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<dc:date>2008-10-13T11:25+22:00
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  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414247165/wong-kar-wai-s-ashes-of-time-gets-its-comeback" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414270144/joe-sawnberg-and-greta-gerwig-attempt-to-tell-the-truth-in-nights-and-weekends" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414270145/a-shallow-look-at-ghetto-clich-eacute-s-in-talento-de-barrio" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414247168/generic-tale-of-innocence-lost-in-choose-connor" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414247169/breakfast-with-scot-a-funny-adaptation-of-michael-downing-s-1999-novel" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414247170/guy-ritchie-returns-to-form-for-better-or-worse-in-rocknrolla" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/414974431/la-le-n" />
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</channel>

<item rdf:about="http://www.fandango.com/fireproof_117527/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Fireproof - Must Go! - A Movie of great quality</title>
<link>http://www.fandango.com/fireproof_117527/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[This is a fantastic movie.  Everyone should go to see this film.  It has a great clean story line to it, that is appropriate for the whole family.  There needs to be more films just like this one, and we need to show the producers and companies who make movies that this is the type of movie everyone wants to se.  A must see.  Great for a date, or a night out with the family.]]></description>
</item>

<item rdf:about="http://www.fandango.com/nickandnorah&#x27;sinfiniteplaylist_112604/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Nick and Norah&#x27;s Infinite Playlist - Go - Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.fandango.com/nickandnorah&#x27;sinfiniteplaylist_112604/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[Well as the movie's title boasts the music in this movie was awesome. I thoroughly enjoyed watching Nick and Norah slowly fall in love. I was let down every time they hit a speedbump on their road to each others arms. And the soundtrack played as a beautiful backdrop to it all. This movie has it all, a love story, music, a few gross out moment, a funny messy drunk girl, a horribly evil ex girlfriend, and 2 gay best friends. Watch out for the gum!!]]></description>
</item>

<item rdf:about="http://www.fandango.com/nightsinrodanthe_103747/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Nights in Rodanthe - No - Nights in Rodanthe</title>
<link>http://www.fandango.com/nightsinrodanthe_103747/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[Movie was unrealistic, the house would have collasped, the people would have died and disappeared, apparently the people in Hollywood don't watch the weather channel. I could not get into the movie and root for two characters who were still married but not to each other and what a burden the mother put on the daughter, the movie did not make me weepy or sad for the couple just angry that I spent so much money for a junky movie!]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/419266190/cl-et-quarantine13-2008oct13,0,3194186.story">
<title>

        &#x27;Quarantine&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/419266190/cl-et-quarantine13-2008oct13,0,3194186.story</link>
<description><![CDATA[The recovered-video-style horror film has pretty good performances and some thrills, but in the end you'll want out.
                        
                    
                    The recovered-video genre of horror ("The Blair Witch Project," "Cloverfield") may still have legs, but if  &ldquo;Quarantine&rdquo;  is any indication, they're wobbling.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535950/cl-et-capsules10-2008oct10,0,1736238.story">
<title>

        &#x27;Ashes of Time&#x27; impeccably restored</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535950/cl-et-capsules10-2008oct10,0,1736238.story</link>
<description><![CDATA[Also reviewed: 'Breakfast With Scot'; 'Fraude: Mexico 2006'; 'Talento de Barrio' and more
                        
                    
                    
                        Wong Kar Wai's beautiful but demanding 1994 martial arts epic "Ashes of Time" has been impeccably restored, with "Redux" added to its title, and boasts excellent subtitles that help the viewer understand that it is set in the parallel universe of its genre and unfolds in five parts according to Chinese seasons. Visually superb, its score enhanced by added music, "Ashes of Time Redux" is an elegiac, contemplative work with an elliptical narrative that is hard to follow.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535951/cl-et-body10-2008oct10,0,7088212.story">
<title>

        &#x27;Body of Lies&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535951/cl-et-body10-2008oct10,0,7088212.story</link>
<description><![CDATA[Director Ridley Scott and stars Leonardo DiCaprio and Russell Crowe can't make up for a thin story.
                        
                    
                    
                        "Body of Lies" is a film in disguise. Which is not necessarily a bad thing, except in this case the disguise is better than what it's covering up.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535952/cl-et-good10-2008oct10,0,4532303.story">
<title>

        &#x27;Good Dick&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535952/cl-et-good10-2008oct10,0,4532303.story</link>
<description><![CDATA[Touching, human performances by Marianna Palka and Jason Ritter turn an improbable premise into a sweet, grounded love story.
                        
                    
                    
                        Some people feel most at home burrowing in the depths of other people's pain, and Jason Ritter's unnamed character in Marianna Palka's "Good Dick" is clearly one of those people.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535953/cl-et-happy10-2008oct10,0,1670610.story">
<title>

        &#x27;Happy-Go-Lucky,&#x27; directed by Mike Leigh</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535953/cl-et-happy10-2008oct10,0,1670610.story</link>
<description><![CDATA[Sally Hawkins stars as a thoroughly sunny, centered person -- hardly the usual Leigh character.
                        
                    
                    
                        "Happy-Go-Lucky" is something different from virtuoso British writer-director Mike Leigh. For what feels like the first time in his more than 35 years of bringing an exceptional level of insight and intensity to the exploration of human behavior, Leigh has put a thoroughly happy person front and center in one of his films.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535954/cl-et-ember10-2008oct10,0,5092262.story">
<title>

        &#x27;Ember&#x27; is a dark, depressing trip underground</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535954/cl-et-ember10-2008oct10,0,5092262.story</link>
<description><![CDATA[Gil Kenan's sci-fi feature is set in a subterranean city where inhabitants won't leave.
                        
                    
                    
                        The exasperated rumble of dying machinery -- to our pampered ears, the sound of civilization ending -- is the aural backdrop of "City of Ember," a grim fantasy about a cloistered subterranean metropolis that wants to be both a kids' adventure and a dystopian finger-wag. That director Gil Kenan's second feature -- following the snappy motion-capture animated film "Monster House" -- never quite succeeds as either is a shame for all the dazzling craftsmanship brought forth from its  production team.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535955/cl-et-express10-2008oct10,0,2098396.story">
<title>

        &#x27;The Express&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535955/cl-et-express10-2008oct10,0,2098396.story</link>
<description><![CDATA[At times stirring, inspiring and thoughtful, "The Express" tells the life story of football player Ernie Davis, who in 1961 became the first African American to win the Heisman Trophy. Recruited to play at Syracuse University in part to replace legendary running back Jim Brown, Davis would help lead the team through an undefeated season in 1959 and win the national championship. Diagnosed with leukemia just after being selected No. 1 overall in the NFL draft, he would never play a single game of professional football.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535956/cl-et-montes10-2008oct10,0,180567.story">
<title>

        &#x27;Lola Mont&#xE8;s&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/416535956/cl-et-montes10-2008oct10,0,180567.story</link>
<description><![CDATA[Max Ophüls' 1955 masterpiece gets a superb restoration.
                        
                    
                    
                        Max Ophüls' 1955 "Lola Montès" was a box office flop, butchered by its producers, then restored as much as possible by producer Pierre Braunberger in 1968. And, now, 40 years later, his daughter Laurence has overseen a superb state-of-the-art restoration. Ophüls' last film and first in color is the most baroque of his sumptuous period pictures -- and to many critics, his greatest.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/415534723/cl-et-carina9-2008oct09,0,2967571.story">
<title>

        &#x27;Burn After Reading&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/415534723/cl-et-carina9-2008oct09,0,2967571.story</link>
<description><![CDATA[Carina Chocano 'Burn After Reading'
                        
                    
                    
                        Desperate times call for desperate movies and "Burn After Reading," the Coen brothers' bleak farce about the grasping, murderous dumbness of today is bitterly cathartic. When a disc containing what appears to be classified information is found  in  a D.C. gym, two bone-headed employees (Brad Pitt and Frances McDormand) try to blackmail the CIA operative it belongs to. What they don't know is that he (John Malkovich) is a middling bureaucrat who has quit in a huff and now spends his days drinking and writing a revenge memoir. Or that they are all disposable in the eyes of the people putatively in charge of their security. Or that paranoia trumps reason every time.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/414572913/cl-et-rocknrolla8-2008oct08,0,5321260.story">
<title>

        &#x27;RocknRolla&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/414572913/cl-et-rocknrolla8-2008oct08,0,5321260.story</link>
<description><![CDATA[Guy Ritchie's aggressively stylized, testosterone-addled movies careen from one steroidal encounter to the next. But in "RocknRolla," Ritchie dials down the pace, soaking up the atmosphere of sweat and stale beer around a revolving cast of low-level thugs and underworld operators. Ritchie whisks you along on a whirlwind tour, but he's not averse to putting on the brakes long enough to admire some of his favorite attractions.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/mary_ferrara">
<title>Mary</title>
<link>http://www.newyorker.com/arts/reviews/film/mary_ferrara</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/happy-go-lucky_leigh">
<title>Happy-Go-Lucky</title>
<link>http://www.newyorker.com/arts/reviews/film/happy-go-lucky_leigh</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/10/20/081020gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/10/20/081020gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        AZUR AND ASMAR 
        Michel Ocelot directed this animated fable, set in the Middle Ages, about a man seeking his long-lost brother. Opening Oct. 17. (IFC Center.) 
          
        THE ELEPHANT KING 
        In this drama, a woman (Ellen Burstyn) sends one of her sons (Tate Ellington) to bring the other (Jonno&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/flash_of_genius_abraham">
<title>Flash of Genius</title>
<link>http://www.newyorker.com/arts/reviews/film/flash_of_genius_abraham</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/body_of_lies_scott">
<title>Body of Lies</title>
<link>http://www.newyorker.com/arts/reviews/film/body_of_lies_scott</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/ashes_of_time_redux_kar-wai">
<title>Ashes of Time Redux</title>
<link>http://www.newyorker.com/arts/reviews/film/ashes_of_time_redux_kar-wai</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/10/20/081020crci_cinema_lane">
<title>Anthony Lane: &#x22;Filth and Wisdom,&#x22; &#x22;RocknRolla,&#x22; and &#x22;What Just Happened?&#x22;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/10/20/081020crci_cinema_lane</link>
<description><![CDATA[There have been countless occasions on which a husband and wife have acted together onscreen. A pair of mating movie directors, however, is altogether a more exotic find, and, as for both having a film released in the same month, it&#8217;s almost unheard of. &#8220;Wanda,&#8221; for instance, Barbara Loden&#8217;s impressive&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/rachel_getting_married_demme">
<title>Rachel Getting Married</title>
<link>http://www.newyorker.com/arts/reviews/film/rachel_getting_married_demme</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/nights_and_weekends_gerwig">
<title>Nights and Weekends</title>
<link>http://www.newyorker.com/arts/reviews/film/nights_and_weekends_gerwig</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/nick_and_norahs_infinite_playlist_sollett">
<title>Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.newyorker.com/arts/reviews/film/nick_and_norahs_infinite_playlist_sollett</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed">
<title>Miracle at St. Anna</title>
<link>http://www.rollingstone.com/reviews/movie/18295338/review/23290330/miracle_at_st_anna?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Omar Benson Miller, Michael Ealy, Derek Luke, Laz Alonso
Review:
Critics are raining down hard on Spike Lee's first war epic. And
it's not like I don't have objections. Miracle at St. Anna
is too long, lazily constructed, and crammed with too many
characters and subplots for any director to develop fully outside
of an HBO miniseries. But Lee isn't any director. He's an
African-American maverick with a legit gripe against the white face
that Hollywood puts on war. The first scene in Miracle
shows us a black World War II veteran watching John Wayne on TV
lording it over the D-Day invasion in The Longest Day. "We
fought that war too," says the vet. Point taken.
It's no surprise that Lee decided to make a film of James
McBride's well-received novel about the Buffalo Soldiers, black GIs
segregated from the regular Army, who served with the 92nd
Infantry...
Rating:
2 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed">
<title>Eagle Eye</title>
<link>http://www.rollingstone.com/reviews/movie/19469996/review/23290290/eagle_eye?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Shia LaBeouf, Michelle Monaghan
Review:
Questions: Did everyone involved in this botched thriller OD on
speed? Does jimmy-legs director D.J. Caruso think if he slowed down
the action we'd figure out how stupid the plot is? Did Shia LaBeouf
and Michelle Monaghan think there was any acting involved in
playing characters on the run from a computer intent on global
domination? Are BlackBerrys and iPhones the enemy because they make
us easy for the computer to track? Can the computer make me forget
this movie?
Rating:
1.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed">
<title>Flash of Genius</title>
<link>http://www.rollingstone.com/reviews/movie/20192669/review/23356409/flash_of_genius?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Greg Kinnear
Review:
For a while, it looked like Greg Kinnear showed his acting chops
best with supporting roles in the likes of As Good as It
Gets, Little Miss Sunshine and the current Ghost
Town. Well, hang on. Kinnear takes the star spot in Flash
of Genius and rides it to glory. He plays Robert Kearns, the
Detroit professor, inventor and father of six who came up with the
idea for the intermittent windshield wiper during the 1960s. Go
ahead, groan. I felt the same way. A night reading patent law seems
more exciting. But Kinnear takes this true story &mdash; John
Seabrook's 1993 New Yorker article formed the basis of the
script, by Philip Railsback &mdash; and runs with it. Kearns had
his "flash of genius" when a champagne cork popped his eye on his
honeymoon with wife Phyllis (Lauren Graham). Why couldn't a...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick__norahs_infinite_playlist?source=movie_reviews_rssfeed">
<title>Nick &#x26; Norah&#x27;s Infinite Playlist</title>
<link>http://www.rollingstone.com/reviews/movie/18264868/review/23356408/nick__norahs_infinite_playlist?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Michael Cera, Kat Dennings
Review:
"Slight" is too strong a word to apply to this teen spin on
Martin Scorsese's After Hours. Peter Sollett, a director
with indie cred thanks to his 2002 Raising Victor Vargas
debut, takes us on an odyssey into Manhattan's night world that
toddles when you ache for it to toot. The script, by Lorene
Scafaria, is Afterschool Special 101: Nick (Michael Cera),
an alt-rock bassist, makes mixtapes for mean girl Tris (Alexis
Dziena), who dumps him. After a gig with his two gay bandmates,
Nick meets and falls for Nora (Kat Dennings), who likes his tapes
and his yellow Yugo. They drive around the five boroughs looking
for her drunk girlfriend (a funny Ari Graynor) and the club where
Where's Fluffy are playing a secret concert. I'm yawning just
writing this. The compensations are Cera and Dennings,...
Rating:
2 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky?source=movie_reviews_rssfeed">
<title>Happy-Go-Lucky</title>
<link>http://www.rollingstone.com/reviews/movie/18298108/review/23356406/happygolucky?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Sally Hawkins, Eddie Marsan
Review:
Get ready for Sally Hawkins, a dynamo of an actress who will
have her way with you in Happy-Go-Lucky, leaving you
enchanted, enraged to the point of madness and utterly dazzled. No
list of the year's best performances should be made without her.
You should know right off that this is a Mike Leigh movie. It's a
cheerier piece of business than you might expect from the British
provocateur behind Naked, Secrets &amp; Lies and
Vera Drake, but nonetheless a movie driven by character.
Leigh, brought up in a Jewish immigrant family, has been called a
poet of the working class. His scripts come out of improvisation,
from what the actors come up with during rehearsals.
More praise, then, to Hawkins, who put her heart into the
persistent smile and bruised soul of Poppy, a London
elementary-school...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18271341/review/23356379/rocknrolla?source=movie_reviews_rssfeed">
<title>RocknRolla</title>
<link>http://www.rollingstone.com/reviews/movie/18271341/review/23356379/rocknrolla?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Gerard Butler, Thandie Newton
Review:
Great title for a gangster flick. Too bad that writer-director
Guy Ritchie only partially realizes the sizzling potential. The
movie has a good thing going in scrappy Gerard Butler, who trades
in his 300 swords and sandals to play One Two, a guppy
scam artist in London real estate hoping to learn from the great
white shark, Lenny Cole (the slumming but ever wonderful Tom
Wilkinson). All types of hoods enter the fray, with Thandie Newton
the sexiest as a crooked accountant, Mark Strong the most
intriguing as Lenny's wingman, Toby Kebbell the most dangerous as
Lenny's punk-junkie stepson, Nonso Anozie the most irresistible as
a whale-size hood who fancies fine art and Merchant Ivory films,
and Jeremy Piven and Chris "Ludacris" Bridges the most negligible
as rock promoters in a crammed cast...
Rating:
2.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10008587-beverly_hills_chihuahua/">
<title>42% Beverly Hills Chihuahua</title>
<link>http://www.rottentomatoes.com/m/10008587-beverly_hills_chihuahua/</link>
<description><![CDATA[Despite hitting some sweet notes, Beverly Hills Chihuahua is little more than disposable family entertainment.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009238-quarantine/">
<title>64% Quarantine</title>
<link>http://www.rottentomatoes.com/m/10009238-quarantine/</link>
<description><![CDATA[Fans of the handheld camerawork of CLOVERFIELD and THE BLAIR WITCH PROJECT will find much to like in this remake of Spanish film REC.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009225-body_of_lies/">
<title>52% Body of Lies</title>
<link>http://www.rottentomatoes.com/m/10009225-body_of_lies/</link>
<description><![CDATA[Body of Lies relies on the performances of Russell Crowe and Leonardo DiCaprio to elevate it beyond the conventional espionage thriller.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/eagle_eye/">
<title>28% Eagle Eye</title>
<link>http://www.rottentomatoes.com/m/eagle_eye/</link>
<description><![CDATA[Eagle Eye is a preposterously plotted thriller that borrows heavily from other superior films.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/nick_and_norahs_infinite_playlist/">
<title>72% Nick and Norah&#x27;s Infinite Playlist</title>
<link>http://www.rottentomatoes.com/m/nick_and_norahs_infinite_playlist/</link>
<description><![CDATA[Nick and Norah's Infinite Playlist combines a pair of charming leads, the classic New York backdrop, and a sweet soundtrack.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/1185801-the_express/">
<title>65% The Express</title>
<link>http://www.rottentomatoes.com/m/1185801-the_express/</link>
<description><![CDATA[This inspirational sports biopic set in the the civil rights era is interesting even for non-football fans, and features a great performance by Dennis Quaid as tough-but-fair football coach.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/nights_in_rodanthe/">
<title>29% Nights in Rodanthe</title>
<link>http://www.rottentomatoes.com/m/nights_in_rodanthe/</link>
<description><![CDATA[Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10008785-appaloosa/">
<title>75% Appaloosa</title>
<link>http://www.rottentomatoes.com/m/10008785-appaloosa/</link>
<description><![CDATA[A traditional genre western, Appaloosa sets itself apart with smart psychology, an intriguing love triangle, and good chemistry between the leads.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009493-duchess/">
<title>60% The Duchess</title>
<link>http://www.rottentomatoes.com/m/10009493-duchess/</link>
<description><![CDATA[While The Duchess treads the now-familiar terrain of the corset-ripper, the costumes look great and Keira Knightley's performance is stellar in this subtly feminist, period drama.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/city_of_ember/">
<title>46% City of Ember</title>
<link>http://www.rottentomatoes.com/m/city_of_ember/</link>
<description><![CDATA[City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95605965&#x26;ft=1&#x26;f=1045">
<title>In &#x27;Rachel,&#x27; Director Demme Casts Against Type</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95605965&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Oscar-winning director Jonathan Demme cast Anne Hathaway &mdash; an actress best known for sweetheart roles &mdash; as a recovering drug addict in his new film, Rachel Getting Married. He talks about that decision and how he got involved in the project.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95638920&#x26;ft=1&#x26;f=1045">
<title>In &#x27;Happy,&#x27; Mike Leigh&#x27;s World Is Not So Miserable</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95638920&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Director Mike Leigh's new film, Happy-Go-Lucky is propelled by a different sort of character: a 30-year-old primary school teacher who likes to party and deflects life's uncomfortable intrusions with an overabundance of good cheer. Not the typical working-class world Leigh usually explores.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95608280&#x26;ft=1&#x26;f=1045">
<title>&#x27;Duck Soup&#x27;: Take One Fiscal Crisis, Boil Merrily</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95608280&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Depression-era comedy sends the Marx Brothers skating through economic territory their namesake Karl would recognize &mdash; and it begins with talk of bailouts, tax breaks and other things that Bob Mondello says you'll find familiar, too.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95473503&#x26;ft=1&#x26;f=1045">
<title>&#x27;Lucky&#x27; Thing: Mike Leigh&#x27;s Oddly Happy Heroine</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95473503&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A London schoolteacher (the bubbly Sally Hawkins) keeps her cool &mdash; and her smile &mdash; through a string of mishaps. But Mike Leigh's movie feels decent and affirmative, never cloying or melodramatic. (Recommended).]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95598870&#x26;ft=1&#x26;f=1045">
<title>Operatives And &#x27;Lies&#x27; In Ridley Scott&#x27;s New Thriller</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95598870&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[David Edelstein reviews Body Of Lies, a new spy thriller directed by Ridley Scott and starring Leonardo DiCaprio and Russell Crowe. Set in Iraq and Syria, the film charts a young CIA operative's growing disillusionment with his superiors in Washington.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94478623&#x26;ft=1&#x26;f=1045">
<title>&#x27;Reel Geezers&#x27; DVD Faves: Blood, Sweat And Tears</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94478623&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Two 80-something film critics, Marcia Nasatir and Lorenzo Semple, review movies on YouTube.  They share some of their all-time favorite films.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95473521&#x26;ft=1&#x26;f=1045">
<title>Crowe, DiCaprio Clash In Tale of Spies And &#x27;Lies&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95473521&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Leonardo DiCaprio, as a CIA field agent, clashes with his spymaster, Russell Crowe, over methods and morals. Ridley Scott's direction is crisp, but this thriller is all surface, no intel.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95558019&#x26;ft=1&#x26;f=1045">
<title>&#x27;Ashes Of Time Redux&#x27;: Sumptuous All Over Again</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95558019&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A leaner, more linear version of a 1994 drama from cult director Wong Kar-wai; entrancingly atmospheric, emotionally elusive and saturated with colors so vivid as to verge on the psychedelic. (Recommended).]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95576468&#x26;ft=1&#x26;f=1045">
<title>&#x27;Breakfast&#x27; Order: Life Lessons, With A Side Of Nice</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95576468&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A sports-mad gay couple doesn't quite know how to cope with the flamboyant boy they end up foster-parenting. Laurie Lynd's cozy comedy aims to say a thing or two about tolerance &mdash; without forgetting the laughs.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95507953&#x26;ft=1&#x26;f=1045">
<title>Manic Pixie Dream Girls: A Cinematic Scourge?</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95507953&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[They're bright, they're perky &mdash; and they've got no inner life. In fact, they exist only to soothe the tortured souls of the male lead. A lighthearted look at MPDGs throughout movie history.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95552157&#x26;ft=1&#x26;f=1045">
<title>Demme, Lumet on Getting &#x27;Rachel&#x27; Married</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95552157&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Director Jonathan Demme (Silence of the Lambs, Philadelphia) and screenwriter Jenny Lumet discuss their critically acclaimed new wedding dramedy Rachel Getting Married.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95516647&#x26;ft=1&#x26;f=1045">
<title>Warhol Was Right About &#x27;15 Minutes Of Fame&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95516647&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[American artist Andy Warhol once said, "In the future, everyone will be world-famous for 15 minutes."  In an era of reality TV and YouTube, it looks like his prediction came true. Sherri Geldin, director of the Wexner Center for the Arts in Columbus, Ohio talks about Warhol's new relevance in the digital age.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95484266&#x26;ft=1&#x26;f=1045">
<title>Rin Tin Tin Movie Sparks Lawsuit</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95484266&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Daphne Hereford, the owner of Rin Tin Tin Inc., is suing a film studio for trademark infringement. She says the dogs used in the film Finding Rin Tin Tin are not associated with Rin Tin Tin or related to the loyal German shepherd.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95475565&#x26;ft=1&#x26;f=1045">
<title>Chasing The American Dream In South Africa</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95475565&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[For some people, the American dream is not found on U.S. soil. Instead, they seek it in South Africa. A new documentary, Blacks Without Borders, follows a group of African-American entrepreneurs who have made South Africa their land of opportunity.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=95428171&#x26;ft=1&#x26;f=1045">
<title>Poking Fun At Stereotypes In &#x27;Allah Made Me Funny&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=95428171&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A new film, Allah Made Me Funny, follows three Muslim men as they perform at comedy clubs around the U.S., chronicling how they make comedy out of sometimes painful experiences in a post-Sept. 11 America. Comedians Azhar Usman, Mo Amer and Preacher Moss discuss what informs their humor.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities  nominees, award presenters, performers and members of their entourages  is escalating.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars  a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations  19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247165/wong-kar-wai-s-ashes-of-time-gets-its-comeback">
<title>Wong Kar Wai&#x27;s Ashes of Time Gets Its Comeback</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247165/wong-kar-wai-s-ashes-of-time-gets-its-comeback</link>
<description><![CDATA[Cynics make the worst romantics; they should know better, they know they should know better, and they'd die if you knew better. Forced underground by a formative heartbreak, a cynic's romantic nature can flourish into a sort of private dementia. You can take my weary word for it, or you ca...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414270144/joe-sawnberg-and-greta-gerwig-attempt-to-tell-the-truth-in-nights-and-weekends">
<title>Joe Sawnberg and Greta Gerwig Attempt To Tell the Truth in Nights and Weekends</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414270144/joe-sawnberg-and-greta-gerwig-attempt-to-tell-the-truth-in-nights-and-weekends</link>
<description><![CDATA[Nights and Weekends telescopes a year-and-a-half relationship into a sampler of chats, spats, and screws. James and Mattie are two kids in their mid-twenties, just feeling out the world; they're played by the film's co-directors, Joe Swanberg and Greta Gerwig. James you could imagine a few...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414270145/a-shallow-look-at-ghetto-clich-eacute-s-in-talento-de-barrio">
<title>A Shallow Look at Ghetto Clich&#x26;eacute;s in Talento de Barrio</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414270145/a-shallow-look-at-ghetto-clich-eacute-s-in-talento-de-barrio</link>
<description><![CDATA[When conservative watchdogs snarl about the ugliness of gangsta rap, Talento de Barrio might be what they picture in their head&mdash;a vile, stupid, violent-crime drama that would be laughable if its content wasn't so toxic. Drug boss Edgar Dinero (reggaeton star Daddy Yankee, who mostly ...
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247168/generic-tale-of-innocence-lost-in-choose-connor">
<title>Generic Tale of Innocence Lost in Choose Connor</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247168/generic-tale-of-innocence-lost-in-choose-connor</link>
<description><![CDATA[Pimply Owen Norris (Alex Linz) thinks his life is about to begin when he lands a summer job as the youth campaign spokesman for Senator Connor (Steven Weber). It's not difficult to guess where this is going: The idealistic 15-year-old gets sick after his debut political soiree, foreshadowing the ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247169/breakfast-with-scot-a-funny-adaptation-of-michael-downing-s-1999-novel">
<title>Breakfast With Scot a Funny Adaptation of Michael Downing&#x27;s 1999 Novel</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247169/breakfast-with-scot-a-funny-adaptation-of-michael-downing-s-1999-novel</link>
<description><![CDATA[Like a diva in training, 11-year-old Scot (Noah Bernett), spells his name with one "t," wears a feather boa, and isn't shy about kissing boys at school. None of this amuses his uptight new guardian, Eric (Tom Cavanagh), a professional hockey player turned sportscaster who's gay but in the closet&...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247170/guy-ritchie-returns-to-form-for-better-or-worse-in-rocknrolla">
<title>Guy Ritchie Returns to Form, For Better Or Worse, in RocknRolla</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247170/guy-ritchie-returns-to-form-for-better-or-worse-in-rocknrolla</link>
<description><![CDATA[What do you have to do to get your career revoked in England, short of being Gary Glitter? After a box-office-catastrophic two-movie run, Guy Ritchie takes another mulligan and returns to "form"&mdash;though his tics and tricks have never added up to more than cockney-accented novelty mixed with ...
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247171/the-express-makes-a-footnote-into-a-legend">
<title>The Express Makes a Footnote into a Legend</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247171/the-express-makes-a-footnote-into-a-legend</link>
<description><![CDATA[The story of Syracuse running back Ernie Davis&mdash;the first African-American to win the Heisman Trophy, in 1961, two years before he succumbed to leukemia&mdash;is absolutely worthy of a big-screen retelling. Davis, who died before ever playing a down alongside Jim Brown for the Cleveland Brow...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247172/ridley-scott-s-body-of-lies-is-the-post-9-11-tech-savvy-terror-thriller-we-deserve">
<title>Ridley Scott&#x27;s Body of Lies is the Post-9/11, Tech-Savvy Terror Thriller We Deserve</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247172/ridley-scott-s-body-of-lies-is-the-post-9-11-tech-savvy-terror-thriller-we-deserve</link>
<description><![CDATA[A new kind of war movie for a new kind of war, Body of Lies is about the War on Terror as it is being waged on the ground, in the air, but most of all in cyberspace. Directed with terrific verve by Ridley Scott (coming after the listless American Gangster) from a smart screen...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414247173/mike-leigh-s-optimistic-heroine-in-happy-go-lucky-might-just-convince-you-to-cheer-up-lola-mont-egrave-s-still-won-t">
<title>Mike Leigh&#x27;s Optimistic Heroine in Happy-Go-Lucky Might Just Convince You to Cheer Up; Lola Mont&#x26;egrave;s Still Won&#x27;t</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414247173/mike-leigh-s-optimistic-heroine-in-happy-go-lucky-might-just-convince-you-to-cheer-up-lola-mont-egrave-s-still-won-t</link>
<description><![CDATA[It's uncommon these days to see movies with women in strong central roles. Rarer still, at least outside the tele-phantasmagoria of American politics, is the notion of woman as self-created, free-spirited, history-making individual.

This week, there are two. Max Oph&uuml;ls's 1955 Lola...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/414974431/la-le-n">
<title>La Le&#x26;oacute;n</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/414974431/la-le-n</link>
<description><![CDATA[Within the Paran&aacute; Delta, a labyrinthine system of wetlands in northern Argentina, reed harvester Alvaro (Jorge Rom&aacute;n) is, like everyone from his widely dispersed community, a tight-lipped loner. What sets him apart as an outsider among outsiders is that he's also gay, though the fee...
  
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907330.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Tony Curtis, last of the great Lotharios</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907330.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Tony Curtis comes towards me in a wheelchair, wearing a white sleeveless 
T-shirt and very short white shorts. “Good to meet you,” he says. He takes 
my hand, brushes it with his lips and almost imperceptibly looks me up and 
down. At 83, despite baldness and a paunch, the legendary Hollywood Lothario 
still knows how to turn on the charm. He apologises for the wheelchair, 
which he needs following a bout of pneumonia in 2006 that has inexplicably 
affected his legs. “I can walk, just not very well.”	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4908271.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Gomorrah</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4908271.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4908296.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>The House Bunny</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4908296.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907724.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Quantum of Solace: 007 goes art house</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907724.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Some years ago, and this is gospel, a friend of a friend obtained some casual 
work in the food hall of a Knightsbridge store. He was warned about 
bothering the celebrities who frequented the place, but the sight of Roger 
Moore perusing the deli counter proved too great a temptation. As the story 
has it, he sneaked up, pressed a two-fingered gun barrel into Moore’s back 
and intoned, in a cod Russian accent, “This time you lose, Mr Bond” — an act 
that resulted in instant dismissal and a failure to extend his tenure as far 
as lunchtime. Moore, apparently, was not without appreciation for this piece 
of improv, arching an eyebrow in casual amusement.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907847.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Bond themes: Can nobody do it better?</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907847.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Go 
behind-the-scenes of the making of the Another Way to Die music video 
I Watch the Another 
Way to Die video	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907816.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>James Bond: Not so special agent</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4907816.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
James Bond, epitome of style and rugged masculinity. Or is he? When Daniel 
Craig rebooted the role, purists congratulated the producers for returning 
to the darker, more complex character of the novels. So they had, to a 
degree. Yet they overlooked certain other aspects of the literary Bond. 
Perhaps wisely.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4908512.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Catch the small fry in the big pond at the London Film Festival</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4908512.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
It’s easy to focus on the big names and the red-carpet wow factor at The 
Times BFI London Film Festival, but audiences shouldn’t overlook the 
smaller films – there are plenty of delights and discoveries to keep the 
adventurous cinephile happy. As many of these are still without 
distributors, this could be your only chance to catch them.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4866878.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Ari Folman&#x27;s Waltz with Bashir shows the destructive beauty of war</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4866878.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
In the mid1980s, just after Ari Folman had left the Israeli Army, he set off 
on a round-the-world backpacking adventure. Two weeks into his trip of a 
lifetime, Folman realised that travelling wasn’t for him, so he holed up in 
a Southeast Asian guest house where, for a year, he consumed the stories of 
fellow guests and turned them into his own fictional adventures to be sent 
home in letters to friends.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4862745.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>My top ten films to see at the London Film Festival</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4862745.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
What are film festivals for? They offer the first ringside seats for 
tomorrow’s cinema. They reflect the health or otherwise of the world’s most 
popular art form. They are strips of red carpet to parade nervous new stars 
and next year’s Oscar contenders. They are experimental zoos and debating 
rooms where cultures and ideas sometimes clash violently. Mostly they exist 
because cinema is one of the few global languages that anyone understands.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4867578.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Is Charlie Kaufman out of his head?</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/london_film_festival/article4867578.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
It’s not giving away much to reveal that the last line of dialogue spoken in Synecdoche, 
New York is the lone word “die”. It does, however, help to illustrate 
the emotional starkness and the near-mythic intent of this directorial debut 
from Charlie Kaufman, the 49-year-old absurdist screenwriter of Being 
John Malkovich and Eternal Sunshine of the Spotless Mind.	
]]></description>
</item>

</rdf:RDF>