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<dc:date>2008-10-06T11:13+23:00
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  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/407707949/a-whimsical-gust-of-nothing-in-the-pleasure-of-being-robbed" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/407707952/just-buried-s-snickering-tone-provides-a-few-sour-laughs" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/407707953/bill-maher-makes-an-adolescent-case-against-religion-in-religulous-muslim-comics-play-it-safe-in-allah-made-me-funny" />
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  <rdf:li rdf:resource="
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</channel>

<item rdf:about="http://www.fandango.com/beverlyhillschihuahua_114649/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Beverly Hills Chihuahua - Go - Great Fun!</title>
<link>http://www.fandango.com/beverlyhillschihuahua_114649/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[I went with my grandkids and daughter to see this and we all had fun!  Cute without being obnoxiously so, nice story.  Good laughs for the adults too.]]></description>
</item>

<item rdf:about="http://www.fandango.com/fireproof_117527/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Fireproof - Must Go! - Must go</title>
<link>http://www.fandango.com/fireproof_117527/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[It's so refreshing to see a movie with true marriage and family values. We took our grown and married children to see it. My husband and I have been married for 30 years and enjoyed the depth of emotion the movie envoked. Should be required viewing for all engaged couples.]]></description>
</item>

<item rdf:about="http://www.fandango.com/nickandnorah&#x27;sinfiniteplaylist_112604/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Nick and Norah&#x27;s Infinite Playlist - Must Go! - nick and norahs is a wonderful comedy</title>
<link>http://www.fandango.com/nickandnorah&#x27;sinfiniteplaylist_112604/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[just saw it at premire and no matter what others say i am a minor critic and its a charming masterpice about life,love, and putting up with drunk best friends(you have too see it to understand!) 5/5 10/10]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/412550931/cl-et-carol6-2008oct06,0,1686715.story">
<title>

        &#x27;An American Carol&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/412550931/cl-et-carol6-2008oct06,0,1686715.story</link>
<description><![CDATA[The comedy from David Zucker has a silly, slapdash quality that lacks any real satirical bite, but there are some amusing moments.
                        
                    
                    
                        If "An American Carol" contained any real bite or intelligence, those so inclined could've legitimately griped about its shallow anti-liberalism. But given that this supremely silly satire directed by "The Naked Gun's" David Zucker (from a script he wrote with Myrna Sokoloff and Lewis Friedman) plays more like something slapped together to beat an expiration date, it's hard to get too worked up about it.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/410917740/cl-et-capsules4-2008oct04,0,1822493.story">
<title>

        &#x27;Mentor,&#x27; &#x27;The Violent Kind&#x27; reviews</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/410917740/cl-et-capsules4-2008oct04,0,1822493.story</link>
<description><![CDATA['Mentor' flunks the quality test]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/406017716/cl-et-capsules29-2008sep29,0,2780235.story">
<title>

        &#x27;Smother,&#x27; with Diane Keaton, Dax Shepard</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/406017716/cl-et-capsules29-2008sep29,0,2780235.story</link>
<description><![CDATA[Also: 'Fireproof' and 'Freebird'
                        
                    
                    
                        "Smother," a fairly standard story of a young man (Dax Shepard) and his overbearing mother (Diane Keaton), treads a lot of the same ground as Albert Brooks' "Mother" and even such recent Keaton vehicles as "The Family Stone," "Because I Said So" and "Mama's Boy." Why a performer as gleefully game and wittily wise as Keaton must now be subjected to such self-same material is a question perhaps only she, her agent and the cruel fates of Hollywood can answer.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527053/cl-et-capsules26-2008sep26,0,420933.story">
<title>

        &#x27;August Evening&#x27; is worth lingering for</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527053/cl-et-capsules26-2008sep26,0,420933.story</link>
<description><![CDATA[Also: 'Days and Clouds,' 'The Amazing Truth About Queen Raquela,' 'Forever Strong' and more
                        
                    
                    
                        Be patient. Be very, very patient. That's the recommended mantra for watching "August Evening," a poignant film filled with ample rewards for those who submit to its leisurely pace and gentle observations. Writer-director-editor Chris Eska has turned a simple story of family bonds and immigrant hardships into a kind of mini-saga that quietly yet vividly sweeps us into its well-drawn characters' plainly compelling lives.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527054/cl-et-battle26-2008sep26,0,3077944.story">
<title>

        &#x27;Battle in Seattle&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527054/cl-et-battle26-2008sep26,0,3077944.story</link>
<description><![CDATA[Director Stuart Townsend can't quite properly portray the 1999 protests against the World Trade Organization.
                        
                    
                    
                        They call it "Battle in  Seattle," but it's safe to say that the mayhem that took place in that city's streets over five days in 1999 does not have the name recognition  for most Americans of Gettysburg, Iwo Jima or even Bunker Hill. Stuart Townsend's new film attempts to change all that, with mixed results.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527055/cl-et-miracle26-2008sep26,0,5136028.story">
<title>

        &#x27;Miracle at St. Anna&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527055/cl-et-miracle26-2008sep26,0,5136028.story</link>
<description><![CDATA[In his World War II epic, Spike Lee dramatizes the all-black Buffalo Soldiers' battles at home and abroad, but comes up short.
                        
                    
                    
                        AN IMPORTANT story indifferently told, Spike Lee's "Miracle at St. Anna" shows what happens when a film's execution does not measure up to its ideas.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527056/cl-et-eagle26-2008sep26,0,7456162.story">
<title>

        &#x27;Eagle Eye&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527056/cl-et-eagle26-2008sep26,0,7456162.story</link>
<description><![CDATA[Shia LaBeouf and Billy Bob Thornton are featured in a D.J. Caruso film that tries to get viewers worked up about cyber-surveillance.
                        
                    
                    
                        "Eagle Eye" is a thriller only a Global Positioning System could love. I suppose if I weren't still using regional positioning systems (they're called "maps"), I might be more interested in all the cyber-techno-harum-scarum and the showy transitional sequences depicting a vast surveillance network as seen from space, or the outermost Google map perspective.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527057/cl-et-rodanthe26-2008sep26,0,2653747.story">
<title>

        &#x27;Nights in Rodanthe&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527057/cl-et-rodanthe26-2008sep26,0,2653747.story</link>
<description><![CDATA[Diane Lane and Richard Gere reteam in a seaside-set romance.
                        
                    
                    
                        The celebrated theater director and playwright George C. Wolfe has spearheaded some dazzlingly cinematic works for the stage, including the musicals "Jelly's Last Jam" and "Bring in 'da Noise, Bring in 'da Funk" -- fluid, provocative, terrific shows. Now in his feature film directorial debut, Wolfe has brought in 'da hunk of cheese known as "Nights in Rodanthe." And the comparative savvy Wolfe showed in HBO's stage-to-TV transfer of "Lackawanna Blues" has gone missing.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527058/cl-et-choke26-2008sep26,0,3514812.story">
<title>

        &#x27;Choke&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527058/cl-et-choke26-2008sep26,0,3514812.story</link>
<description><![CDATA[Sam Rockwell's talent for sardonic aloofness serves a film based on Chuck Palahniuk's novel.
                        
                    
                    
                        Scruffy and sloppy, and not without a filthy charm, "Choke" is writer-director Clark Gregg's adaptation of Chuck Palahniuk's 2001 novel of sex addiction and mother issues, and it plays out not unlike its central character's life: fumbling toward sentimental closure but ironically surer-footed on matters of debauchery and comic meanness.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527060/cl-et-lucky26-2008sep26,0,416246.story">
<title>

        In &#x27;The Lucky Ones,&#x27; Iraq war vets come home</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/403527060/cl-et-lucky26-2008sep26,0,416246.story</link>
<description><![CDATA[Tim Robbins, Rachel McAdams and Michael Pena star in a film that hews to the home-front and road-movie genres.
                        
                    
                    
                        A good film, one of a handful of dramatically viable and necessary features to emerge from America's occupation of Iraq, came out of the Toronto  film festival earlier this month.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/religulous_charles">
<title>Religulous</title>
<link>http://www.newyorker.com/arts/reviews/film/religulous_charles</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/rachel_getting_married_demme">
<title>Rachel Getting Married</title>
<link>http://www.newyorker.com/arts/reviews/film/rachel_getting_married_demme</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/nights_and_weekends_gerwig">
<title>Nights and Weekends</title>
<link>http://www.newyorker.com/arts/reviews/film/nights_and_weekends_gerwig</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/nick_and_norahs_infinite_playlist_sollett">
<title>Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.newyorker.com/arts/reviews/film/nick_and_norahs_infinite_playlist_sollett</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        ASHES OF TIME REDUX 
        The director Wong Kar-Wai&#8217;s reworking of his 1994 adaptation of a martial-arts novel, starring Leslie Cheung, Brigitte Lin, Tony Leung Chiu Wai, and Tony Leung Ka Fai. In Cantonese. Opening Oct. 10. (Angelika Film Center and Lincoln Plaza Cinemas.) 
          
        BODY OF LIES 
        Reviewed&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/eagle_eye_caruso">
<title>Eagle Eye</title>
<link>http://www.newyorker.com/arts/reviews/film/eagle_eye_caruso</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/10/13/081013crci_cinema_denby">
<title>David Denby: &#x22;Body of Lies&#x22; and &#x22;Happy-Go-Lucky.&#x22;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/10/13/081013crci_cinema_denby</link>
<description><![CDATA[There&#8217;s a startling moment in &#8220;Body of Lies,&#8221; the potent new thriller directed by Ridley Scott--a moment that not only crystallizes what the movie is about but shrewdly demonstrates the ironies of asymmetrical warfare in the age of terror. The hardworking C.I.A. field agent Roger Ferris (Leonardo DiCaprio) has&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/chouga_omirbaev">
<title>Chouga</title>
<link>http://www.newyorker.com/arts/reviews/film/chouga_omirbaev</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/blindness_meirelles">
<title>Blindness</title>
<link>http://www.newyorker.com/arts/reviews/film/blindness_meirelles</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/night_and_day_sang-soo">
<title>Night and Day</title>
<link>http://www.newyorker.com/arts/reviews/film/night_and_day_sang-soo</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed">
<title>Miracle at St. Anna</title>
<link>http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Omar Benson Miller, Michael Ealy, Derek Luke, Laz Alonso
Review:
Critics are raining down hard on Spike Lee's first war epic. And
it's not like I don't have objections. Miracle at St. Anna
is too long, lazily constructed, and crammed with too many
characters and subplots for any director to develop fully outside
of an HBO miniseries. But Lee isn't any director. He's an
African-American maverick with a legit gripe against the white face
that Hollywood puts on war. The first scene in Miracle
shows us a black World War II veteran watching John Wayne on TV
lording it over the D-Day invasion in The Longest Day. "We
fought that war too," says the vet. Point taken.
It's no surprise that Lee decided to make a film of James
McBride's well-received novel about the Buffalo Soldiers, black GIs
segregated from the regular Army, who served with the 92nd
Infantry...
Rating:
2 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed">
<title>Eagle Eye</title>
<link>http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Shia LaBeouf, Michelle Monaghan
Review:
Questions: Did everyone involved in this botched thriller OD on
speed? Does jimmy-legs director D.J. Caruso think if he slowed down
the action we'd figure out how stupid the plot is? Did Shia LaBeouf
and Michelle Monaghan think there was any acting involved in
playing characters on the run from a computer intent on global
domination? Are BlackBerrys and iPhones the enemy because they make
us easy for the computer to track? Can the computer make me forget
this movie?
Rating:
1.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed">
<title>Flash of Genius</title>
<link>http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Greg Kinnear
Review:
For a while, it looked like Greg Kinnear showed his acting chops
best with supporting roles in the likes of As Good as It
Gets, Little Miss Sunshine and the current Ghost
Town. Well, hang on. Kinnear takes the star spot in Flash
of Genius and rides it to glory. He plays Robert Kearns, the
Detroit professor, inventor and father of six who came up with the
idea for the intermittent windshield wiper during the 1960s. Go
ahead, groan. I felt the same way. A night reading patent law seems
more exciting. But Kinnear takes this true story &mdash; John
Seabrook's 1993 New Yorker article formed the basis of the
script, by Philip Railsback &mdash; and runs with it. Kearns had
his "flash of genius" when a champagne cork popped his eye on his
honeymoon with wife Phyllis (Lauren Graham). Why couldn't a...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick_and_norahs_infinite_playlist?source=movie_reviews_rssfeed">
<title>Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick_and_norahs_infinite_playlist?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Michael Cera, Kat Dennings
Review:
"Slight" is too strong a word to apply to this teen spin on
Martin Scorsese's After Hours. Peter Sollett, a director
with indie cred thanks to his 2002 Raising Victor Vargas
debut, takes us on an odyssey into Manhattan's night world that
toddles when you ache for it to toot. The script, by Lorene
Scafaria, is Afterschool Special 101: Nick (Michael Cera),
an alt-rock bassist, makes mixtapes for mean girl Tris (Alexis
Dziena), who dumps him. After a gig with his two gay bandmates,
Nick meets and falls for Nora (Kat Dennings), who likes his tapes
and his yellow Yugo. They drive around the five boroughs looking
for her drunk girlfriend (a funny Ari Graynor) and the club where
Where's Fluffy are playing a secret concert. I'm yawning just
writing this. The compensations are Cera and Dennings,...
Rating:
2 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/15506607/review/23356376/religulous?source=movie_reviews_rssfeed">
<title>Religulous</title>
<link>http://www.rollingstone.com/reviews/movie/15506607/review/23356376/religulous?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Bill Maher
Review:
Bill Maher would have been burned at the stake if his hellishly
hilarious and surprisingly thoughtful satire on organized religion
had played the Inquisition. As it is, the far right will vilify him
as a dangerous heretic, which is also pretty funny.
Religulous, linking the words "religion" and "ridiculous,"
has been directed by Borat's Larry Charles in the same
mode as that classic mock documentary. The movie follows the star
of Real Time and Politically Incorrect from
Jerusalem to Jersey as he questions Christians, Jews, Muslims,
Mormons and Scientologists about faith. Maher can be a smartass,
but his attempts to apply reason to religion are more a challenge
than a threat. Maher, born to a Jewish mother but raised Catholic
like his father, jokes about taking a lawyer to negotiate
his...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/14705177/review/23178147/hounddog?source=movie_reviews_rssfeed">
<title>Hounddog</title>
<link>http://www.rollingstone.com/reviews/movie/14705177/review/23178147/hounddog?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Dakota Fanning, Piper Laurie, David Morse, Robin Wright-Penn,
Jil...
Review:
This ain't the old Dakota Fanning rape movie they showed at
Sundance nearly two years ago to a rain of critical revulsion. This
is the re-edited Dakota Fanning rape movie that re-emerges as an
even riper piece of cheese. Fanning, then 12, plays Lewellen,
toughing it out in 1950s Alabama with her nut-case daddy (David
Morse) and religious-zealot grammie (Piper Laurie) but finding
solace in her worship of Elvis. The rape, barely glimpsed, happens
when Lewellen does a dance for a local boy who promises her a
ticket to the King's concert. If there's a Southern-gothic
clich&eacute; (oh, those snakes!) that writer-director Deborah
Kampmeier misses, I don't know it. What I can't figure is why
anyone would want to release this tripe in theaters just when
Fanning has nearly lived it down. They ain't...
Rating:
0.5 Star

]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10008587-beverly_hills_chihuahua/">
<title>44% Beverly Hills Chihuahua</title>
<link>http://www.rottentomatoes.com/m/10008587-beverly_hills_chihuahua/</link>
<description><![CDATA[Despite hitting some sweet notes, Beverly Hills Chihuahua is little more than disposable family entertainment.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/eagle_eye/">
<title>28% Eagle Eye</title>
<link>http://www.rottentomatoes.com/m/eagle_eye/</link>
<description><![CDATA[Eagle Eye is a preposterously plotted thriller that borrows heavily from other superior films.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/nick_and_norahs_infinite_playlist/">
<title>71% Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.rottentomatoes.com/m/nick_and_norahs_infinite_playlist/</link>
<description><![CDATA[Nick and Norah's Infinite Playlist combines a pair of charming leads, the classic New York backdrop, and a sweet soundtrack.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/nights_in_rodanthe/">
<title>27% Nights in Rodanthe</title>
<link>http://www.rottentomatoes.com/m/nights_in_rodanthe/</link>
<description><![CDATA[Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10008785-appaloosa/">
<title>76% Appaloosa</title>
<link>http://www.rottentomatoes.com/m/10008785-appaloosa/</link>
<description><![CDATA[A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009236-lakeview_terrace/">
<title>42% Lakeview Terrace</title>
<link>http://www.rottentomatoes.com/m/10009236-lakeview_terrace/</link>
<description><![CDATA[This thriller about a menacing cop wreaking havoc on his neighbors is tense enough but threatens absurdity when it enters into excessive potboiler territory.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/burn_after_reading/">
<title>78% Burn After Reading</title>
<link>http://www.rottentomatoes.com/m/burn_after_reading/</link>
<description><![CDATA[With Burn After Reading, the Coen Brothers have crafted another clever comedy/thriller with an outlandish plot and memorable characters.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10010214-fireproof/">
<title>42% Fireproof</title>
<link>http://www.rottentomatoes.com/m/10010214-fireproof/</link>
<description><![CDATA[In this religious romantic drama, Kirk Cameron (LEFT BEHIND) stars as Captain Caleb Holt, a firefighter who is brave enough to risk his life daily but he can't save his marriage.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/an_american_soldier_the_recruiter/">
<title>An American Soldier (The Recruiter)</title>
<link>http://www.rottentomatoes.com/m/an_american_soldier_the_recruiter/</link>
<description><![CDATA[ ]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/1188454-religulous/">
<title>65% Religulous</title>
<link>http://www.rottentomatoes.com/m/1188454-religulous/</link>
<description><![CDATA[Religulous is funny and offensive in equal measure, and aims less to change hearts and minds than to inspire conversation.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95310446&#x26;ft=1&#x26;f=1045">
<title>&#x27;Nick And Norah,&#x27; Setting A New York Night To Music</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95310446&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A geek and a smart girl cruise a nighttime New York as romantically supercharged as in any Woody Allen movie &mdash; falling for each other, while audiences fall madly for them.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95340978&#x26;ft=1&#x26;f=1045">
<title>&#x27;Playlist,&#x27; &#x27;Chihuahua&#x27; Or Alienation?</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95340978&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Slate.com's film expert takes us through the reviews of the latest releases. This week: Nick & Norah's Infinite Playlist, the story of young love in Manhattan, the comedy Beverly Hills Chihuahua starring the voice of Drew Barrymore and How To Lose Friends & Alienate People, the story of a disillusioned intellectual obsessed with celebrity and fame.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95335682&#x26;ft=1&#x26;f=1045">
<title>The Real Couple Behind The &#x27;Infinite Playlist&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95335682&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The film Nick and Norah's Infinite Playlist, starring Michael Cera and Kat Dennings, is based on an award-winning book by the same name.  Rachel Cohn and David Levithan wrote the book together &mdash; almost by accident.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95339811&#x26;ft=1&#x26;f=1045">
<title>&#x27;Rachel Getting Married&#x27;: Demme&#x27;s Masterpiece</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95339811&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[It's not often you hear the word "masterpiece" coming from a film critic. But David Edelstein says it applies to Jonathan Demme's newest film, a marvelously textured thing at once focused and bursting at the seams.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95344135&#x26;ft=1&#x26;f=1045">
<title>Windshield Wipers Invented In &#x27;Flash Of Genius&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95344135&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In 1967, Robert Kearns received patents for inventing intermittent car windshield wipers. He offered his idea to automakers but was turned away. When Ford and Chrysler started manufacturing cars with wipers without crediting Kearns, he took the case all the way to the Supreme Court. A new film called Flash of Genius tells his story.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95222574&#x26;ft=1&#x26;f=1045">
<title>&#x27;Rachel Getting Married&#x27;: Wedding Movie Bliss</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95222574&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In and out of rehab for a decade, a troubled young woman reunites with her family for her sister's wedding. Jonathan Demme's film dares to mix the bitter with the sweet, and it's suffused with both anxiety and joy.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95354386&#x26;ft=1&#x26;f=1045">
<title>&#x27;How To Lose Friends&#x27; &#x26;mdash; And Your Own Bearings</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95354386&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Based on Toby Young's scathing magazine memoir, this big-screen satire pokes fun at modern media's celebrity obsession &mdash; though ultimately it succumbs to the pleasures it pretends to scorn.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95220597&#x26;ft=1&#x26;f=1045">
<title>&#x27;Blindness&#x27;: Groping For Help In A World Gone White</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95220597&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[An epidemic of sudden blindness pushes society to the brink in a new thriller from the director of City of God and The Constant Gardener; Julianne Moore and Mark Ruffalo star.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95209306&#x26;ft=1&#x26;f=1045">
<title>&#x27;Flash Of Genius&#x27;: Through A Glass, Intermittently</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95209306&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Would you see a movie about patenting the intermittent windshield wiper? It's a modestly stylish movie, but critic Mark Jenkins says the answer may depend on your interest in, well ... patenting the intermittent windshield wiper.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94962635&#x26;ft=1&#x26;f=1045">
<title>Julianne Moore: Seeing Past Surfaces In &#x27;Blindness&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94962635&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Julianne Moore plays a seeing woman in a sightless world in Blindness, the film adaptation of Jose Saramago's apocalyptic novel. She describes working with director Fernando Meirelles on the eerie film about an epidemic of "White Sickness."]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95303207&#x26;ft=1&#x26;f=1045">
<title>In Stark, Simple &#x27;Ballast,&#x27; An Emotional Stalemate</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95303207&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Austerely beautiful and emotionally candid, Lance Hammer's debut melds plain-spoken American realism with oblique European minimalism. A study in stalemated lives, it's as dread-filled as a Robert Johnson song &mdash; though never that direct.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95285460&#x26;ft=1&#x26;f=1045">
<title>Cold Case Series Spotlights Old Racial Tensions</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95285460&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Civil Rights "cold cases" from the 1940s and 50s are being reopened by the FBI, in hopes of getting convictions or closure for the families of the victims. A new four-part television series premiering October 5th, Murder in Black and White, takes a look at several of the cases under FBI investigation.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95279795&#x26;ft=1&#x26;f=1045">
<title>Chihuahuas Are More Than Just Fashion Accessories</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95279795&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The Chihuahua is a celebrated dog breed found in Dog Whisperer episodes, Taco Bell commercials, and the new movie Beverly Hills Chihuahua.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95226164&#x26;ft=1&#x26;f=1045">
<title>Paul Newman: A Sportsman And A Hero</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95226164&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[There's an old French expression: "An actress is more than a woman, and an actor is less than a man." No one ever thought that of Paul Newman.  In a way, men and women alike saw him more as a hero than an actor. Certainly, it's hard to think of anyone else in show business who had as many sports connections as Newman did.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95210724&#x26;ft=1&#x26;f=1045">
<title>Bill Maher And Larry Charles, Getting &#x27;Religulous&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95210724&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The new documentary Religulous offers a satirical &mdash; and critical &mdash; look at the world's religions. Directed by Larry Charles, the film features Bill Maher posing undercover as a man seeking spiritual guidance from various religious groups.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities  nominees, award presenters, performers and members of their entourages  is escalating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars  a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations  19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707948/airplane-director-david-zucker-talks-about-the-left-and-his-new-movie-an-american-carol">
<title>Airplane! Director David Zucker Talks About the Left and His New Movie An American Carol</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707948/airplane-director-david-zucker-talks-about-the-left-and-his-new-movie-an-american-carol</link>
<description><![CDATA[As part of the Zucker, Abrahams, and Zucker filmmaking team in the '80s, David Zucker pioneered the non sequitur spoof-comedy genre with Airplane! and The Naked Gun. ZAZ split up in the '90s, but Zucker has kept his hand in the comedy game with the last two Scary Movie instal...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707949/a-whimsical-gust-of-nothing-in-the-pleasure-of-being-robbed">
<title>A Whimsical Gust of Nothing in The Pleasure of Being Robbed</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707949/a-whimsical-gust-of-nothing-in-the-pleasure-of-being-robbed</link>
<description><![CDATA[Essentially a mumblecore version of Pickpocket&mdash;sans the moral and existential high stakes, and with dollops of Miranda July&ndash;style fancy thrown in&mdash;Joshua Safdie's The Pleasure of Being Robbed operates under the curious assumption that we should all be so lucky as to...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707950/humboldt-county">
<title>Humboldt County</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707950/humboldt-county</link>
<description><![CDATA[A storied stretch of land along the Northern California coast, Humboldt County is home to the tallest&mdash;and, at 800-plus years, some of the oldest&mdash;trees on the face of the earth: the towering coastal redwoods. The region is equally well known for its cash crop of choice, exceptionally h...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707951/best-of-the-new-york-film-fest-s-nagisa-oshima-tribute">
<title>Best of the New York Film Fest&#x27;s Nagisa Oshima Tribute</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707951/best-of-the-new-york-film-fest-s-nagisa-oshima-tribute</link>
<description><![CDATA["Stop using the term 'New Wave' once and for all! Evaluate each film on its own merits!" protested a critic-turned-auteur from Kyoto named Nagisa Oshima in an angry 1960 denunciation of both Shochiku&mdash;the studio that funded his daring anti-Stalinist milestone, Night and Fog in Japan, ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707952/just-buried-s-snickering-tone-provides-a-few-sour-laughs">
<title>Just Buried&#x27;s Snickering Tone Provides a Few Sour Laughs</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707952/just-buried-s-snickering-tone-provides-a-few-sour-laughs</link>
<description><![CDATA[More twee than any movie about serial murder has a right to be, writer-director Chaz Thorne's grisly farce ladles a quirky-cute score over its dirty deeds in place of a point of view. Jay Baruchel&mdash;who all but vanished into the jungle foliage as Tropic Thunder's top bananas munched th...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707953/bill-maher-makes-an-adolescent-case-against-religion-in-religulous-muslim-comics-play-it-safe-in-allah-made-me-funny">
<title>Bill Maher Makes an Adolescent Case Against Religion in Religulous; Muslim Comics Play It Safe in Allah Made Me Funny</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707953/bill-maher-makes-an-adolescent-case-against-religion-in-religulous-muslim-comics-play-it-safe-in-allah-made-me-funny</link>
<description><![CDATA[Redolent of Roman decadence and authority gone mad, the title Religulous rolls pleasingly off the tongue. But Bill Maher's one-man stand-up attack on religious fundamentalism is a dog that has more bark than bite&mdash;a skeptical, secular-humanist hounding of the hypocrites, amusingly ann...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707954/how-to-lose-friends-alienate-people-is-sitcom-drab">
<title>How to Lose Friends &#x26; Alienate People is Sitcom-Drab</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707954/how-to-lose-friends-alienate-people-is-sitcom-drab</link>
<description><![CDATA[Based on Toby Young's tome about his spectacular fuck-ups and flameout at Vanity Fair, Robert Weide's big-screen version is sitcom-drab. Simon Pegg plays Young, reducing the writer&mdash;in the book version, a narcissistic twat who aspired to be Cary Grant in His Girl Friday, sans t...
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707955/nick-and-norah-s-infinite-playlist-about-a-boy-and-not-much-else">
<title>Nick and Norah&#x27;s Infinite Playlist: About A Boy, and Not Much Else</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707955/nick-and-norah-s-infinite-playlist-about-a-boy-and-not-much-else</link>
<description><![CDATA[Peter Sollett's 2002 film, Raising Victor Vargas, remains among the most pointed, poignant, and joyful films about teen love ever made. Everything about it felt special, from its depictions of the Lower East Side of Manhattan to its cast, then-newcomers who seemed to radiate from within as...
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707956/flash-of-genius-unbearably-dull">
<title>Flash of Genius Unbearably Dull</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707956/flash-of-genius-unbearably-dull</link>
<description><![CDATA[The big-screen version of inventor Robert Kearns's legal battles with Ford and Chrysler&mdash;both of whom nicked his intermittent windshield wiper without giving him credit, much less paying a cent&mdash;is about as exciting as Kearns's Wikipedia entry. Greg Kinnear, usually kinetic, is unusuall...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707957/bam-goes-mad-for-barbet-schroeder">
<title>BAM Goes Mad for Barbet Schroeder</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707957/bam-goes-mad-for-barbet-schroeder</link>
<description><![CDATA[Born in Tehran, educated in Paris, famous (for a time) in Hollywood, a director of documentaries as well as melodramas, Barbet Schroeder is the most cosmopolitan filmmaker to emerge from the French new wave.

Schroeder's locations have ranged from counterculture-cum-jet-set Ibiza (in Mo...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707958/blindness-adap-nails-the-bleak-before-succumbing-to-the-sap">
<title>Blindness Adap Nails the Bleak Before Succumbing to the Sap</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707958/blindness-adap-nails-the-bleak-before-succumbing-to-the-sap</link>
<description><![CDATA[The most recent example of bleak chic, Fernando Meirelles's mostly harrowing adaptation of Jos&eacute; Saramago's international bestseller Blindness mixes the high-velocity pace and stylishness of the Brazilian director's breakout City ofGod with the Portuguese author's thinl...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707959/ballast-is-an-extraordinary-debut-from-writer-director-lance-hammer">
<title>Ballast is an Extraordinary Debut from Writer-Director Lance Hammer</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707959/ballast-is-an-extraordinary-debut-from-writer-director-lance-hammer</link>
<description><![CDATA[Unhurried rhythms and spare, beautifully composed shots infuse Lance Hammer's Ballast with the sweet, dark melancholy of a Delta blues. This remarkable, unfailingly intelligent debut film, rooted in the Mississippi Delta's vanishing way of life, tells of the fall-out from one man's suicide...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707960/anne-hathaway-makes-a-compelling-bad-girl-in-jonathan-demme-s-pedestrian-rachel-getting-married">
<title>Anne Hathaway Makes a Compelling Bad Girl in Jonathan Demme&#x27;s Pedestrian Rachel Getting Married</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707960/anne-hathaway-makes-a-compelling-bad-girl-in-jonathan-demme-s-pedestrian-rachel-getting-married</link>
<description><![CDATA[Those who believe that Jonathan Demme went all soft with Philadelphia and never recovered may not be reassured by his latest movie, an ensemble tale of family pathology gussied up with v&eacute;rit&eacute; camera work, world music, and improvising actors both trained and not. You can find ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/407707961/afterschool-features-the-new-york-film-fest-s-youngest-filmmaker">
<title>Afterschool Features the New York Film Fest&#x27;s Youngest Filmmaker</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/407707961/afterschool-features-the-new-york-film-fest-s-youngest-filmmaker</link>
<description><![CDATA[Antonio Campos's Afterschool takes place in that familiar cauldron of adolescent turmoil, the boarding school. But the 25-year-old filmmaker's austere and ominous debut feature feels more like Michael Haneke than John Hughes. "I love high-school movies," says Campos, the youngest auteur in...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/408392220/beverly-hills-chihuahua-cutely-cautions-kids-against-stereotypes">
<title>Beverly Hills Chihuahua Cutely Cautions Kids Against Stereotypes</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/408392220/beverly-hills-chihuahua-cutely-cautions-kids-against-stereotypes</link>
<description><![CDATA[Undersized lapdogs make me grumpy even when they don&#146;t talk, wear pink booties, and shop Rodeo Drive, so I came to Beverly Hills Chihuahua with poison pen at the ready&#8212;only to be won over by the exuberant charms of Raja Gosnell&#146;s comedy, about a snobby, privileged Chihuahua...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/408392221/fireproof-appeals-to-the-indoctrinated">
<title>Fireproof Appeals to the Indoctrinated</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/408392221/fireproof-appeals-to-the-indoctrinated</link>
<description><![CDATA[When Capt. Caleb Holt (Kirk Cameron) decides to divorce his Sarah Palin&#8211;type wife, his bros at the firehouse come to his rescue with words of wisdom swiped from the Hallmark section at Rite Aid: "You never leave your partner&#8212;especially during a fire." With advice like that, it's no wo...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/408406008/smother-makes-good-afternoon-programing-for-comedy-central">
<title>Smother Makes Good Afternoon Programing for Comedy Central</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/408406008/smother-makes-good-afternoon-programing-for-comedy-central</link>
<description><![CDATA[Noah (Dax Shepard) has just gotten fired, faces pressure from his wife (Liv Tyler) to have a baby, and must contend with her socially inept cousin (Mike White), who wants to stay with them for a few days while he finishes his screenplay. That&#146;s when Marilyn (Diane Keaton), Noah&#146;s high-m...
  
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4861770.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Will Oliver Stone see success with his George W. Bush biopic?</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4861770.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Forty-three years ago, two men enrolled at Yale University. One of them 
dropped out a year later, volunteered to fight in Vietnam, then made a movie 
about his experiences entitled Platoon. His name is Oliver Stone. The 
other dodged combat and went on to become the 43rd President of the United 
States. His name is George W. Bush.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4862050.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Brideshead Revisited</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4862050.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4862051.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>How to Lose Friends &#x26; Alienate People</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4862051.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4842785.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Paul Newman: his salad dressing meant more to him than his movies</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4842785.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Paul Newman, who died at the weekend at the age of 83, was so fond of his 
homemade salad dressing that he once walked into the lavatory at New York’s 
four-star La Grenouille to wash the restaurant’s sauce off his lettuce so 
that he could mix and use his own.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4837996.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Those eyes, that face conquered all</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4837996.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
My 
interview with a Hollywood legend | Appreciation 
| Movie 
world pays tribute	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4838035.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Movie world pays tribute to Paul Newman &#x2018;the last of the greats&#x2019;</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4838035.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Lord Attenborough, film director 
“He was a true Hollywood giant like Jimmy Stewart. I’d say he was the last of 
the real greats. What came across was what a really decent human being he 
was. And it was terrific that he and Joanne had their wonderful marriage, 
which helped them both in their careers.”	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4838034.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Paul Newman played a racing driver, then became one</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4838034.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
IT was a movie role that led to the other great passion in Paul Newman’s life: 
motor racing. He started out driving around a car park and went on to take 
second place in the gruelling Le Mans 24-hour race at the age of 54.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4860979.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Jason Statham, last action hero</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4860979.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Jason Statham has been described as “the last action hero”. Action heroes, 
after all, belong to another era, when Bruces Lee and Willis were chopping 
people up, and Arnold Schwarzenegger was an actor, not a governor. It was an 
era before computer-generated imagery, exciting because it was real. Now 
very few actors do their own film stunts. They dabble, they play at it. Not 
Jason Statham. He does all his own stunts. He used to dive for Great 
Britain, competing in the Seoul Olympics and the Commonwealth Games.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4859906.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>The House Bunny girl Anna Faris booked for the top</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4859906.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
At first sight, Anna Faris is an unlikely candidate for comedy greatness. 
Despite parts in rom-coms such as 2005’s Just Friends,the 
31-year-old actress was best known for her role as Cindy in the often 
tiresome Scary Movie spoof-horror franchise. Until this month, that 
is. Her new comedy, The House Bunny, has spent more than a month in 
the US top ten, grossing $45 million and counting.$	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4861721.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>All Together Now for the Beatles: with a little help from dad&#x2019;s friends</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4861721.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
When Giles Martin was asked to work alongside his father and remix the Beatles 
for Love, a Cirque du Soleil show based on the band’s back catalogue, 
he wasn’t sure he should take it on. “If anyone told me they were going to 
get George Martin’s son to mix the Beatles and put on a show in Las Vegas, 
I’d probably have punched them,” he says in his well educated voice, as he 
puts down his mint tea. “Because it’s a repulsive idea.”	
]]></description>
</item>

</rdf:RDF>