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<title>Six_Degrees_of_Separation RSS : Gourt</title>
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<dc:rights>Copyright 2007, Gourt.com</dc:rights>
<dc:date>2008-08-21T00:44+01:00
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<dc:subject>Six_Degrees_of_Separation RSS : Gourt</dc:subject>
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/369431711/childhood-in-momma-s-man-struggles-with-daddy-issues-in-hamlet-2" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/369540507/manny-farber-1917-2008" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/369431714/a-tribute-for-richard-widmark" />
  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/369431715/searching-for-substance-over-style-at-this-year-s-korean-film-fest" />
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  <rdf:li rdf:resource="http://feeds.villagevoice.com/~r/articles/film/~3/369431722/bachna-ae-haseeno" />
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<item rdf:about="http://www.fandango.com/tropicthunder_113808/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Tropic Thunder - Go - Gotta see Downey Jr</title>
<link>http://www.fandango.com/tropicthunder_113808/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[The movie started out great. I couldn't think of a better way to start the movie to create the back story. The previews were part of the greatness of the movie. The second greatest part was the cameos. I won't reveal the second one but it a good one. 

Overall, the movie started out awesome. It slowed a little in the middle but for the most part. Probably as funny as the modern classics (Anchorman, Wedding Crashers, 40 Year Old Virgin)]]></description>
</item>

<item rdf:about="http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The Dark Knight: The IMAX Experience - Must Go! - Dark Knight</title>
<link>http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[I tried not to go into the movie with expectations.  However, it was absolutely incredible!  There's really not much that can be said about Joker that already hasn't been said.  It was not TOO long.  The movie was amazing.  Joker definitely made the movie.  It was the most accurate portrayal of the real Joker I have ever seen.  And no one has ever made Joker look so cool.  Two-Face also looked incredbile.  Definitely not for little kids.  Two-Face's face is enough to give any kid nightmares.  And I loved that the violence was more psychological than gorey.  My favorite movie ever so far.  To top it off, seeing it in IMAX was great.  The first scene of the city looked like I could have fallen right through.  Defnitely worth every penny and will be going soon to see it again!]]></description>
</item>

<item rdf:about="http://www.fandango.com/thedarkknight_110469/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The Dark Knight - Must Go! - The Dark Knight</title>
<link>http://www.fandango.com/thedarkknight_110469/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[I saw this movie with my best friend and we absolutely loved it! The cast was great! I loved Heath Ledger he was great for the joker. Kids younger than 12 might think it's a bit scary. It was very violent and dark but it was a really great movie. It made us jump a lot. I think the cast gave it their all and it was worth the money. It was probably the best movie I've seen this year. It was just great and very well casted. It's a must see movie.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/369741911/cl-et-rocker20-2008aug20,0,7337771.story">
<title>

        &#x27;The Rocker&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/369741911/cl-et-rocker20-2008aug20,0,7337771.story</link>
<description><![CDATA[Rainn Wilson's 'Rocker' finds his rhythm, but his film misses a beat.
                        
                    
                    
                        IT'S BEEN 20 years since Robert Fishman (Rainn Wilson), the metal-head hero of "The Rocker," lost his chance to live the dream, and he's been half asleep ever since. Back in the days of striped spandex and mile-high hair, "Fish" was the drummer for Vesuvius, a band on the verge of making it big. But since his bandmates booted him on the same night they signed a record deal, he's gone from heavy-metal rocking to working a soul-crushing desk job, his head bowed in permanent defeat.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/367869234/cl-et-mirrors18-2008aug18,0,1372910.story">
<title>

        &#x27;Mirrors&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/367869234/cl-et-mirrors18-2008aug18,0,1372910.story</link>
<description><![CDATA[After muddling through this horror diversion, Kiefer Sutherland is better off keeping his day job on '24.'
                        
                    
                    
                        Hollywood, where vanity can seem not a vice but a virtue, would presumably love mirrors. Not so in "Mirrors," a ridiculous studio remake of a Korean horror film where at a burnt-out old department store, the new night-shift security guard (Kiefer Sutherland), a disgraced ex-cop, finds that the mirrors are home to evil, murderous spirits.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461913/cl-et-capsules15-2008aug15,0,3243567.story">
<title>

        &#x27;Fly Me to the Moon&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461913/cl-et-capsules15-2008aug15,0,3243567.story</link>
<description><![CDATA[Also: 'Jack Brooks: Monster Slayer,' 'Falling,' 'XXY' and 'Re-Cycle'
                        
                    
                    
                        "Fly Me to the Moon," a 3-D-animated tale of insects who want to be the first flies on the moon, seeks to instill in kids a sense of wonder at space exploration. Whether it succeeds is really in the eye of the beholder.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461914/cl-et-vicky15-2008aug15,0,1797086.story">
<title>

        &#x27;Vicky Cristina Barcelona&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461914/cl-et-vicky15-2008aug15,0,1797086.story</link>
<description><![CDATA[Woody Allen's latest, starring Scarlett Johansson and Javier Bardem, again tries to balance comedy and drama. Again, the result is off-kilter.
                        
                    
                    
                        LIKE shipwrecked sailors awaiting the return of the hero sent for help, comedy-deprived moviegoers are desperate for the return of the old Woody Allen, the one who made them laugh. Each new Allen film is frantically examined as soon as it appears on the horizon: "Is that him? Is he back? Please, God, let him be back."]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461915/cl-et-exiles15-2008aug15,0,5170494.story">
<title>

        &#x27;The Exiles&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461915/cl-et-exiles15-2008aug15,0,5170494.story</link>
<description><![CDATA[Never released theatrically and all but unseen in the 50 years since shooting began, "The Exiles" is a lost Los Angeles treasure about a culture that disappeared and haunting neighborhoods that are no more. That we have it with us again is little short of miraculous.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461916/cl-et-starwars15-2008aug15,0,276066.story">
<title>

        &#x27;Star Wars: The Clone Wars&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461916/cl-et-starwars15-2008aug15,0,276066.story</link>
<description><![CDATA[Despite excellent animation, 'Star Wars: The Clone Wars' fails with bad dialogue and plot machinations.
                        
                    
                    
                        With, presumably, no more live-action episodes coming, what can fans reasonably expect from "Star Wars: The Clone Wars," the theatrical pilot for the upcoming animated television series?]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461917/cl-et-stealing15-2008aug15,0,491046.story">
<title>

        &#x27;Stealing America: Vote by Vote&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461917/cl-et-stealing15-2008aug15,0,491046.story</link>
<description><![CDATA[Documentary explores whether every vote really counted in 2004.
                        
                    
                    
                        If the prospect of reliving 2004's U.S. presidential election -- or any of the other key domestic political races from the last dozen years -- is too much to bear, then Dorothy Fadiman's documentary "Stealing America: Vote by Vote" might seem like homework. Settle in for 90 brief minutes, though, and this persuasive refresher course on our increasingly sketchy electoral process will prove essential viewing for any constitutionally minded American.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461918/cl-et-henry15-2008aug15,0,7241175.story">
<title>

        &#x27;Henry Poole Is Here&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/365461918/cl-et-henry15-2008aug15,0,7241175.story</link>
<description><![CDATA[The indie drama "Henry Poole Is Here" tells the story of a lonely, hopeless soul (Luke Wilson) who retreats to a newly bought house in the neighborhood where he grew up, only to see his planned solitude intruded upon by neighbors and strangers who believe a water stain on  his house is the image of Jesus. Director Mark Pellington's personal trauma of losing his wife and subsequently rediscovering a sense of purpose  motivated him to make this achingly sincere faith tale -- leavened somewhat by occasional quirks of humor early on -- but the dearth of honest characterization in Albert Torres' script lends the whole exercise a shallow impatience with the storm before the calm.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/363658089/cl-et-tropic13-2008aug13,0,6869832.story">
<title>

        &#x27;Tropic Thunder&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/363658089/cl-et-tropic13-2008aug13,0,6869832.story</link>
<description><![CDATA[Stiller's latest is both smart and dumb.
                        
                    
                    OPPOSITES DO more than attract in  Ben Stiller&rsquo;s  unapologetic R-rated comedy  &ldquo;Tropic Thunder&rdquo;  -- they loudly and defiantly collide. Simultaneously smart and dumb, mixing clever satire with way over-the-top raunch and unrelenting profanity, this equal opportunity offender risks running off some of the very people who might appreciate it the most.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/359182338/cl-et-wire8-2008aug08,0,7675758.story">
<title>

        &#x27;Man on Wire&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/359182338/cl-et-wire8-2008aug08,0,7675758.story</link>
<description><![CDATA[James Marsh's brilliant documentary on a Frenchman's 1974 high-wire walk between the twin towers has the pace of a thriller and the human interest of a psychological drama.
                        
                    
                    
                        THEY SAY that seeing is believing, but "Man on Wire" will make you doubt what your eyes are telling you -- it really will -- as you shake your head in amazement and awe.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/vicky_cristina_barcelona_allen">
<title>Vicky Cristina Barcelona</title>
<link>http://www.newyorker.com/arts/reviews/film/vicky_cristina_barcelona_allen</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/08/25/080825gomo_GOAT_movies">
<title>Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/08/25/080825gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        DEATH RACE 
        A science-fiction thriller in which an ex-con (Jason Statham) must take part in a deadly car race. Directed by Paul W. S. Anderson. Opening Aug. 22. (In wide release.) 
          
        HAMLET 2 
        A comedy, directed by Andy Fleming, starring Steve Coogan as a high-school teacher&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/elegy_coixet">
<title>Elegy</title>
<link>http://www.newyorker.com/arts/reviews/film/elegy_coixet</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/08/25/080825crci_cinema_lane">
<title>Vanity Cases</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/08/25/080825crci_cinema_lane</link>
<description><![CDATA[Make sure that you take your seat for &#8220;Tropic Thunder&#8221; in good time, because all the best jokes are at the start. Before it gets under way, you have to sit through the usual slew of previews and commercials, and there is a delectable moment when you realize that these&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/transsiberian_anderson">
<title>Transsiberian</title>
<link>http://www.newyorker.com/arts/reviews/film/transsiberian_anderson</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/the_x-files_i_want_to_believe_carter">
<title>The X-Files: I Want to Believe</title>
<link>http://www.newyorker.com/arts/reviews/film/the_x-files_i_want_to_believe_carter</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/swing_vote_stern">
<title>Swing Vote</title>
<link>http://www.newyorker.com/arts/reviews/film/swing_vote_stern</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/pineapple_express_green">
<title>Pineapple Express</title>
<link>http://www.newyorker.com/arts/reviews/film/pineapple_express_green</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/in_search_of_a_midnight_kiss_holdridge">
<title>In Search of a Midnight Kiss</title>
<link>http://www.newyorker.com/arts/reviews/film/in_search_of_a_midnight_kiss_holdridge</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol">
<title>A Girl Cut in Two</title>
<link>http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed">
<title>Vicky Cristina Barcelona</title>
<link>http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Penelope Cruz, Javier Bardem, Scarlet Johansson
Review:
Woody Allen goes latin (you heard me), and the romantic, richly
comic result &mdash; powered by a dream cast &mdash; is his sexiest
movie ever. Shooting in Spain has loosened up the Woodman. You want
plot? Two American girls, Vicky (Rebecca Hall) and Cristina
(Scarlett Johansson), spend the summer at the Barcelona hideaway of
Vicky's pals, Mark (Kevin Dunn) and Judy (the ever-glorious
Patricia Clarkson). No sooner do the girls spot Juan Antonio
(Javier Bardem), a bedroom-eyed painter, than he's hitting on both
of them. So far, so predictable. What sparks the movie is
Pen&eacute;lope Cruz as Maria Elena, the painter's ex-wife, a
fireball given to strong emotions &mdash; hell, she once stabbed
Juan Antonio during an argument. You haven't lived till you've
heard Cruz and Bardem trading Woody Allen o...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed">
<title>Hamlet 2</title>
<link>http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Steve Coogan, Catherine Keener
Review:
Don't expect a night with The Bard. This cuckoo farce asks: Can an
L.A. actor stuck doing ads for herpes cures find happiness by
moving to Tucson and teaching drama to high schoolers? Probably
not. But you'll be wearing a happy face for two hours watching the
brilliant Brit comic Steve Coogan play him. Him being Dana Marschz
(pronounced Mars-chhh-zzz by those who dare), a sterile
recovering alcoholic who gets slagged regularly by a snotty kid
critic for staging movies (Dead Poets Society, Erin
Brockovich) as plays. "He fisted us," cries Dana. Pumped by
the addition of Latin students to his class of whitey Christians
and closeted gays, Dana rouses himself &mdash; not with his wife
(the dry, dazzling Catherine Keener), who's boinking their friend
(David Arquette), but by creating an original...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed">
<title>Tropic Thunder</title>
<link>http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Ben Stiller, Jack Black, Robert Downey Jr., Steve Coogan, Jay
Bar...
Review:
Think of all the ways you can hurt yourself laughing, as in fall
down, split your sides, bust a gut, blow your mind. You get it all
in Tropic Thunder, a knockout of a comedy that keeps you
laughing constantly. It's also killer smart, lacing combustible
action with explosive gags. Major props to Ben Stiller, the
director, co-producer, co-writer and co-star, who shows us
Hollywood at war with its own ginormous ego during the making of a
megabudget Vietnam War movie with an uproariously inept cast and
crew. Stiller took flak for the other three movies he's directed:
1994's Reality Bites was allegedly too soft, 1996's
The Cable Guy too dark, 2001's Zoolander too
airy-fairy. Confession: I liked them all. And I'm nuts about
Tropic Thunder, with its dynamite script by Stiller,
Justin Theroux and...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed">
<title>American Teen</title>
<link>http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Hannah Bailey, Colin Clemens, Megan Krizmanich, Jake Tusing
Review:
Reality tv, welcome to the multiplex. If The Hills went
back to high school and developed wit, perception and a conscience,
it might play something like Nanette Burstein's wallop of a doc.
Burstein (The Kid Stays in the Picture) did total
immersion with a handful of seniors at the only high school in
Warsaw, Indiana, which we're told is "mostly white, mostly
Christian and red state all the way." It's not all condescending; a
church sign announces, "Get an Afterlife." Camera in hand for more
than 10 months, Burstein waited patiently for character types out
of a John Hughes movie to shake off their clich&eacute;d shells
&mdash; the prom queen (Megan Krizmanich), the star athlete (Colin
Clemens), the band geek (Jake Tusing), the arty rebel (Hannah
Bailey). The fact that they do, sometimes by happy...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed">
<title>Step Brothers</title>
<link>http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Will Ferrell, John C. Reilly, Mary Steenburgen, Richard Jenkins,
...
Review:
Starting at infantile and regressing hysterically from there,
Step Brothers flies on the comic chemistry of Will Ferrell
and John C. Reilly. They riffed on the baby Jesus in Talladega
Nights. Now they're goofing on grown men who stay babies. Are
you ready to see Ferrell rub his hairy nut sack on Reilly's drum
set? You better be. Step Brothers, directed by Adam McKay
from a story by McKay, Ferrell and Reilly (so you know who to hold
responsible), pushes its R rating to the merry max. I'd better
explain. Ferrell plays Brennan Huff, 39, a sleepwalker and chronic
masturbator who lives with his divorced mom (Mary Steenburgen).
Reilly plays Dale Doback &mdash; even more of a slacker, since he's
a year older &mdash; who lives with his widowed dad (Richard
Jenkins). When the parents marry, Brennan...
Rating:
2.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/15138038/review/21896158/pineapple_express?source=movie_reviews_rssfeed">
<title>Pineapple Express</title>
<link>http://www.rollingstone.com/reviews/movie/15138038/review/21896158/pineapple_express?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
James Franco, Seth Rogen, Gary Cole, Rosie Perez, Danny R.
McBrid...
Review:
Add about seven years to the ages of the kids in
Superbad, toss in bullets, bongs and assassination squads,
and you get some idea of the hot box of crazy that is Pineapple
Express, a buddy movie stoned on its own shitfaced silliness.
You'll go limp from laughing as process server Dale Denton (Seth
Rogen) buys the wacky weed of the title from pot dealer Saul Silver
(James Franco). "Smell it, smellll it," raves Saul, his eyes glazed
with mellow joy. "It's like God's vagina." The plot kicks in when
Dale eyeballs drug lord Ted Jones (Gary Cole, slime personified)
and crooked cop Carol (Rosie Perez, totally butch) executing an
Asian rival. Dale runs like hell, dropping a roach that Ted
immediately IDs as pineapple express. That marks Dale for death,
also Saul and his middleman Red, played by...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/tropic_thunder/">
<title>83% Tropic Thunder</title>
<link>http://www.rottentomatoes.com/m/tropic_thunder/</link>
<description><![CDATA[With biting satire, plenty of subversive humor, and an unforgettable turn by Robert Downey, Jr., Tropic Thunder is a triumphant late Summer comedy.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/the_dark_knight/">
<title>94% The Dark Knight</title>
<link>http://www.rottentomatoes.com/m/the_dark_knight/</link>
<description><![CDATA[Dark, complex and unforgettable, The Dark Knight succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/clone_wars/">
<title>18% The Clone Wars</title>
<link>http://www.rottentomatoes.com/m/clone_wars/</link>
<description><![CDATA[Mechanical animation and a less-than stellar script make The Clone Wars a pale shadow of George Lucas' once great franchise.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/1197016-mirrors/">
<title>17% Mirrors</title>
<link>http://www.rottentomatoes.com/m/1197016-mirrors/</link>
<description><![CDATA[After HIGH TENSION and THE HILLS HAVE EYES, French director Alexandre Aja stays firmly grounded in horror territory with MIRRORS.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/pineapple_express/">
<title>68% Pineapple Express</title>
<link>http://www.rottentomatoes.com/m/pineapple_express/</link>
<description><![CDATA[Both funny and scatter shot, this loose-knit action/buddy/stoner comedy bridges genres and keeps a steady tempo of low ball laughs.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93795479&#x26;ft=1&#x26;f=1045">
<title>Telling The Tale Of Two Mardi Gras</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93795479&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Some historians say Mobile, Ala., is home to the oldest Mardi Gras celebration in the country. Mobile native Margaret Brown trained her cameras on the city's Mardi Gras tradition, and she found two worlds shaped by racial segregation.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93751328&#x26;ft=1&#x26;f=1045">
<title>In Election Movies, Playing By A Rule of Three</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93751328&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Hollywood has always recognized the potential drama inherent in elections &mdash; think The Manchurian Candidate. Bob Mondello and Michele Norris talk about the intersection of ballot box and box office.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93687320&#x26;ft=1&#x26;f=1045">
<title>Bringing Bollywood To The U.S.</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93687320&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[An Indian conglomerate has acquired more than 200 movie screens across the United States in the past year. The company, Reliance, is using the theaters to showcase Indian films. Now it's grabbing headlines for reported plans to set up a new movie venture with Steven Spielberg.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93633003&#x26;ft=1&#x26;f=1045">
<title>Summary Judgment: Is &#x27;Tropic&#x27; Worth Cloning?</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93633003&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Critics don't see eye-to-eye on the Ben Stiller comedy Tropic Thunder, the Woody Allen film Vicky Cristina Barcelona' and the animated Star Wars film Clone Wars. Writer Mark Jordan Legan breaks down the reviews and helps resolve what's worth the price of two gallons of gas this weekend.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93622967&#x26;ft=1&#x26;f=1045">
<title>Edwards&#x27; Woes, New Movie&#x27;s &#x27;Blackface&#x27; Draw  Scrutiny</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93622967&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The guys in the Barbershop speak their mind about the woes of former presidential contender and Senator John Edwards, and a new movie that has a big-name Hollywood actor appearing in blackface. This week's 'shop' patrons &mdash; Jimi Izrael, Arsalan Iftikhar, Ruben Navarrette and Justin Ross &#x96; also weigh in on the presidential candidates' favorite songs.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93625547&#x26;ft=1&#x26;f=1045">
<title>The Postmodern Films Of Guy Maddin</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93625547&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Critic-at-large John Powers looks at the recent work of Canadian filmmaker Guy Maddin. His film Brand Upon the Brain! is now out on DVD, and his movie My Winnipeg is currently playing in theaters.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93619403&#x26;ft=1&#x26;f=1045">
<title>Shipping Snag Delays Netflix Customers&#x27; Rentals</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93619403&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[About 2.5 million Netflix customers won't get this week's movie delivery on time. The company says an internal technical issue has disrupted shipping across the country. It's the worst delivery problem the Internet rental pioneer has ever had.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93523963&#x26;ft=1&#x26;f=1045">
<title>&#x27;Vicky Cristina Barcelona&#x27;: Woody Allen, Uninspired</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93523963&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Though Javier Bardem and Penelope Cruz almost redeem the film, the director's latest is almost as flat as its title. Critic Kenneth Turan is left wondering: Can't we just have the old Woody back?]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93523925&#x26;ft=1&#x26;f=1045">
<title>&#x27;Henry Poole,&#x27; Learning To Love His Neighbors</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93523925&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The Luke Wilson vehicle is a parable of averted martyrdom that turns on a Roman Catholic notion of the miraculous &mdash; though its fundamental message is closer to a Hallmark card than to the New Testament.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93523977&#x26;ft=1&#x26;f=1045">
<title>&#x27;Girl Cut in Two&#x27;: An Old Scandal, Stylishly Redressed</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93523977&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[There are ominous goings-on, yes &mdash; a murder, even &mdash;  but mostly what gets slashed in Claude Chabrol's wittily accomplished new black comedy are bourgeois facades and upright reputations.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93589825&#x26;ft=1&#x26;f=1045">
<title>A Filmmaker&#x27;s Excruciating Return To Adolescence</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93589825&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[One of the worst fears of adolescents everywhere is throwing a party that no one attends. This actually happened to director Paul Weiland, who was left alone at his Bar Mitzvah because of the 1966 World Cup. Now, Weiland recreates his embarrassment for the amusement of others in his new movie, Sixty Six.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93597393&#x26;ft=1&#x26;f=1045">
<title>A Helen Thomas White House</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93597393&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[As part of the Washington Press Corps, Helen Thomas has spent 60 years asking presidents tough questions. Rory Kennedy talks about her documentary, which chronicles the journalist's career.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93597387&#x26;ft=1&#x26;f=1045">
<title>Summer Movies: Going Nuclear</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93597387&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[When movies went nuclear they took us through every genre, every apocalypse and every nightmare scenario that made us duck and cover. Continuing of our summer movies series, we look at nuke flicks.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93555903&#x26;ft=1&#x26;f=1045">
<title>Ben Stiller: Early Role Spawned &#x27;Tropic Thunder&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93555903&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[It's a movie about making a (bad) movie: Actor-director Ben Stiller says he first got the idea for Tropic Thunder back in 1987. Now, the big-budget behind-the-scenes spoof is stirring up a real-world controversy.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93523961&#x26;ft=1&#x26;f=1045">
<title>&#x27;Tropic Thunder&#x27;: A Category 2 Comedy Disaster</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93523961&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A Hollywood parody of the Scary Movie variety, Tropic Thunder becomes the butt of its own joke. Bombastic actors satirically play bombastic actors &mdash; without much effect, says critic Cynthia Fuchs. Ooh, how meta.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities — nominees, award presenters, performers and members of their entourages — is escalating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars — a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations — 19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431711/childhood-in-momma-s-man-struggles-with-daddy-issues-in-hamlet-2">
<title>Childhood In Momma&#x27;s Man; Struggles With Daddy Issues In Hamlet 2</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431711/childhood-in-momma-s-man-struggles-with-daddy-issues-in-hamlet-2</link>
<description><![CDATA[Thirtyish guy&mdash;bit of a schlub but married, with a newborn baby&mdash;comes back from California to visit aging parents in New York and, overtaken by a mysterious lethargy, moves into his tiny childhood room. Momma's Man, directed by Azazel Jacobs from his own screenplay, is one of th...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431712/katrina-stark-and-surreal-in-trouble-the-water">
<title>Katrina, Stark and Surreal, in Trouble the Water</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431712/katrina-stark-and-surreal-in-trouble-the-water</link>
<description><![CDATA[Hurricane Katrina may have driven off a large segment of New Orleans' African-American population. But in one sense the deadly storm was a uniter, not a divider: The devil wind brought together much of the country in contempt of the Bush administration's loose definition of humanitarian aid. Fres...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431713/recalling-a-wilder-city-in-nyc-vigilantes-series">
<title>Recalling A Wilder City In NYC Vigilantes Series</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431713/recalling-a-wilder-city-in-nyc-vigilantes-series</link>
<description><![CDATA[Was New York City in its debt-saddled, under-patrolled, crime-capital days ever really this Stygian? The wish-fulfillment appeal of vigilantism certainly isn't the same in our current hyper-chaperoned metropolis, but don't forget that militant citizens-on-patrol like Curtis Sliwa and Bernie Goetz...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369540507/manny-farber-1917-2008">
<title>Manny Farber 1917-2008</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369540507/manny-farber-1917-2008</link>
<description><![CDATA[Painter, carpenter, university professor, and underground model for scores of American film critics&#151;myself included&#151;Manny Farber died early Monday morning in San Diego, where he had lived, taught, and worked since the early &#146;70s.
Farber, who began reviewing movies for the Ne...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431714/a-tribute-for-richard-widmark">
<title>A Tribute For Richard Widmark</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431714/a-tribute-for-richard-widmark</link>
<description><![CDATA[The late Richard Widmark, who died in March at age 93, was revered offscreen as one of Hollywood's true gentlemen and staunchest liberals. It is entirely to his credit that in his most indelible roles&mdash;a gallery of giggling killers, sleazy hustlers, and ramrod martinets&mdash;he came across ...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431715/searching-for-substance-over-style-at-this-year-s-korean-film-fest">
<title>Searching For Substance Over Style At This Year&#x27;s Korean Film Fest</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431715/searching-for-substance-over-style-at-this-year-s-korean-film-fest</link>
<description><![CDATA[A Korean film festival without the belligerent aesthetics and sketchy moral plans of Kim Ki-duk and Park Chan-wook is practically a badge of honor; one without the plaintive romanticism of Hong Sang-soo and sly genre deconstructions of Bong Joon-ho is like a winter without snow. That said, given ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431716/dare-not-walk-alone">
<title>Dare Not Walk Alone</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431716/dare-not-walk-alone</link>
<description><![CDATA[The more things change, the more they stay the same for disenfranchised African- Americans in the historic city of St. Augustine, Florida. At least that's the argument persuasively, if haphazardly, put forth by director Jeremy Dean's documentary Dare Not Walk Alone, which casts one eye bac...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431717/richard-serra-thinking-on-your-feet">
<title>Richard Serra: Thinking On Your Feet</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431717/richard-serra-thinking-on-your-feet</link>
<description><![CDATA[It is happily noted in the press materials for Richard Serra: Thinking On Your Feet, Maria Anna Tappeiner's documentary about the American sculptor, that its subject is something most artists are not: articulate, particularly with regard to his work. Having thus recommended Serra&md...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431718/i-o-u-s-a">
<title>I.O.U.S.A.</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431718/i-o-u-s-a</link>
<description><![CDATA[Both a handy election primer and a bowel-rattling cry of fiscal doom, I.O.U.S.A. is an Inconvenient Truth for the debt crisis, a plainly mapped and charted argument against our current economic course. Wordplay director Patrick Creadon has gathered some heavy-hitting policy p...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431719/the-longshots">
<title>The Longshots</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431719/the-longshots</link>
<description><![CDATA[In the '90s, Ice Cube and Limp Bizkit co-headlined the Family Values Tour as, respectively, a rap legend and the nadir of music up to that point. Cube and Bizkit frontman-cum-filmmaker Fred Durst reteam for The Longshots, canceling each other out into total mediocrity. Curtis Plummer (Cube...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431720/rainn-wilson-goes-metal-in-the-rocker">
<title>Rainn Wilson Goes Metal in The Rocker</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431720/rainn-wilson-goes-metal-in-the-rocker</link>
<description><![CDATA[Directed by Peter Cattaneo, The Rocker's more or less the Pete Best Story&mdash;the tale of a poor bastard who gets shitcanned right on the brink of record-bin immortality. The film opens in Cleveland, mid-1980s, where Rainn Wilson's Robert "Fish" Fishman is behind the kit for Vesuvius, a ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/369431722/bachna-ae-haseeno">
<title>Bachna Ae Haseeno</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/369431722/bachna-ae-haseeno</link>
<description><![CDATA[When he&#146;s not busy designing Halo 4, Raj Sharma (Ranbir Kapoor) has one great ambition: to lead a &#147;killer&#148; life. And with his cheeky energy and piles of cash, the boyish hero of Bachna Ae Haseeno has no trouble keeping everything killer. Until, that is, a triad of botche...
  
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574013.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>The name&#x26;#8217;s Connery, Sean Connery: the life of Scotland&#x26;#8217;s James Bond</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574013.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
1930 
Born August 25 in Edinburgh.	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Somers Town</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Get Smart</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574367.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Fran&#x26;#231;ois Ozon: an enfant terrible takes French leave</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574367.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
He&#8217;s one of France&#8217;s hottest film&#45;makers. He makes award&#45;winning movies filled 
with knockout French femmes (including Catherine Deneuve and Ludivine 
Sagnier), bursting with transgressive sexual subtext and topped by 
occasional musical numbers. So what made the 40&#45;year&#45;old provocateur 
Fran&#231;ois Ozon shoot a traditional English period drama about a fictional 
Edwardian novelist?	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4524352.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>How Batman became cinema&#x27;s top trump</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4524352.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Every decade or so, a film passes from box&#45;office hit to cultural phenomenon. 
That&#8217;s what is happening with The Dark Knight, the latest instalment in the 
Batman franchise. Even in Hollywood, nobody can quite believe how big a hit 
the $180m film, the second Batman movie to be directed by Christopher Nolan 
and to star Christian Bale as the superhero, has become. &#36;&#8220;It&#8217;s a film that 
is rewriting the record books every day, redefining our notions of what a 
blockbuster can be,&#8221; says Paul Dergarabedian, president of the box&#45;office 
tracker Media by Numbers.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4473139.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Oliver Stone&#x27;s George Bush biopic W.</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4473139.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Watch 
the W. trailer	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4524538.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Heels before swine in Ben Charles Edwards&#x27;s The Town That Boars Me</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4524538.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Now, shall I wear my electric&#45;blue brogues? The high&#45;heeled lilac boots? The 
traffic&#45;light&#45;red Patrick Coxes? The black python&#45;skin? Hmm, no: let&#8217;s have 
the new patent&#45;leather Joneses with pink edging and laces.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/stage/article4505608.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Juliette Binoche gets metaphysical</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/stage/article4505608.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Behind an anonymous door in a far west Paris suburb, a man and a woman are 
rolling around on the floor. Nothing particularly strange about that, except 
that the woman is strikingly familiar and her presence here is incongruous. 
They break, breathe, then start again, while two others, who turn out to be 
the woman&#8217;s sister and her son, film them. Every half hour or so, the pair 
come over to inspect the footage. They laugh, frown, argue a little, and 
then give it another go. She&#8217;s good, but not as good as him. How could she 
be? He is Akram Khan, one of the foremost British dancers and choreographers 
of his generation, and it&#8217;s possible he&#8217;s holding himself back a bit, 
dancing down for the sake of compatibility.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4521837.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Liv Tyler on why there&#x27;s life after the Lord of the Rings</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4521837.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Liv Tyler and I are shivering away in South Carolina during a chilly midwinter 
shoot for her new film, Strangers, huddled around her cigarette for 
warmth. In May this year she announced that she and her husband of five 
years, the musician Royston Langdon of the British band Spacehog, were to 
divorce &#8211; and as she speaks (a good few months previous to the announcement) 
she offers a few signs that her relationship is under pressure. When she 
talks about her passion for Langdon, she uses the past tense, and goes on to 
say that &#8220;family and stability no longer feel so important&#8221;.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4523559.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>In the Twilight zone: the vampire bites back</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4523559.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
While a stake through the heart or a shaft of sunlight should be enough to 
kill cinema&#8217;s most determined vampires, the one thing that is guaranteed to 
reanimate the undead is the scent of box&#45;office success. Right now, 
audiences are hungry for blood: the vampire is back.	
]]></description>
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</rdf:RDF>