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<title>Theater Review | &#x27;Noon Day Sun&#x27;: That Southern Belle of Detroit Is a Woman of Mystery</title>
<link>http://theater2.nytimes.com/2008/08/21/theater/reviews/21noon.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The melodrama is high, and so is the cliché count in “Noon Day Sun,” an exploration of racial identity and related themes that is as seductive as a soap opera.    


]]></description>
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<title>Theater Review | &#x27;Hattie ... What I Need You to Know&#x27;: The Triumph and Pain of a Hollywood Trailblazer</title>
<link>http://theater2.nytimes.com/2008/08/21/theater/reviews/21hatt.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Hattie ... What I Need You to Know” attempts to tackle what it meant that the first African-American to win an Academy Award did so playing a loyal slave.    


]]></description>
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<title>Theater: The Human Condition, Often in Need of Repair</title>
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<description><![CDATA[Reviews of New York International Fringe Festival plays, including “The Alice Complex” and “Zombie.”    


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<title>Theater Review | &#x27;D&#xE9;sir&#x27;: Liaisons Dangereuses and Bodies Acrobatic</title>
<link>http://theater2.nytimes.com/2008/08/19/theater/reviews/19desir.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If the televised Olympics are too sanitary and the hole-in-the-wall strip clubs too sleazy for your tastes, then perhaps you’ll find voyeuristic contentment in “Désir.”    


]]></description>
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<title>Theater Review | &#x27;Elizabeth Rex&#x27;: Shakespeare Cast Party by Royal Command</title>
<link>http://theater2.nytimes.com/2008/08/19/theater/reviews/19rex.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There’s a ripping good performance taking place in a barn on West 21st Street in Manhattan. The play is “Elizabeth Rex.”    


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<title>Theater Review | Summer Shorts 2, Series B: The Stage Is Alive With the Sound of Cells</title>
<link>http://theater2.nytimes.com/2008/08/19/theater/reviews/19shor.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“PeopleSpeak,” a witty and acerbic play, is the best of Series B of the Summer Shorts 2 festival at 59E59 Theaters.    


]]></description>
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<title>Frugal Traveler | The Grand Tour: Festive Finale in Edinburgh</title>
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<description><![CDATA[After 13 weeks and 16 countries, the Frugal Traveler lands in the Scottish capital at the Festival Fringe — a perfect finale for the Grand Tour.    


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<title>Theater Review | &#x27;Absinthe&#x27;: A Circus, Yes, but Emphatically Not for Children of All Ages</title>
<link>http://www.nytimes.com/2008/08/18/theater/reviews/18absi.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There’s an R-rated stripper and a foul-mouthed M.C., but the naughty circus-meets-burlesque show “Absinthe” succeeds best at its most innocent.    


]]></description>
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<title>Harvard&#x2019;s Not-So-Square New Director</title>
<link>http://www.nytimes.com/2008/08/17/theater/17mcge.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Diane Paulus, the director of the Public Theater’s revival of “Hair,” takes over as the new artistic director for the American Repertory Theater starting this fall.    


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<title>Off the Stage, What&#x2019;s Behind the Music</title>
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<description><![CDATA[Virtually all musicals of any vintage or scale have long been dependent on orchestrators for their aural color and character.    


]]></description>
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<title>Four Russian Gymnasts Definitely Not in Beijing</title>
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<description><![CDATA[Four teenagers are the latest and perhaps unlikeliest stars of “Désir,” the new production at the Spiegeltent, the seasonal entertainment site on a pier at the South Street Seaport.    


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<title>Theater Listings</title>
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<description><![CDATA[Selective listings from theater critics of The New York Times.    


]]></description>
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<title>Theater Review | &#x27;The King Is Dead&#x27;: It&#x2019;s Just Your Normal, Paranormal Teenage Angst</title>
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<description><![CDATA[Caroline V. McGraw effectively captures the awkwardness and yearning of teenagers in her play “The King Is Dead.”    


]]></description>
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<title>Bits on Beckett, Sophocles and the End of the World</title>
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<description><![CDATA[A look at a few of the theatrical offerings at the New York International Fringe Festival.    


]]></description>
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<title>At the Fringe Festival, the Thunderstorms Share Top Billing</title>
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<description><![CDATA[Of my first three efforts to attend dance-related events at the New York International Fringe Festival, two were victims of recent storms and showers.    


]]></description>
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<title>Theater Review | &#x27;7 Stories&#x27;: Man on a Ledge, Interrupted by Neighboring Oddballs</title>
<link>http://theater2.nytimes.com/2008/08/12/theater/reviews/12stor.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The young actors of the Strain Theater Company are giving a nicely executed account of Morris Panych’s play “7 Stories.”    


]]></description>
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<title>George Furth, an Actor and Playwright, Dies at 75</title>
<link>http://www.nytimes.com/2008/08/12/theater/12furth.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Furth was a playwright who collaborated on the Tony Award-winning musical “Company” and a character actor whose distinct profile enlivened dozens of popular television series.    


]]></description>
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<title>Bertrand Castelli, Bon Vivant and an Early Producer of &#x2018;Hair,&#x2019; Dies at 78</title>
<link>http://www.nytimes.com/2008/08/12/theater/12castelli.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Castelli was a painter, a screenwriter, a balletomane and a choreographer as well as a producer.    


]]></description>
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<title>Arts, Briefly: &#x2018;Hair&#x2019; Gets an Extension</title>
<link>http://www.nytimes.com/2008/08/12/theater/12arts-HAIRGETSANEX_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Public Theater is extending its production of “Hair: The American Tribal Love-Rock Musical” an additional week.    


]]></description>
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<title>Arts, Briefly: A New &#x2018;Hedda Gabler&#x2019;</title>
<link>http://www.nytimes.com/2008/08/12/theater/12arts-FOOTNOTE_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mary-Louise Parker will star in a new production of “Hedda Gabler” on Broadway.    


]]></description>
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<title>Dockside Contender Coulda Had a Sad End</title>
<link>http://www.nytimes.com/2008/08/11/theater/11water.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A new British production of the stage adaptation of the film “On the Waterfront” is playing at the Edinburgh Festival Fringe.    


]]></description>
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<title>Advertising: Top New York Theatrical Agency Is Combining With London Counterpart</title>
<link>http://www.nytimes.com/2008/08/11/business/media/11adco.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A New York agency, SpotCo, agreed to be acquired by the British firm First Artist Corporation in a deal that points to the growing interest in entertainment marketing.    


]]></description>
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<title>Critic&#x2019;s Notebook: &#x2018;If to Do Were as Easy as to Know&#x2019;</title>
<link>http://www.nytimes.com/2008/08/10/weekinreview/10isherwood.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[They’re digging up Shakespeare in London, burying him in New York.    


]]></description>
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<title>Aye, There&#x2019;s the Rub: Would the Bard Pay?</title>
<link>http://www.nytimes.com/2008/08/10/nyregion/nyregionspecial2/10colct.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Here is, as Shakespeare said in another context, a tale told by an idiot full of sound and fury signifying nothing.    


]]></description>
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<title>Music Review: Quote Him, Promote Him, Start Singing Him Now</title>
<link>http://www.nytimes.com/2008/08/11/arts/music/11glim.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Everyone knows that all the world’s a stage, but the current season at Glimmerglass Opera suggests a variant: All the stage’s a Globe.    


]]></description>
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<title>Singing! Dancing! Adapting! Stumbling!</title>
<link>http://www.nytimes.com/2008/08/10/theater/10ishe.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Every few years, with depressing regularity, a hit Broadway musical makes the leap to the big screen and goes splat! Or thud. Or zzzzz.    


]]></description>
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<title>Theater: Farewell the Tranquil Mind: Othello&#x2019;s Noble Passion Is Also His Curse</title>
<link>http://www.nytimes.com/2008/08/09/theater/reviews/09shake.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Shakespeare & Company’s ease with speaking Shakespeare creates a sense of the cosmic divide between Othello and those around him.    


]]></description>
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<title>Arts, Briefly: Ibsen at Irish Repertory</title>
<link>http://www.nytimes.com/2008/08/11/theater/11arts-IBSENATIRISH_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Irish Repertory Theater will open its season with “The Master Builder” by Henrik Ibsen.    


]]></description>
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