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<title>Finian&#x27;s Rainbow Retains Much Magic; Love Child Fields Frenzy; Redgrave Cries for Nightingale</title>
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<description><![CDATA[Mingled with the many raves for the new production of Finian's Rainbow (St. James Theatre) has come a curious counterpoint, on blogs and chat boards, of complaint. Apparently, New York's theater aficionados are split between those simply happy to have a great musical from 1947 back, in wha...
  
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<title>Theatre of the Eighth Day Stages its Noted Wormwood</title>
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<description><![CDATA[Few theatrical premieres have been as politically charged as Wormwood's 1985 opening in Poland. Staged by a dissident ensemble called Theatre of the Eighth Day, the production dared to openly portray life under Martial Law (declared in 1981) through poetry and gesture.

Now, 20 year...
  
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<title>Halloween Lives on in Americana Kamikaze and The New Electric Ballroom</title>
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<description><![CDATA[Halloween has passed, but if your appetite for scary stories has not departed with your sugar rush, you might seek out Americana Kamikaze at P.S.122 or The New Electric Ballroom at St. Ann's Warehouse. In the former, Temporary Distortion refracts a Japanese ghost yarn through a New ...
  
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<description><![CDATA[If Joseph Papp had had his way, “Free for All,” Kenneth Turan’s newly published oral history of Papp and the Public Theater he helped found, would never have seen the light of day.


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<description><![CDATA[A rock concert promoter said on Friday that he was taking over production of the coming Broadway musical “Spider-Man, Turn Off the Dark,” and that the troubled show would open in 2010.


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<title>Theater Review | &#x27;The Lily&#x2019;s Revenge&#x27;: The Bridegroom Wore Eye Shadow, Petals and Lime Fishnet</title>
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<description><![CDATA[“The Lily’s Revenge,” a scrappy spectacle written by and starring the drag artist Taylor Mac, splashes across the stage at Here Arts Center in a tide of lime green fishnet and sequins.


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<title>Theater Review | &#x27;Quartett&#x27;: A Minuet Between Sexual Predators</title>
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<description><![CDATA[With a cast led by Isabelle Huppert in a magnificently mannered performance, Robert Wilson’s “Quartett” is the very opposite of an aphrodisiac.


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<title>Theater Review | &#x27;The Understudy&#x27;: When a Star Takes a Turn Awaiting a Star Turn</title>
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<description><![CDATA[Julie White is fabricating bountiful laughs from a display of strained nerves in Theresa Rebeck’s scattershot comedy.


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<title>Theater Review | &#x27;Creature&#x27;: Faith and the Tempted Woman of a Certain Middle Age</title>
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<description><![CDATA[Saints can be hell to live with. That’s part of the comedy of Heidi Schreck’s absorbing new play.


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<title>Theater Review | &#x27;Idiot Savant&#x27;: Still Bouncing Off the Fun House Walls</title>
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<description><![CDATA[Richard Foreman’s “Idiot Savant,” with Willem Dafoe in the title role, is some kind of wonderful.


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<title>Physical Culture: Now Starring, Off Broadway and in the Peloton</title>
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<description><![CDATA[It has been a decade and a half since Mark-Paul Gosselaar last roamed the halls as Zack Morris on “Saved by the Bell;” he has since developed another distinction: as perhaps the best celebrity-slash-bicyclist in America.


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<title>Theater Review | &#x27;Nightingale&#x27;: Redgrave Uncorsets a Relative Long Gone</title>
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<description><![CDATA[Lynn Redgrave explores the life of her maternal grandmother through the prism of her own in her reflective new solo show.


]]></description>
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<title>Theater Listings: Nov. 6 &#x2014; 12</title>
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<description><![CDATA[Selective listings from theater critics of The New York Times.


]]></description>
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<title>Theater Review | &#x27;Love Child&#x27;: Two Actors, Many Guises and a Skewed Greek Play</title>
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<description><![CDATA[It’s hard to imagine that Daniel Jenkins and Robert Stanton have ever had more fun than they’re having in this delicious romp.


]]></description>
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<title>Theater Review | &#x27;Love, Linda: The Life of Mrs. Cole Porter&#x27;: Hitching a Star to the Stardom of Cole Porter</title>
<link>http://feeds.nytimes.com/click.phdo?i=664b29afbeba5d5a259b6f38548dc286</link>
<description><![CDATA[“Love, Linda” is billed as a one-woman play. Really, though, it’s cabaret.


]]></description>
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<title>On the London Stage: Bedroom Distress, and Tragedy in Art and Life</title>
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<description><![CDATA[Alan Ayckbourn’s “Bedroom Farce” takes viewers on a delicious tour of upheaval; in “Prick Up Your Ears,” drama strangely mirrors real-life tragedy.


]]></description>
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<title>Theater Review | &#x27;Eclipsed&#x27;: Prisoners of War and Sex in Liberia</title>
<link>http://feeds.nytimes.com/click.phdo?i=7f67a80cf7290499b4484098bc80a560</link>
<description><![CDATA[Subjugation and corruption are the grim options available to the women of “Eclipsed,” a new play by Danai Gurira at the Yale Repertory Theater.


]]></description>
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<title>Theater Review | &#x27;Such Things Only Happen in Books&#x27;: Domesticity, Strait-Laced With Dry Wit</title>
<link>http://feeds.nytimes.com/click.phdo?i=f851e84ace089204bec4cf1f74942a73</link>
<description><![CDATA[In this tedious new collection of Thornton Wilder one-acts, the straight-faced seriousness of it all makes you dream for a surprise appearance by Borat in a yellow thong.


]]></description>
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<title>Neil Simon Flop May Be a Case of the Missing &#x2018;Wow&#x2019;</title>
<link>http://feeds.nytimes.com/click.phdo?i=04c3312ecc578990e467373a27f99f4c</link>
<description><![CDATA[What went wrong with “Brighton Beach Memoirs” is a case study in success and failure on Broadway today.


]]></description>
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<title>Theater Review | &#x27;The New Electric Ballroom&#x27;: Sisterly Bonds, Tight Enough to Strangle</title>
<link>http://feeds.nytimes.com/click.phdo?i=055d309aba2981a7eca3118f6ae0504c</link>
<description><![CDATA[The bonds of family are kept pulled tight — to the point of strangulation — in this mordantly funny, weirdly transfixing play written and directed by Enda Walsh.


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<title>Theater: One Writes, the Other Acts. Sparks Fly.</title>
<link>http://feeds.nytimes.com/click.phdo?i=0dd36a836835718275daf0fd40467d61</link>
<description><![CDATA[A playwright has found a muse in the actress Julie White.


]]></description>
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<title>To Lynn Redgrave, the Examined Life Is Worth Staging</title>
<link>http://feeds.nytimes.com/click.phdo?i=d814e4b13dde776ba4f1cdfdb21310a7</link>
<description><![CDATA[Facing cancer and the death of her niece, the actress explores love and loss in her one-woman show.


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<title>Comedy: It&#x2019;s Not a Bad Time to Be Funny in the City</title>
<link>http://feeds.nytimes.com/click.phdo?i=151606353f4cbe617ade405a0a6d9208</link>
<description><![CDATA[For Kumail Nanjiani, breaks seem to be coming quickly. Next, his own show?


]]></description>
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<title>Arts New Jersey: So Much Hardship to Convey</title>
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<description><![CDATA[The production, based on a novel that speaks to the current moment in America, starts with Frank Galati’s Tony Award-winning adaptation.


]]></description>
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<title>Theater Review | New Jersey: A Contemporary Makeover for a Convoluted Reverie</title>
<link>http://feeds.nytimes.com/click.phdo?i=e81e1cc97031e26c33f6e4048452fc17</link>
<description><![CDATA[The Two River Theater Company in Red Bank, N.J., is staging a broad production of Shakespeare’s “Midsummer Night’s Dream.”.


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<title>&#x2018;Brighton Beach Memoirs&#x2019; to Close</title>
<link>http://feeds.nytimes.com/click.phdo?i=7685b700aea54b8258c8f3122a4879a5</link>
<description><![CDATA[The Broadway revival of Neil Simon’s “Brighton Beach Memoirs” will close on Sunday, and the companion production of Mr. Simon’s “Broadway Bound” will not open as planned.


]]></description>
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<title>Theater Review | &#x27;Finian&#x2019;s Rainbow&#x27;: A Pot of Sunny Gold in Those Green Hills</title>
<link>http://feeds.nytimes.com/click.phdo?i=f7f6a7943f350be4b7cc6be820bd8dfb</link>
<description><![CDATA[All the comforting pleasures of musical comedy are on abundant display in this thoroughly winning production.


]]></description>
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<title>Whispers Offstage? Could Be Actor&#x2019;s Next Line</title>
<link>http://feeds.nytimes.com/click.phdo?i=17d2e12405625ae9db885a1bd94ad2dd</link>
<description><![CDATA[Although line prompters once played a part in theater, audiences now expect that actors will know their parts.


]]></description>
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<title>Theater Review |&#x27;Antigone&#x27;: Sophoclean Tragedy, Served Neat</title>
<link>http://feeds.nytimes.com/click.phdo?i=7b36e4d67a189847dcd21ea643eba872</link>
<description><![CDATA[This production of “Antigone,” staged by Anne Bogart, seems more interested in universal themes than contemporary relevance.


]]></description>
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