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  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815008/the-39-steps-and-shoot-the-piano-player-blow-up-conventions-of-the-comic-thriller" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381846207/fall-preview-anthology-film-archives-revives-the-public-mischief-of-robert-downey-sr" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815009/the-pool-s-cinematic-outsourcing" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815010/latinbeat-now-with-more-movies-and-more-chile" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815011/overlooked-and-undervalued-the-films-of-jerry-schatzberg" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815012/jamie-bell-gets-his-freak-on-in-mister-foe" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815013/the-house-of-adam" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815014/august-evening" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815015/the-pool" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815017/everybody-wants-to-be-italian" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815018/ping-pong-playa" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/381815019/save-me" />
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http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4666864.ece#cid=OTC-RSS&#x26;attr=1063710
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</items>
</channel>

<item rdf:about="http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The Dark Knight: The IMAX Experience - Must Go! - Bitter Sweet</title>
<link>http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[I found myself shaken after seeing the Dark Knight. It was by far the best movie I have seen this summer and possibly ever. However, knowing I will never get to see Heath Ledger reprise his role as Joker leaves me feeling sad. After all the hype I was a little bit skeptical, yet as he took over the film and made me anxiously await the next scene he would be in, I knew that he lived up to the high hopes and well beyond. For those of you who say the movie was too long, I couldn't disagree more. While it was a long film and there were a few places where the movie could have have ended, I was more than relieved each time the film continued on. Seeing it on the IMAX screen was spectacular. It felt as if I was included in each action scene. I honestly do not see how they could possibly make another Batman movie after this one. It surpassed the original, and now that Ledger has passed, the next one doesn't stand a chance (especially with talks of casting Cher as Catwoman). See this movie!]]></description>
</item>

<item rdf:about="http://www.fandango.com/thedarkknight_110469/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The Dark Knight - Must Go! - The Dark Knight</title>
<link>http://www.fandango.com/thedarkknight_110469/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[With the film being compelling and fun with a very dark twist, I have never seen a Batman movie done like this before.  It sets a more sadistic tone towards the enemy's motives, namely The Joker (Ledger).  The film also had a big change of pace with the normal superhero movies, which I will not spoil until others who read this see it on the big screen.  The point of this review.  Ledger was fantastic as The Joker, the film was long and dark to the very end, and it's a must see.  My ONLY concern of the movie was that it seemed like the film rating was close to "R" rather than PG-13.  ]]></description>
</item>

<item rdf:about="http://www.fandango.com/babylona.d._102911/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Babylon A.D. - Must Go! - A must see for Riddick fans</title>
<link>http://www.fandango.com/babylona.d._102911/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[This movie has all of the features of Vin's Riddick character, but only placed in a "not so distant future."  I must admit, I was a little disappointed with the ending, it certainly could have gone in many different directions worthy of an excellent movie.  Having said that, Vin's character makes this movie.
No surpries there!  
I guarentee for those of us that carry our "Chronicle's Of Riddick" dvds around with us, this is a must see movie.  'Nough said.......
chrisinfl


]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/383953006/cl-et-capsules5-2008sep05,0,3657505.story">
<title>

        &#x27;Mamma&#x27;s Man,&#x27; &#x27;Ping Pong Playa,&#x27; &#x27;Mister Foe,&#x27; &#x27;Love and Honor&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/383953006/cl-et-capsules5-2008sep05,0,3657505.story</link>
<description><![CDATA[At once poignant and ruefully amusing, director Azazel Jacobs' third feature, "Momma's Man," finds Mikey (Matt Boren) visiting his parents (Flo and Ken Jacobs) while on a business trip to New York City, only to discover that he can't leave.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/383953007/cl-et-girl5-2008sep05,0,6566243.story">
<title>

        Review: &#x27;A Girl Cut in Two&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/383953007/cl-et-girl5-2008sep05,0,6566243.story</link>
<description><![CDATA[Claude Chabrol's French update of an American scandal is subtle and complex.
                        
                    
                    
                        Impeccably made and uncompromisingly adult, Claude Chabrol's "A Girl Cut in Two" is unquestionably the work of a master. As well it should be, given that the celebrated French filmmaker has produced more than 50 features in a full half-century of directing. If you don't believe all that experience can come in handy, this involving and intelligent film will change your mind.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247249/cl-et-babylon1-2008sep01,0,630152.story">
<title>

        MOVIE REVIEW: &#x27;Babylon A.D.&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247249/cl-et-babylon1-2008sep01,0,630152.story</link>
<description><![CDATA[Vin Diesel stars in the sci-fi adventure that has a violent and confusing plot that's all too familiar.
                        
                    
                    
                        The gritty world-weariness that informs the first 10 minutes of the new sci-fi adventure "Babylon A.D." promises something along the lines of the daring, socially inquisitive "Children of Men," with the bonus of Vin Diesel killing people. Unfortunately, the film quickly degenerates into chases and gunfights and not much else.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247250/cl-et-disaster1-2008sep01,0,249624.story">
<title>

        &#x27;Disaster Movie&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247250/cl-et-disaster1-2008sep01,0,249624.story</link>
<description><![CDATA[The film references fly by but the comedy doesn't get off the ground.
                        
                    
                    
                        The purported fun in "Disaster Movie" is in the relentless mashing up of pop-culture references: In the first few minutes, the film gropes dazedly for "Armageddon," "10,000 B.C.," "American Gladiators," "Indiana Jones and the Kingdom of the Crystal Skull" and Amy Winehouse. Does it slow down from there? No, no, no.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247251/cl-et-college1-2008sep01,0,2797429.story">
<title>

        &#x27;College&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/380247251/cl-et-college1-2008sep01,0,2797429.story</link>
<description><![CDATA[The film is heavy on raunch and light on actual comedy or originality.
                        
                    
                    
                        Take equal parts "Superbad," "Animal House" and "Risky Business"; extract the wit, charm and originality; mix in as much beer, human excrement and upchuck as logistically possible; sprinkle liberally with nudity, homophobia and sexism; and you'll have the recipe for "College," a tedious, by-the-numbers raunch-fest that exists strictly because it can.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/379466346/cl-ca-indieeye31-2008aug31,0,1042904.story">
<title>

        &#x27;Momma&#x27;s Man&#x27; goes home and stays there</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/379466346/cl-ca-indieeye31-2008aug31,0,1042904.story</link>
<description><![CDATA[Filmmaker Azazel Jacobs casts his real-life parents in the quirky story of an adult who won't grow up.
                        
                    
                    
                        IN FILMMAKER Azazel Jacobs' new movie, "Momma's Man," the director reveals an entire family of his own idiosyncrasies -- as well as his own idiosyncratic family.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848127/cl-et-capsules29-2008aug29,0,7306809.story">
<title>

        &#x27;Beautiful Losers&#x27; is a freewheeling portrait of modern artists</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848127/cl-et-capsules29-2008aug29,0,7306809.story</link>
<description><![CDATA[Also reviewed: 'I Served the King of England'; 'Another Gay Sequel: Gays Gone Wild!'
                        
                    
                    
                        The age-old question "What is art?" is again considered in the colorful and spirited documentary "Beautiful Losers," an absorbing look at how a circle of dispossessed young artists from the 1990s eventually found its way to mainstream success.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848128/cl-et-red29-2008aug29,0,4103415.story">
<title>

        &#x27;Red&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848128/cl-et-red29-2008aug29,0,4103415.story</link>
<description><![CDATA[Small-town rifts are convincingly exposed as hatred is unleashed.
                        
                    
                    
                        In "Red," an elegant and deceptively straightforward dramatic thriller, Av Ludlow (Brian Cox) is out fishing one day with his old dog when a trio of teenagers comes along and shoots the pooch dead for no reason. That act of violence sets in motion a chain of events that profoundly changes the characters, with effects more far-ranging than any can imagine.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848129/cl-et-noreview29-2008aug29,0,3426397.story">
<title>

        &#x27;Babylon A.D.,&#x27; &#x27;College,&#x27; Disaster Movie&#x27; reviews delayed</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/377848129/cl-et-noreview29-2008aug29,0,3426397.story</link>
<description><![CDATA[Film distributors decline to make the movies available for early screenings.
                        
                    
                    
                        "Babylon A.D.," a PG-13-rated science-fiction film starring Vin Diesel; "College," an R-rated comedy starring Drake Bell; and "Disaster Movie," a PG-13 spoof, open in theaters today. The films' distributors -- 20th Century Fox, MGM and Lionsgate, respectively -- did not screen the movies for critics.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/375941679/cl-et-traitor27-2008aug27,0,1770718.story">
<title>

        Movie review: &#x27;Traitor&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/375941679/cl-et-traitor27-2008aug27,0,1770718.story</link>
<description><![CDATA[Don Cheadle reaffirms his excellence in a good, terrorism-themed thriller that also features Guy Pearce and Jeff Daniels.
                        
                    
                    
                        "Traitor" asks a question that can be answered only by that cruel mistress, the marketplace: How much moral ambiguity and narrative intricacy will an audience handle in the realm of a terrorism-themed contemporary thriller? Enough, I hope, to respond to "Traitor." It tells a good, snakelike story, slithering in some unpredictable directions.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/traitor_nachmanoff">
<title>Traitor</title>
<link>http://www.newyorker.com/arts/reviews/film/traitor_nachmanoff</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/the_house_bunny_wolf">
<title>The House Bunny</title>
<link>http://www.newyorker.com/arts/reviews/film/the_house_bunny_wolf</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/i_served_the_king_of_england_menzel">
<title>I Served the King of England</title>
<link>http://www.newyorker.com/arts/reviews/film/i_served_the_king_of_england_menzel</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/09/08/080908gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/09/08/080908gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        AUGUST EVENING 
        A drama, directed by Chris Eska, about several generations of Latino migrant workers in Texas. Opening Sept. 5. (Village East Cinemas.) 
          
        BANGKOK DANGEROUS 
        Reviewed this week in The Current Cinema. Opening Sept. 5. (In wide release.) 
          
        EVERYBODY WANTS TO BE ITALIAN 
        Jason Todd Ipson directed this romantic&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/a_secret_miller">
<title>A Secret</title>
<link>http://www.newyorker.com/arts/reviews/film/a_secret_miller</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/trouble_the_water_deal">
<title>Trouble the Water</title>
<link>http://www.newyorker.com/arts/reviews/film/trouble_the_water_deal</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/tropic_thunder_stiller">
<title>Tropic Thunder</title>
<link>http://www.newyorker.com/arts/reviews/film/tropic_thunder_stiller</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/mommas_man_jacobs">
<title>Momma&#x27;s Man</title>
<link>http://www.newyorker.com/arts/reviews/film/mommas_man_jacobs</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/hamlet_2_fleming">
<title>Hamlet 2</title>
<link>http://www.newyorker.com/arts/reviews/film/hamlet_2_fleming</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol">
<title>A Girl Cut in Two</title>
<link>http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18139784/review/22700385/trouble_the_water?source=movie_reviews_rssfeed">
<title>Trouble the Water</title>
<link>http://www.rollingstone.com/reviews/movie/18139784/review/22700385/trouble_the_water?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Kendall "Wink" Rivers, Scott Roberts
Review:
A star is born. Her name is Kimberly Rivers Roberts. Your never
heard of her. Not yet. Roberts didn't write or direct Trouble
the Water, the behind-the-camera artistry in this wallop of a
movie is handled by the extraordinary team of Tia Lessin and Carl
Deal. Trouble the Water is a documentary, an unforgettable
one. It's an account of Hurricane Katrina from the inside. Kimberly
Rivers Roberts and her husband Scott Roberts were stuck in New
Orleans, without the money to get out. So they stayed and helped
their neighbors and shot footage of Katrina as she attacked,
footage like you've never seen, jaw-dropping scenes of the city
before, during and after Katrina struck. The heroism on view here
is indisputable. You never see fear as Kimberly, 26, rushed to help
her friends and...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed">
<title>Vicky Cristina Barcelona</title>
<link>http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Penelope Cruz, Javier Bardem, Scarlet Johansson
Review:
Woody Allen goes latin (you heard me), and the romantic, richly
comic result &mdash; powered by a dream cast &mdash; is his sexiest
movie ever. Shooting in Spain has loosened up the Woodman. You want
plot? Two American girls, Vicky (Rebecca Hall) and Cristina
(Scarlett Johansson), spend the summer at the Barcelona hideaway of
Vicky's pals, Mark (Kevin Dunn) and Judy (the ever-glorious
Patricia Clarkson). No sooner do the girls spot Juan Antonio
(Javier Bardem), a bedroom-eyed painter, than he's hitting on both
of them. So far, so predictable. What sparks the movie is
Pen&eacute;lope Cruz as Maria Elena, the painter's ex-wife, a
fireball given to strong emotions &mdash; hell, she once stabbed
Juan Antonio during an argument. You haven't lived till you've
heard Cruz and Bardem trading Woody Allen o...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed">
<title>Hamlet 2</title>
<link>http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Steve Coogan, Catherine Keener
Review:
Don't expect a night with The Bard. This cuckoo farce asks: Can an
L.A. actor stuck doing ads for herpes cures find happiness by
moving to Tucson and teaching drama to high schoolers? Probably
not. But you'll be wearing a happy face for two hours watching the
brilliant Brit comic Steve Coogan play him. Him being Dana Marschz
(pronounced Mars-chhh-zzz by those who dare), a sterile
recovering alcoholic who gets slagged regularly by a snotty kid
critic for staging movies (Dead Poets Society, Erin
Brockovich) as plays. "He fisted us," cries Dana. Pumped by
the addition of Latin students to his class of whitey Christians
and closeted gays, Dana rouses himself &mdash; not with his wife
(the dry, dazzling Catherine Keener), who's boinking their friend
(David Arquette), but by creating an original...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed">
<title>Tropic Thunder</title>
<link>http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Ben Stiller, Jack Black, Robert Downey Jr., Steve Coogan, Jay
Bar...
Review:
Think of all the ways you can hurt yourself laughing, as in fall
down, split your sides, bust a gut, blow your mind. You get it all
in Tropic Thunder, a knockout of a comedy that keeps you
laughing constantly. It's also killer smart, lacing combustible
action with explosive gags. Major props to Ben Stiller, the
director, co-producer, co-writer and co-star, who shows us
Hollywood at war with its own ginormous ego during the making of a
megabudget Vietnam War movie with an uproariously inept cast and
crew. Stiller took flak for the other three movies he's directed:
1994's Reality Bites was allegedly too soft, 1996's
The Cable Guy too dark, 2001's Zoolander too
airy-fairy. Confession: I liked them all. And I'm nuts about
Tropic Thunder, with its dynamite script by Stiller,
Justin Theroux and...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed">
<title>American Teen</title>
<link>http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Hannah Bailey, Colin Clemens, Megan Krizmanich, Jake Tusing
Review:
Reality tv, welcome to the multiplex. If The Hills went
back to high school and developed wit, perception and a conscience,
it might play something like Nanette Burstein's wallop of a doc.
Burstein (The Kid Stays in the Picture) did total
immersion with a handful of seniors at the only high school in
Warsaw, Indiana, which we're told is "mostly white, mostly
Christian and red state all the way." It's not all condescending; a
church sign announces, "Get an Afterlife." Camera in hand for more
than 10 months, Burstein waited patiently for character types out
of a John Hughes movie to shake off their clich&eacute;d shells
&mdash; the prom queen (Megan Krizmanich), the star athlete (Colin
Clemens), the band geek (Jake Tusing), the arty rebel (Hannah
Bailey). The fact that they do, sometimes by happy...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed">
<title>Step Brothers</title>
<link>http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Will Ferrell, John C. Reilly, Mary Steenburgen, Richard Jenkins,
...
Review:
Starting at infantile and regressing hysterically from there,
Step Brothers flies on the comic chemistry of Will Ferrell
and John C. Reilly. They riffed on the baby Jesus in Talladega
Nights. Now they're goofing on grown men who stay babies. Are
you ready to see Ferrell rub his hairy nut sack on Reilly's drum
set? You better be. Step Brothers, directed by Adam McKay
from a story by McKay, Ferrell and Reilly (so you know who to hold
responsible), pushes its R rating to the merry max. I'd better
explain. Ferrell plays Brennan Huff, 39, a sleepwalker and chronic
masturbator who lives with his divorced mom (Mary Steenburgen).
Reilly plays Dale Doback &mdash; even more of a slacker, since he's
a year older &mdash; who lives with his widowed dad (Richard
Jenkins). When the parents marry, Brennan...
Rating:
2.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/tropic_thunder/">
<title>84% Tropic Thunder</title>
<link>http://www.rottentomatoes.com/m/tropic_thunder/</link>
<description><![CDATA[With biting satire, plenty of subversive humor, and an unforgettable turn by Robert Downey, Jr., Tropic Thunder is a triumphant late Summer comedy.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/babylon_ad/">
<title>7% Babylon A.D.</title>
<link>http://www.rottentomatoes.com/m/babylon_ad/</link>
<description><![CDATA[A poorly constructed, derivative sci-fi stinker with a weak script and poor action sequences.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/the_dark_knight/">
<title>94% The Dark Knight</title>
<link>http://www.rottentomatoes.com/m/the_dark_knight/</link>
<description><![CDATA[Dark, complex and unforgettable, The Dark Knight succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/house_bunny/">
<title>39% The House Bunny</title>
<link>http://www.rottentomatoes.com/m/house_bunny/</link>
<description><![CDATA[Anna Faris is game, but she can't salvage this middling, formulaic comedy.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009243-traitor/">
<title>53% Traitor</title>
<link>http://www.rottentomatoes.com/m/10009243-traitor/</link>
<description><![CDATA[Despite another reliable performance from Don Cheadle, Traitor suffers from too many cliches and an unfocused narrative.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/death_race/">
<title>40% Death Race</title>
<link>http://www.rottentomatoes.com/m/death_race/</link>
<description><![CDATA[Mindless, violent, and lightning-paced, Death Race is little more than an empty action romp.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/disaster_movie/">
<title>0% Disaster Movie</title>
<link>http://www.rottentomatoes.com/m/disaster_movie/</link>
<description><![CDATA[Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Friedberg and Seltzer have produced what is arguably their worst Movie yet.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/mamma_mia/">
<title>54% Mamma Mia!</title>
<link>http://www.rottentomatoes.com/m/mamma_mia/</link>
<description><![CDATA[This jukebox musical is full of fluffy fun but rough singing voices and a campy tone might not make you feel like "You Can Dance" the whole 90 minutes.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/pineapple_express/">
<title>68% Pineapple Express</title>
<link>http://www.rottentomatoes.com/m/pineapple_express/</link>
<description><![CDATA[Both funny and scatter shot, this loose-knit action/buddy/stoner comedy bridges genres and keeps a steady tempo of low ball laughs.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/clone_wars/">
<title>20% The Clone Wars</title>
<link>http://www.rottentomatoes.com/m/clone_wars/</link>
<description><![CDATA[Mechanical animation and a less-than stellar script make The Clone Wars a pale shadow of George Lucas' once great franchise.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94312323&#x26;ft=1&#x26;f=1045">
<title>Voiceover Mix-Up: Who&#x27;s Who In Movie Trailers</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94312323&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In our remembrance of movie trailer announcer Don LaFontaine on Wednesday, we played a wrong clip. Today, we set the record straight and add a little confusion to the mix.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94243978&#x26;ft=1&#x26;f=1045">
<title>&#x27;Cuckoo&#x27;s Nest&#x27; Hospital Being Replaced</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94243978&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Oregon is replacing the infamous mental hospital portrayed in the Academy Award-winning film One Flew Over the Cuckoo's Nest with a new facility. Dr. Marvin D. Fickle, former superintendent of the Oregon State Hospital, calls it a "fairly gloomy kind of place."]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94223431&#x26;ft=1&#x26;f=1045">
<title>King Of Voiceovers Don LaFontaine Dies</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94223431&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Voiceover artist Don LaFontaine died this week at Cedars-Sinai Medical Center in Los Angeles from complications of an ongoing illness. He was 68. LaFontaine was the voice behind thousands of movie trailers. In 2006, he parodied himself in a Geico commercial.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94203826&#x26;ft=1&#x26;f=1045">
<title>Don LaFontaine, Voice Of Movie Trailers, Dies</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94203826&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Don LaFontaine, the man who popularized the catch phrase "In a world where..." and lent his voice to thousands of movie trailers, has died. He was 68. His agent said LaFontaine died Monday in Los Angeles from complications in the treatment of an ongoing illness.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94202522&#x26;ft=1&#x26;f=1045">
<title>The &#x27;Bechdel Rule,&#x27; Defining Pop-Culture Character</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94202522&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Two decades ago, cartoonist Alison Bechdel spelled out a test for whether a movie was worth her time. "Yes" if: it (a) featured at least two women who (b) talk to each other about (c) something other than a man. Two decades later, what measures up?]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94117753&#x26;ft=1&#x26;f=1045">
<title>Fall Movies: Corsets, Crises, Comedies And Cranks</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94117753&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Superhero season is over: Hollywood's looking for box-office gold (and awards-season love) with lavish costume dramas, sweeping wartime epics, and an ambitious comedy or two. Critic Bob Mondello scans the horizon.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94176896&#x26;ft=1&#x26;f=1045">
<title>Animator, Director And Writer Andrew Stanton</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94176896&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Andrew Stanton co-wrote and directed  the Pixar animated film Wall-E.  He also wrote and directed Finding Nemo, which was awarded an Oscar for Best Animated Feature Film in 2004, and co-wrote Monsters Inc., Toy Story and A Bugs Life.  He joined Pixar in 1990 and was the company's second animator and ninth employee.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94176909&#x26;ft=1&#x26;f=1045">
<title>Band Of Brothers: Ferrell, Reilly And McKay</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94176909&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Actors Will Ferrell and John C. Reilly teamed up with writer/director Adam McKay for the comedy Step Brothers, about two underemployed, underachieving middle-aged men who each live with their single parent. They are forced to become stepbrothers when their parents marry. The three also teamed up for the comedy Talladega Nights: The Ballad of Ricky Bobby. McKay and Ferrell also worked on Anchorman: The Legend of Ron Burgundy.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94154484&#x26;ft=1&#x26;f=1045">
<title>An Oscar Crop With An Instinct For Change</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94154484&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Forty years ago, the best picture nominees signaled a stirring in Hollywood &mdash; an appetite for revolutionary realism, socially conscious stories and movies targeted at the long-ignored youth audience.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94140677&#x26;ft=1&#x26;f=1045">
<title>Sex And The Cinema</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94140677&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Amid the special effects of this summer's movies, a different sort of fireworks has emerged: people's conflicting feelings about lust. Film critic Desson Thomson talks about two movies with different takes on sensuality: the Woody Allen comedy Vicky Cristina Barcelon and the drama Elegy, based on a Philip Roth novel.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94108243&#x26;ft=1&#x26;f=1045">
<title>&#x27;Year Of The Fish&#x27;: A Cinderella Story, In Chinatown</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94108243&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A pretty, plucky heroine, a wicked massage-parlor proprietress, and a handsome-prince figure more perceptive than most &mdash; this modern fairy tale stays breezy, brisk and down to Earth.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94105708&#x26;ft=1&#x26;f=1045">
<title>Summary Judgment: Yet Another &#x27;College&#x27; Movie?</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94105708&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Do we really need another SuperBad-esque comedy? Slate.com's Mark Jordan Legan tells us what the critics are saying about College as well as the latest sci-fi flick, Babylon AD starring Vin Diesel and  Traitor starring Don Cheadle.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94100777&#x26;ft=1&#x26;f=1045">
<title>&#x27;Trouble The Water&#x27; Captures Katrina On Camcorder</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94100777&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[As New Orleans' levees buckled, Kimberly Rivers Roberts turned her video camera on marooned friends, relatives and neighbors. Roberts' footage has been adapted into a powerful documentary that is as much about America as it is about the deadly storm.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94081648&#x26;ft=1&#x26;f=1045">
<title>Film Shows Close-Up View Of Katrina Survival</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94081648&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[When the floodwaters in New Orleans trapped Kimberly Rivers Roberts and her husband, Scott, in their home, she turned on her new video camera. The footage she shot &mdash; and their story &mdash; is part of a new documentary, "Trouble The Water."]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94017561&#x26;ft=1&#x26;f=1045">
<title>Don Cheadle&#x27;s Spy Turn</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94017561&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In his latest movie, Traitor, Don Cheadle plays a CIA operative who goes undercover to work with a terrorist group &mdash; but then becomes a suspected terrorist himself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities — nominees, award presenters, performers and members of their entourages — is escalating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars — a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations — 19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815008/the-39-steps-and-shoot-the-piano-player-blow-up-conventions-of-the-comic-thriller">
<title>The 39 Steps and Shoot the Piano Player Blow Up Conventions of the Comic Thriller</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815008/the-39-steps-and-shoot-the-piano-player-blow-up-conventions-of-the-comic-thriller</link>
<description><![CDATA[The 39 Steps, revived this week in a new print at the BAMCin&eacute;matek, was the most successful and remains the most celebrated of Alfred Hitchcock's British movies&mdash;twice remade and currently staged on Broadway. It is also the movie with which Hitchcock became Hitchcock.

T...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381846207/fall-preview-anthology-film-archives-revives-the-public-mischief-of-robert-downey-sr">
<title>Anthology Film Archives Revives the Public Mischief of Robert Downey Sr.</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381846207/fall-preview-anthology-film-archives-revives-the-public-mischief-of-robert-downey-sr</link>
<description><![CDATA[Anarchically whimsical and countercultural with a capital C, the early underground comedies of Robert Downey Sr. (Putney Swope) will no longer be rarities now that Martin Scorsese's Film Foundation has restored his Babo 73 (1964), Chafed Elbows (1966), and the most uproarious of...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815009/the-pool-s-cinematic-outsourcing">
<title>The Pool&#x27;s Cinematic Outsourcing</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815009/the-pool-s-cinematic-outsourcing</link>
<description><![CDATA[Is there a crisis among America's film independents? Are indolence, indifference, and commercial stagnation sucking the lifeblood out of U.S. movies? Chris Smith may have the solution: Leave the country entirely. Cast non- actors. Let them speak Hindi.

You can call it cinematic outsourcin...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815010/latinbeat-now-with-more-movies-and-more-chile">
<title>Latinbeat, Now With More Movies and More Chile</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815010/latinbeat-now-with-more-movies-and-more-chile</link>
<description><![CDATA[Latinbeat, the Film Society of Lincoln Center's yearly survey of new and classic Latin-American films, is now twice as long and twice as Chilean. Due to popular demand, this year's edition spans an extra nine days and, alongside a citywide centennial celebration of Brazilian writer Machado de Ass...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815011/overlooked-and-undervalued-the-films-of-jerry-schatzberg">
<title>Overlooked and Undervalued, the Films of Jerry Schatzberg</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815011/overlooked-and-undervalued-the-films-of-jerry-schatzberg</link>
<description><![CDATA[Recently, Julian Schnabel has navigated a relatively successful transition from the art world to the movie world. But in the 1970s, the photographer turned filmmaker Jerry Schatzberg had a much tougher go of it&mdash;at least here in America.

It was Schatzberg who took some of the most ic...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815012/jamie-bell-gets-his-freak-on-in-mister-foe">
<title>Jamie Bell Gets His Freak on in Mister Foe</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815012/jamie-bell-gets-his-freak-on-in-mister-foe</link>
<description><![CDATA[Young Hallam Foe (Jamie Bell) is convinced that his stepmother (Claire Forlani) accelerated her upward trajectory from dad's secretary to dad's wife by offing his mom, but the coroner says it was suicide. An unswayed Hallam sublimates his grief and loathing into spying on couples going at it, dad...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815013/the-house-of-adam">
<title>The House of Adam</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815013/the-house-of-adam</link>
<description><![CDATA[Suspecting that he's being robbed, the owner of a small-town diner asks his married son, Anthony (John Shaw), to return from college and spy on his only employee, Adam (Jared Cadwell). Within three minutes of screen time, Anthony cuts himself in the kitchen, Adam grinningly sticks the bloody fing...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815014/august-evening">
<title>August Evening</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815014/august-evening</link>
<description><![CDATA[There are stories that depict how resilient family bonds are in times of duress, and those that reject such rosy ideals to show how tenuous even blood relationships can be, but first-timer Chris Eska's Spanish-language drama (and Spirit Award winner for Best Feature Under $500,000) quietly and bi...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815015/the-pool">
<title>The Pool</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815015/the-pool</link>
<description><![CDATA[Leaving Milwaukee to tell an indigenous tale of life on India's west coast, director Chris Smith inevitably brings an outsider's eye. Instead of a collection of souvenir-tchotchke exotic vistas, The Pool is an album of observed human minutiae: of kids hustling rupees by reselling plastic bags, an...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815016/a-secret">
<title>A Secret</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815016/a-secret</link>
<description><![CDATA[Based on the roman &agrave; clef by Philippe Grimbert, a French-Jewish psychoanalyst whose parents committed suicide when he was young, Claude Miller's World War II domestic drama is unusually attentive to the way that the Holocaust disrupted lives that were messy enough to begin with. Not one bu...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815017/everybody-wants-to-be-italian">
<title>Everybody Wants to Be Italian</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815017/everybody-wants-to-be-italian</link>
<description><![CDATA[Less a movie than a charm offensive beamed at those who thought My Big Fat Greek Wedding was a masterpiece, writer-director Jason Todd Ipson's all-too-autobiographical romantic comedy stars Jay Jablonski as Jake, an addled Boston fishmonger with little to distinguish him beyond a fine set ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815018/ping-pong-playa">
<title>Ping Pong Playa</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815018/ping-pong-playa</link>
<description><![CDATA[Documentary filmmaker Jessica Yu takes a breather from chronicling heavy-duty outsider artists (In the Realms of the Unreal) and extremists (Protagonist) to try her hand at a popcorn send-up of identity politics you can take the kids to&mdash;and it's not half-bad. Burdened with a p...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/381815019/save-me">
<title>Save Me</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/381815019/save-me</link>
<description><![CDATA[Save Me's plot sounds like a ripped-from-the-headlines gay play circa five years ago, but the film itself subverts expectation. Mark (Chad Allen) is a young New Mexico man who's crashing from a crystal-meth-fueled sex binge when his brother sends him to a remote desert ministry house run b...
  
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4666864.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Don LaFontaine, voice of the Hollywood film trailer, dies</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4666864.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Listen to the voice 
of Don LaFontaine	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4668507.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>The Duchess</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4668507.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4668488.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>RocknRolla</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4668488.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4534254.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Vote for your favourite Alfred Hitchcock</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4534254.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Much 
more on our Hitchcock microsite	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4668188.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Hitchcock&#x27;s 50 most memorable moments</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4668188.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Vote 
for you favourite Hitchcock classic I Win 
a DVD box set Much 
more on our Hitchcock microsite	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4668197.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Alfred Hitchcock: the reviews &#x26;#45; from our archive</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4668197.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
The 
39 Steps, June 6, 1935 
Mr Alfred Hitchcock&#8217;s treatment of the story gives us a first&#45;rate film of 
adventure edged with comedy . . . Its climax verges upon ingenuity of the 
kind that we resent, but by the time it has been reached we have been much 
too well entertained to think of resenting it.	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4670206.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Rachel Getting Married</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4670206.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4618799.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Burn After Reading</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4618799.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4653020.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Ponyo On The Cliff By The Sea</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4653020.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4654867.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Birdwatchers</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4654867.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
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