PageBreak -->
OPENING 
  
INVICTUS 
Reviewed below in Now Playing. Opening Dec. 11. (In wide release.) 
  
THE LOVELY BONES 
Reviewed this week in The Current Cinema. Opening Dec. 11. (In wide release.) 
  
NINE 
A musical version of &#8220;8&#189;,&#8221; directed by Rob Marshall, about a movie director&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/classical/2009/12/14/091214gocl_GOAT_classical">
<title>Goings on About Town: Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2009/12/14/091214gocl_GOAT_classical</link>
<description><![CDATA[PageBreak -->
HOLIDAY MUSIC 
  
&#8220;MESSIAH&#8221; 
Handel&#8217;s grand &#8220;entertainment&#8221; on Christian themes gets a great workout in Gotham this year. Carnegie Hall offers what should be a sterling performance of the work by the renowned Les Violons du Roy ensemble (with the choir La Chapelle&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/art/2009/12/14/091214goar_GOAT_art">
<title>Goings on About Town: Art</title>
<link>http://www.newyorker.com/arts/events/art/2009/12/14/091214goar_GOAT_art</link>
<description><![CDATA[PageBreak -->
MUSEUMS AND LIBRARIES 
  
METROPOLITAN MUSEUM 
Fifth Ave. at 82nd St. (212-535-7710)&#8212;&#8220;Vel&#225;zquez Rediscovered.&#8221; Through Feb. 7. |  &#8220;The &#8216;Young Archer,&#8217; Attributed to Michelangelo.&#8221; Ongoing. |  &#8220;Art of the Samurai: Japanese Arms and Armor, 1156-1868.&#8221; Through Jan. 10. |  &#8220;American&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/above/2009/12/14/091214goab_GOAT_above">
<title>Goings on About Town: Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2009/12/14/091214goab_GOAT_above</link>
<description><![CDATA[goatTitle-->&#8220;CARTOONS IN CONFLICT&#8221; 
The Parents Circle Families Forum, a grassroots group of Israelis and Palestinians who have lost loved ones because of the region&#8217;s conflict, and No Longer Empty, a local organization that turns vacant storefronts into gallery spaces, present an exhibition of drawings exploring&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2009/12/14/091214crci_cinema_denby">
<title>David Denby: &#x26;#8220;The Last Station,&#x26;#8221; &#x26;#8220;Crazy Heart,&#x26;#8221; &#x26;#8220;Brothers,&#x26;#8221; and &#x26;#8220;The Lovely Bones.&#x26;#8221;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2009/12/14/091214crci_cinema_denby</link>
<description><![CDATA[In &#8220;The Last Station,&#8221; Christopher Plummer, at the crest of a long career, gives an impassioned portrait of the artist as an old man&#8212;Leo Tolstoy in his eighties, imposing, stentorian, and almost alarmingly active. Helen Mirren, letting her age show and still the most sexual actress&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/14/091214crbn_brieflynoted">
<title>Briefly Noted: &#x22;A Year&#x26;#8217;s Reading&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2009/12/14/091214crbn_brieflynoted</link>
<description><![CDATA[NONFICTION 
  
Lords of Finance, by Liaquat Ahamed (Penguin Press; &#36;32.95). Central bankers and the disaster of the gold standard. 
Somewhere Towards the End, by Diana Athill (Norton; &#36;24.95). Reflections on life&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/musical/2009/12/14/091214crmu_music_ross">
<title>Alex Ross: Gustavo Dudamel takes over the L.A. Philharmonic.</title>
<link>http://www.newyorker.com/arts/critics/musical/2009/12/14/091214crmu_music_ross</link>
<description><![CDATA[The classical-music world has a fraught relationship with fame. On the one hand, people are always pining for the days when Arturo Toscanini, Leonard Bernstein, and Leontyne Price dominated the airwaves and appeared on the covers of magazines. On the other hand, whenever a contemporary classical musician brushes up&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/books/2009/12/07/091207crbo_books_lemann">
<title>Nicholas Lemann: A newspaper legend recalls his ascent.</title>
<link>http://www.newyorker.com/arts/critics/books/2009/12/07/091207crbo_books_lemann</link>
<description><![CDATA[Twenty-five years ago, Harold Evans published a memoir called &#8220;Good Times, Bad Times,&#8221; which told about the fourteen years he spent as the editor of the London Sunday Times, and about losing his job after Rupert Murdoch bought the paper. In the memoir, he appeared as a&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/theatre/2009/12/07/091207goth_GOAT_theatre">
<title>Goings on About Town: The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2009/12/07/091207goth_GOAT_theatre</link>
<description><![CDATA[PageBreak -->
OPENINGS AND PREVIEWS 
Please call the phone number listed with the theatre for timetables and ticket information. 
  
  
BRIEF ENCOUNTER 
The Cornwall-based Kneehigh Company presents No&#235;l Coward&#8217;s play about an affair between a housewife and a doctor. Emma Rice directs. In previews. Opens Dec&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/readings/2009/12/07/091207goab_GOAT_above1">
<title>Goings on About Town: Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2009/12/07/091207goab_GOAT_above1</link>
<description><![CDATA[goatTitle-->STRAND BOOK STORE 
The chefs David Chang and Mario Batali and the writer Peter Meehan talk about cookbooks and restaurants. (Broadway at 12th St. Dec. 2 at 7.) 
  
JOHN ASHBERY READINGS 
The poet reads from his forthcoming collection, &#8220;Planisphere,&#8221; at New York University&#8217;s Ti