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<title>Spellbound RSS : Gourt</title>
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<dc:rights>Copyright 2007, Gourt.com</dc:rights>
<dc:date>2008-08-28T01:15+17:00
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<item rdf:about="http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The Dark Knight: The IMAX Experience - Must Go! - Words Cannot Describe How Good This Movie Was</title>
<link>http://www.fandango.com/thedarkknight:theimaxexperience_113129/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[Wow! As my title says, words cannot describe how good this movie was, but I will try. I was just blown away by the story-as was the case with "Batman Begins," this was so much more than just a movie based on a comic book. The story was engrossing and I just loved how it ended. Heath Ledger's performance was beyond belief, and Christian Bale, Gary Oldman, Morgan Freeman, Michael Caine, and Aaron Eckhart were all excellent. Most people I know didn't care for Maggie Gyllenhaal as Rachel, but I liked her (she wasn't perfect for the role, but enjoyable nonetheless).  The effects were also amazing to see-in fact, it was not easy to look at Aaron Eckhart as Two-Face!

If you are one of the few people who haven't seen this yet, go as soon as humanly possible. Seeing it in IMAX is pretty cool, but I doubt it is necessary (I didn't see the regular version, so cannot say for sure). Just see it in whichever version you can see sooner. It is a must-see and should be seen in the theater,]]></description>
</item>

<item rdf:about="http://www.fandango.com/thehousebunny_112285/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for The House Bunny - So-So - The House Bunny</title>
<link>http://www.fandango.com/thehousebunny_112285/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[I took four 15 year olds with me and in a few places in the movie, there were a couple of remarks made with a sexual content ... and I didn't even get the gist of them.  Some of the kids with me probably did and I worried that, if I did not get them, how crude were they for this day and age.  There were also a couple references made to body parts that I was a little embarrassed about, and I felt embarrassed about having the kids subjected to that.  

Overall the movie was quite funny; however, as I said above, I was a bit concerned about the level of crudity even though I assumed it was to go along with overall the theme of the movie.  I do not embarrass easily but again, was a bit over the top with some of crudity.

The overall movie was very cute and it was as funny as we all hoped.

D.J. Johnson]]></description>
</item>

<item rdf:about="http://www.fandango.com/vickycristinabarcelona_114960/movieoverview?wssac=133&#x26;wssaffid=11851">
<title>Review for Vicky Cristina Barcelona - Go - Different Than I Expected, But Quite Funny</title>
<link>http://www.fandango.com/vickycristinabarcelona_114960/movieoverview?wssac=133&#x26;wssaffid=11851</link>
<description><![CDATA[This movie was NOTHING like I expected. The media had me joking that it was Woody Allen's "venture into soft core porn," but nothing could be further from the truth. There was definitely a sexual theme to the movie, as well as a few sex scenes, but nothing graphic-and no nudity of any kind.

As for my opinion of the movie, I found it to be very funny. I thought it was one of Woody Allen's rare dramas, with some comedic moments sprinkled in, but it was a lot closer to a typical Woody Allen comedy than that (though not exactly the same as a typical Woody Allen comedy). Penelope Cruz was the best part of the movie as Javier Bardem's crazy and unbalanced ex-wife. People often say that Cruz is only good in Spanish-language films, and she speaks a lot of Spanish in this movie, so there might be something to that theory. Javier Bardem was very charming and witty. Scarlett Johansson and (particularly) Rebecca Hall were also very good and funny.

If you like Woody Allen movies, go see this.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/375941679/cl-et-traitor27-2008aug27,0,1770718.story">
<title>

        Movie review: &#x27;Traitor&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/375941679/cl-et-traitor27-2008aug27,0,1770718.story</link>
<description><![CDATA[Don Cheadle reaffirms his excellence in a good, terrorism-themed thriller that also features Guy Pearce and Jeff Daniels.
                        
                    
                    
                        "Traitor" asks a question that can be answered only by that cruel mistress, the marketplace: How much moral ambiguity and narrative intricacy will an audience handle in the realm of a terrorism-themed contemporary thriller? Enough, I hope, to respond to "Traitor." It tells a good, snakelike story, slithering in some unpredictable directions.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644412/cl-et-capsules22-2008aug22,0,1801771.story">
<title>

        &#x27;The House Bunny&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644412/cl-et-capsules22-2008aug22,0,1801771.story</link>
<description><![CDATA[Also: 'Ten Nights of Dreams,' 'What We Do Is Secret,' 'America the Beautiful,' 'Cthulhu'
                        
                    
                    
                        "Being a centerfold is the highest and most prestigious honor there is," über-blond Shelley earnestly declares. "It says, 'I'm naked in the middle of a magazine. Unfold me!' "]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644414/cl-et-garden22-2008aug22,0,1776396.story">
<title>

        &#x27;The Garden&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644414/cl-et-garden22-2008aug22,0,1776396.story</link>
<description><![CDATA[Turf wars flourish in South-Central L.A.
                        
                    
                    
                        It's tempting to call "The Garden" a story of innocence and experience, of evil corrupting paradise, but that would be doing a disservice to the fascinating complexities of a classic Los Angeles conflict and an excellent documentary that does them full justice.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644417/cl-et-hamlet22-2008aug22,0,2689309.story">
<title>

        &#x27;Hamlet 2&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644417/cl-et-hamlet22-2008aug22,0,2689309.story</link>
<description><![CDATA[What can you say about  &ldquo;Hamlet 2&rdquo;  that its title doesn't already tell you? It's an unhinged, off-the-wall comedy that will try anything once, an uneven film in which the hits are so dead-on that the misses don't seem to matter.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644418/cl-et-trouble22-2008aug22,0,2496197.story">
<title>

        &#x27;Trouble the Water&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644418/cl-et-trouble22-2008aug22,0,2496197.story</link>
<description><![CDATA[The documentary on Hurricane Katrina's impact on a spirited New Orleans family won the grand jury prize at Sundance for its unique take on the 2005 disaster.
                        
                    
                    
                        "Trouble the Water," a stirring documentary on Hurricane Katrina and its aftermath, is more than a keenly dramatic look at how this country treats the poor and dispossessed. It's also a film that was hijacked by its subjects. They saw an opportunity, they took it, and the grand jury prize at Sundance was the result.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644420/cl-et-deathrace22-2008aug22,0,6560602.story">
<title>

        &#x27;Death Race&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644420/cl-et-deathrace22-2008aug22,0,6560602.story</link>
<description><![CDATA[Paul W.S. Anderson's remake is noisy, brutal, bloodthirsty fun
                        
                    
                    
                        Nothing in director Paul W.S. Anderson's schlock drawer -- not "Mortal Kombat," not "Event Horizon," not "Resident Evil," not "Alien vs. Predator" -- prepares you for the peppy, good-time nastiness that is "Death Race."]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644421/cl-et-midnight22-2008aug22,0,7250449.story">
<title>

        &#x27;In Search of a Midnight Kiss&#x27; misses its mark</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644421/cl-et-midnight22-2008aug22,0,7250449.story</link>
<description><![CDATA[Sorry, but Alex Holdridge's 'In Search of a Midnight Kiss' is not the epitome of independent cinema.
                        
                    
                    
                        "Misanthrope seeks misanthrope" -- so reads the Craigslist ad placed by Wilson (Scoot McNairy) on the morning of New Year's Eve. A self-described "lonely hunker-down type," Wilson is new to Los Angeles, where he has moved to become a screenwriter, and is the sort of undiscovered good guy about which many an indie movie has been made. His ad is answered by Vivian (Sara Simmonds), a mouthy, moody piece of work and just the kind of quirky-difficult undiscovered angel about whom many an indie movie has been made.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644422/cl-et-longshots22-2008aug22,0,2587097.story">
<title>

        Review: &#x27;The Longshots&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644422/cl-et-longshots22-2008aug22,0,2587097.story</link>
<description><![CDATA[Inspired by the true-life tale of 11-year-old Jasmine Plummer, the first female quarterback to compete in the Pop Warner Super Bowl, "The Longshots" is a gentle, audience-friendly drama that's sometimes too safe for its own good.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644423/cl-et-iousa22-2008aug22,0,4750798.story">
<title>

        &#x27;I.O.U.S.A.&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644423/cl-et-iousa22-2008aug22,0,4750798.story</link>
<description><![CDATA[Documentarian Patrick Creadon adds up the cost of the national debt.
                        
                    
                    
                        After showcasing the mousy crossword puzzle in his engaging first documentary, "Wordplay," Patrick Creadon turns to a topic that makes the Sunday pastime look like a certifiable movie star: "I.O.U.S.A." tackles the endlessly alluring matter of the national debt.]]></description>
</item>

<item rdf:about="http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644424/cl-et-anita22-2008aug22,0,7910309.story">
<title>

        &#x27;Anita O&#x27;Day: The Life of a Jazz Singer&#x27;</title>
<link>http://feeds.latimes.com/~r/calendarlive/movies/reviews/~3/371644424/cl-et-anita22-2008aug22,0,7910309.story</link>
<description><![CDATA[The great Anita O'Day, tough cookie and sublime jazz vocalist, receives a fitting tribute in this exuberant documentary, completed shortly before her death in 2006 at 87. Alive with improvisational energy and rejecting the conventional biographical format, the film pursues ideas and feelings rather than chronology as it scats through an archival wealth of interviews with O'Day and some of her most inspired performances.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/09/01/080901crci_cinema_denby">
<title>Under Suspicion</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/09/01/080901crci_cinema_denby</link>
<description><![CDATA[Ji&#345;&#237; Menzel&#8217;s &#8220;I Served the King of England&#8221; is a Czech national epic served up with champagne and truffles. This graceful and leisurely movie, adapted from a 1974 novel by the masterly Bohumil Hrabal, covers an enormous time span, starting in the nineteen-thirties, then passing through the&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/trouble_the_water_deal">
<title>Trouble the Water</title>
<link>http://www.newyorker.com/arts/reviews/film/trouble_the_water_deal</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/tropic_thunder_stiller">
<title>Tropic Thunder</title>
<link>http://www.newyorker.com/arts/reviews/film/tropic_thunder_stiller</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/09/01/080901gomo_GOAT_movies">
<title>Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/09/01/080901gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        BABYLON A.D. 
        Mathieu Kassovitz directed this futuristic thriller, starring G&#233;rard Depardieu, Vin Diesel, and Charlotte Rampling, about a mercenary who transports a mysterious woman from Eastern Europe to New York. Opening Aug. 29. (In wide release.) 
          
        COLLEGE 
        A comedy, directed by Deb Hagan, about three prospective freshmen who visit&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/mommas_man_jacobs">
<title>Momma&#x27;s Man</title>
<link>http://www.newyorker.com/arts/reviews/film/mommas_man_jacobs</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/hamlet_2_fleming">
<title>Hamlet 2</title>
<link>http://www.newyorker.com/arts/reviews/film/hamlet_2_fleming</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol">
<title>A Girl Cut in Two</title>
<link>http://www.newyorker.com/arts/reviews/film/a_girl_cut_in_two_chabrol</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/film/vicky_cristina_barcelona_allen">
<title>Vicky Cristina Barcelona</title>
<link>http://www.newyorker.com/arts/reviews/film/vicky_cristina_barcelona_allen</link>
<description><![CDATA[The Film File]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/08/25/080825gomo_GOAT_movies">
<title>Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/08/25/080825gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        DEATH RACE 
        A science-fiction thriller in which an ex-con (Jason Statham) must take part in a deadly car race. Directed by Paul W. S. Anderson. Opening Aug. 22. (In wide release.) 
          
        HAMLET 2 
        A comedy, directed by Andy Fleming, starring Steve Coogan as a high-school teacher&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18139784/review/22700385/trouble_the_water?source=movie_reviews_rssfeed">
<title>Trouble the Water</title>
<link>http://www.rollingstone.com/reviews/movie/18139784/review/22700385/trouble_the_water?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Kendall "Wink" Rivers, Scott Roberts
Review:
A star is born. Her name is Kimberly Rivers Roberts. Your never
heard of her. Not yet. Roberts didn't write or direct Trouble
the Water, the behind-the-camera artistry in this wallop of a
movie is handled by the extraordinary team of Tia Lessin and Carl
Deal. Trouble the Water is a documentary, an unforgettable
one. It's an account of Hurricane Katrina from the inside. Kimberly
Rivers Roberts and her husband Scott Roberts were stuck in New
Orleans, without the money to get out. So they stayed and helped
their neighbors and shot footage of Katrina as she attacked,
footage like you've never seen, jaw-dropping scenes of the city
before, during and after Katrina struck. The heroism on view here
is indisputable. You never see fear as Kimberly, 26, rushed to help
her friends and...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed">
<title>Vicky Cristina Barcelona</title>
<link>http://www.rollingstone.com/reviews/movie/18271303/review/22187200/vicky_cristina_barcelona?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Penelope Cruz, Javier Bardem, Scarlet Johansson
Review:
Woody Allen goes latin (you heard me), and the romantic, richly
comic result &mdash; powered by a dream cast &mdash; is his sexiest
movie ever. Shooting in Spain has loosened up the Woodman. You want
plot? Two American girls, Vicky (Rebecca Hall) and Cristina
(Scarlett Johansson), spend the summer at the Barcelona hideaway of
Vicky's pals, Mark (Kevin Dunn) and Judy (the ever-glorious
Patricia Clarkson). No sooner do the girls spot Juan Antonio
(Javier Bardem), a bedroom-eyed painter, than he's hitting on both
of them. So far, so predictable. What sparks the movie is
Pen&eacute;lope Cruz as Maria Elena, the painter's ex-wife, a
fireball given to strong emotions &mdash; hell, she once stabbed
Juan Antonio during an argument. You haven't lived till you've
heard Cruz and Bardem trading Woody Allen o...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed">
<title>Hamlet 2</title>
<link>http://www.rollingstone.com/reviews/movie/18262316/review/22187188/hamlet_2?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Steve Coogan, Catherine Keener
Review:
Don't expect a night with The Bard. This cuckoo farce asks: Can an
L.A. actor stuck doing ads for herpes cures find happiness by
moving to Tucson and teaching drama to high schoolers? Probably
not. But you'll be wearing a happy face for two hours watching the
brilliant Brit comic Steve Coogan play him. Him being Dana Marschz
(pronounced Mars-chhh-zzz by those who dare), a sterile
recovering alcoholic who gets slagged regularly by a snotty kid
critic for staging movies (Dead Poets Society, Erin
Brockovich) as plays. "He fisted us," cries Dana. Pumped by
the addition of Latin students to his class of whitey Christians
and closeted gays, Dana rouses himself &mdash; not with his wife
(the dry, dazzling Catherine Keener), who's boinking their friend
(David Arquette), but by creating an original...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed">
<title>Tropic Thunder</title>
<link>http://www.rollingstone.com/reviews/movie/18270126/review/22187117/tropic_thunder?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Ben Stiller, Jack Black, Robert Downey Jr., Steve Coogan, Jay
Bar...
Review:
Think of all the ways you can hurt yourself laughing, as in fall
down, split your sides, bust a gut, blow your mind. You get it all
in Tropic Thunder, a knockout of a comedy that keeps you
laughing constantly. It's also killer smart, lacing combustible
action with explosive gags. Major props to Ben Stiller, the
director, co-producer, co-writer and co-star, who shows us
Hollywood at war with its own ginormous ego during the making of a
megabudget Vietnam War movie with an uproariously inept cast and
crew. Stiller took flak for the other three movies he's directed:
1994's Reality Bites was allegedly too soft, 1996's
The Cable Guy too dark, 2001's Zoolander too
airy-fairy. Confession: I liked them all. And I'm nuts about
Tropic Thunder, with its dynamite script by Stiller,
Justin Theroux and...
Rating:
3.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed">
<title>American Teen</title>
<link>http://www.rollingstone.com/reviews/movie/18139818/review/21896175/american_teen?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Hannah Bailey, Colin Clemens, Megan Krizmanich, Jake Tusing
Review:
Reality tv, welcome to the multiplex. If The Hills went
back to high school and developed wit, perception and a conscience,
it might play something like Nanette Burstein's wallop of a doc.
Burstein (The Kid Stays in the Picture) did total
immersion with a handful of seniors at the only high school in
Warsaw, Indiana, which we're told is "mostly white, mostly
Christian and red state all the way." It's not all condescending; a
church sign announces, "Get an Afterlife." Camera in hand for more
than 10 months, Burstein waited patiently for character types out
of a John Hughes movie to shake off their clich&eacute;d shells
&mdash; the prom queen (Megan Krizmanich), the star athlete (Colin
Clemens), the band geek (Jake Tusing), the arty rebel (Hannah
Bailey). The fact that they do, sometimes by happy...
Rating:
3 Stars

]]></description>
</item>

<item rdf:about="http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed">
<title>Step Brothers</title>
<link>http://www.rollingstone.com/reviews/movie/18269113/review/21896165/step_brothers?source=movie_reviews_rssfeed</link>
<description><![CDATA[

Starring:
Adam Scott, Will Ferrell, John C. Reilly, Mary Steenburgen,
Richa...
Review:
Starting at infantile and regressing hysterically from there,
Step Brothers flies on the comic chemistry of Will Ferrell
and John C. Reilly. They riffed on the baby Jesus in Talladega
Nights. Now they're goofing on grown men who stay babies. Are
you ready to see Ferrell rub his hairy nut sack on Reilly's drum
set? You better be. Step Brothers, directed by Adam McKay
from a story by McKay, Ferrell and Reilly (so you know who to hold
responsible), pushes its R rating to the merry max. I'd better
explain. Ferrell plays Brennan Huff, 39, a sleepwalker and chronic
masturbator who lives with his divorced mom (Mary Steenburgen).
Reilly plays Dale Doback &mdash; even more of a slacker, since he's
a year older &mdash; who lives with his widowed dad (Richard
Jenkins). When the parents marry, Brennan...
Rating:
2.5 Stars

]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/tropic_thunder/">
<title>83% Tropic Thunder</title>
<link>http://www.rottentomatoes.com/m/tropic_thunder/</link>
<description><![CDATA[With biting satire, plenty of subversive humor, and an unforgettable turn by Robert Downey, Jr., Tropic Thunder is a triumphant late Summer comedy.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/house_bunny/">
<title>39% The House Bunny</title>
<link>http://www.rottentomatoes.com/m/house_bunny/</link>
<description><![CDATA[Anna Faris is game, but she can't salvage this middling, formulaic comedy.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/death_race/">
<title>40% Death Race</title>
<link>http://www.rottentomatoes.com/m/death_race/</link>
<description><![CDATA[Mindless, violent, and lightning-paced, Death Race is little more than an empty action romp.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/the_dark_knight/">
<title>94% The Dark Knight</title>
<link>http://www.rottentomatoes.com/m/the_dark_knight/</link>
<description><![CDATA[Dark, complex and unforgettable, The Dark Knight succeeds not just as an entertaining comic book film, but as a richly thrilling crime saga.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/clone_wars/">
<title>18% The Clone Wars</title>
<link>http://www.rottentomatoes.com/m/clone_wars/</link>
<description><![CDATA[Mechanical animation and a less-than stellar script make The Clone Wars a pale shadow of George Lucas' once great franchise.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/pineapple_express/">
<title>68% Pineapple Express</title>
<link>http://www.rottentomatoes.com/m/pineapple_express/</link>
<description><![CDATA[Both funny and scatter shot, this loose-knit action/buddy/stoner comedy bridges genres and keeps a steady tempo of low ball laughs.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/1197016-mirrors/">
<title>15% Mirrors</title>
<link>http://www.rottentomatoes.com/m/1197016-mirrors/</link>
<description><![CDATA[Inconsistency and listless plot make this K-horror remake a less-than-frightening time at the movies.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/mamma_mia/">
<title>54% Mamma Mia!</title>
<link>http://www.rottentomatoes.com/m/mamma_mia/</link>
<description><![CDATA[This jukebox musical is full of fluffy fun but rough singing voices and a campy tone might not make you feel like "You Can Dance" the whole 90 minutes.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/mummy_tomb_of_the_dragon_emperor/">
<title>11% The Mummy: Tomb of the Dragon Emperor</title>
<link>http://www.rottentomatoes.com/m/mummy_tomb_of_the_dragon_emperor/</link>
<description><![CDATA[With middling CG effects and a distinct lack of fun, The Mummy: Tomb of the Dragon Emperor finds the series past its prime.]]></description>
</item>

<item rdf:about="http://www.rottentomatoes.com/m/10009783-longshots/">
<title>37% The Longshots</title>
<link>http://www.rottentomatoes.com/m/10009783-longshots/</link>
<description><![CDATA[The Longshots means well, but it's a largely formulaic affair, rarely deviating from the inspirational sports movie playbook.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=94017561&#x26;ft=1&#x26;f=1045">
<title>Don Cheadle&#x27;s Spy Turn</title>
<link>http://www.npr.org/templates/story/story.php?storyId=94017561&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In his latest movie, Traitor, Don Cheadle plays a CIA operative who goes undercover to work with a terrorist group &mdash; but then becomes a suspected terrorist himself.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93995425&#x26;ft=1&#x26;f=1045">
<title>Minorities Get Little Respect On The Big Screen</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93995425&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[As the summer movie season draws to a close, Morning Edition commentator John Ridley weighs in on what he thinks has been a really bad spell for minorities at the multiplex &mdash; both for actors and moviegoers.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93976594&#x26;ft=1&#x26;f=1045">
<title>Andrew Fleming And Pam Brady: Making &#x27;Hamlet 2&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93976594&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[The two collaborated on the new Steve Coogan comedy, about a failed actor and overzealous drama teacher who mounts a musical sequel to Shakespeare's most famous tragedy.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93874755&#x26;ft=1&#x26;f=1045">
<title>In Praise Of Drive-Ins And Doris Day</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93874755&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Movie Love In The Fifties offers a view of America as it was 50 years ago, a postwar nation whose struggle to understand race and sex and fashion was reflected in films that weren't all pitched to the appetites of teenage boys.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93874942&#x26;ft=1&#x26;f=1045">
<title>Summary Judgment: &#x27;Death Race,&#x27; &#x27;House Bunny,&#x27; &#x27;Hamlet&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93874942&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Slate's Mark Jordan Legan reviews film reviews for Death Race, House Bunny, and Hamlet 2.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93874956&#x26;ft=1&#x26;f=1045">
<title>Is America Obsessed With Beauty?</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93874956&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Director Darryl Roberts explores whether Americans care too much about looks in his new movie America the Beautiful. He follows models and interviews media editors to get answers.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93870724&#x26;ft=1&#x26;f=1045">
<title>An Animated Take On The &#x27;Chicago 10&#x27;</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93870724&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Brett Morgan's film, Chicago 10, uses a combination of archival footage, animation and music to tell the story of eight anti-war protesters who were put on trial following the 1968 Democratic National Convention.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93872989&#x26;ft=1&#x26;f=1045">
<title>Hollywood and Technology</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93872989&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[We look at how Hollywood became a driving force in the invention of new technologies &mdash; from Technicolor to the rise of digital special effects &mdash; and how new ideas and technologies, such as the Internet, are still shaping the movie industry today.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93525052&#x26;ft=1&#x26;f=1045">
<title>&#x27;Hamlet 2&#x27;: Something Deliriously Rotten</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93525052&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Steve Coogan stars as an Arizona drama teacher inspired to save his failing theater program &mdash; with a musicalized sequel to the best-known drama in the English language. The results? Tragically funny.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93645862&#x26;ft=1&#x26;f=1045">
<title>&#x27;I Served The King&#x27;: Smooth Operator, With Issues</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93645862&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Audacious Czech dramedy feels a bit like an Eastern European Forrest Gump &mdash; though its protagonist isn't quite so innocent, and the tumultuous times he lives through are markedly harsher. (Recommended)]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93825624&#x26;ft=1&#x26;f=1045">
<title>Restored Film Gives Life to Native American Story</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93825624&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[A landmark film about the lives of Native Americans in 1950s Los Angeles has been given a new life. Thanks to the efforts of filmmaker Charles Burnett and award-winning author Sherman Alexie, the 1961 film The Exiles has been restored. Burnett and Alexie speak about the film's significance and relevance more than 40 years after its release.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93825629&#x26;ft=1&#x26;f=1045">
<title>&#x27;The Exiles&#x27; Portrays Woman&#x27;s Real-Life Struggle</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93825629&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[In the late 1950s and early 1960s, American Indians began leaving reservations in search for a better life in big cities. Yvonne Williams was one of them, and her story was depicted in the 1961 movie The Exiles, which has since been restored. Williams opens up about the film, and describes its impact on her life.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93834827&#x26;ft=1&#x26;f=1045">
<title>Femmes Fatales</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93834827&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[She's trouble from the minute she appears on screen. She's seductive but dangerous. She reels the hero in with her feminine wiles then leads him straight into danger. Our summer movie series continues with a look at femmes fatales.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93795479&#x26;ft=1&#x26;f=1045">
<title>Telling The Tale Of Two Mardi Gras</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93795479&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Some historians say Mobile, Ala., is home to the oldest Mardi Gras celebration in the country. Mobile native Margaret Brown trained her cameras on the city's Mardi Gras tradition, and she found two worlds shaped by racial segregation.]]></description>
</item>

<item rdf:about="http://www.npr.org/templates/story/story.php?storyId=93751328&#x26;ft=1&#x26;f=1045">
<title>In Election Movies, Playing By A Rule of Three</title>
<link>http://www.npr.org/templates/story/story.php?storyId=93751328&#x26;ft=1&#x26;f=1045</link>
<description><![CDATA[Hollywood has always recognized the potential drama inherent in elections &mdash; think The Manchurian Candidate. Bob Mondello and Michele Norris talk about the intersection of ballot box and box office.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Lawsuit Over Producer Credit for &#x27;Crash&#x27; Gets Personal</title>
<link>http://www.nytimes.com/2006/03/09/movies/redcarpet/09cred.html?ex=1299560400&#x26;en=43f3535b843d9809&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A top executive of the movie academy described one of the producing team behind the best-picture winner, "Crash," as throwing a tantrum in suing over credit for the film.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Los Angeles Retains Custody of Oscar</title>
<link>http://www.nytimes.com/2006/03/07/movies/redcarpet/07osca.html?ex=1299387600&#x26;en=343e955b6b1559c1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Los Angeles, a place where race is discussed rarely, saw itself in "Crash," a film where encounter and understanding are just a random fender-bender away. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Walks Away With the Top Prize at the Oscars</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06osca.html?ex=1299301200&#x26;en=88ae8631b27fa74e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a stunning twist, the motion picture academy turned its back on "Brokeback Mountain," awarding the Oscar for best picture to "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion Diary: For Designers, an Image-Making Bonanza That Is Priceless</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06fash.html?ex=1299301200&#x26;en=74ae98fe6e2c3233&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[That everything is borrowed and everyone is shilling may be the most charming characteristic of the Academy Awards show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: The Dresses, Low Cut, but the Tones Were Lofty</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06watc.html?ex=1299301200&#x26;en=c2aa71db85e6f4b8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The message of the Academy Awards show was a self-congratulatory one from Hollywood to itself: we care, we dare. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Long March to the Red Carpet, Slow and Painful</title>
<link>http://www.nytimes.com/2006/03/06/movies/redcarpet/06diar.html?ex=1299301200&#x26;en=e8986a659820975a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An Oscar nominee, Bobby Moresco, co-screenwriter of "Crash," prepares himself in the days leading up to the awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Hollywood&#x27;s Crowd Control Problem</title>
<link>http://www.nytimes.com/2006/03/05/movies/redcarpet/05darg.html?ex=1299214800&#x26;en=42e4baaddc9700cb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An expected 41 million Americans will tune into the 78th annual Academy Awards to watch a spectacle largely honoring films they have not seen and may never get around to watching. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>One Last Best Shot at Calling the Oscars</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03pool.html?ex=1299042000&#x26;en=62a4a42cd3c5f533&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The problem with choosing this year's Oscar winners is that the possibilities seem as endless and impenetrable as the 64-team grid that ends in the N.C.A.A. championship. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>After an Oscar Nomination, Everybody Loves You (at Least for a While)</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03face.html?ex=1299042000&#x26;en=3e2712de36d96bdc&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Whether an Oscar nominee's newfound recognition in Hollywood will pay off in future, lasting and top-billed work is a crapshoot.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Hype-Week Patter as the Oscars Near</title>
<link>http://www.nytimes.com/2006/03/03/movies/redcarpet/03tv.html?ex=1299042000&#x26;en=f761b65ca30afa9c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood's magical ball is Sunday night, and all week television personalities have been fretting and squealing about it, expecting us to watch in supportive awe, like Cinderella.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>&#x27;Crash&#x27; Producers Clash Loudly Over Credit and Payment</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02cras.html?ex=1298955600&#x26;en=0567a889abe84d5e&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A bare-knuckled fight has broken out among the producers of one of the leading Oscar-nominated movies, "Crash," over two of the things Hollywood cares about most: money and credit.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Brokeback Spoofs: Tough Guys Unmasked</title>
<link>http://www.nytimes.com/2006/03/02/movies/02heff.html?ex=1298955600&#x26;en=19d37e30bbf676f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Online parodies of "Brokeback Mountain" are proliferating faster than curatorial Web sites can keep up with them. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>If You&#x27;ve Got It, Do You Flaunt It?</title>
<link>http://www.nytimes.com/2006/03/02/garden/02fisher.html?ex=1298955600&#x26;en=3e867f2cf40c59e3&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What you do with your Oscar, and where it goes in your house, seems to depend largely on where you are in your life.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: For Your Consideration: Sappy Hallmark Moments</title>
<link>http://www.nytimes.com/2006/03/02/movies/redcarpet/02teas.html?ex=1298955600&#x26;en=a9609415ddef7d02&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The annual Oscar trailer is completely at odds with the idea that Jon Stewart and a crop of untraditional movies might lead to a newer, fresher Oscar show. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>On Education: School Drama Coach Owns a Little Bit of Oscar Night</title>
<link>http://www.nytimes.com/2006/03/01/education/01education.html?ex=1298869200&#x26;en=95d46192b386947b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Fredricksen taught the director of "Capote," Bennett Miller, and the film's screenwriter, Dan Futterman, in Mamaroneck, N.Y., in 1984.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Jon Stewart and the Night Visitor</title>
<link>http://www.nytimes.com/2006/02/28/movies/redcarpet/28wadler.html?ex=1298782800&#x26;en=fbdde6aa6a5d7f17&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It is 3 a.m. and Jon Stewart is anxious. He mutters somthing that sounds like "Stupid, Stupid, Stupid." Than he takes a long swig from a bottle of Stoli.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>David Carr: The Big Man Still Reigns in Hollywood</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27carr.html?ex=1298696400&#x26;en=d78eb92378113a83&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[If you drill down into this year's best picture nominees, you will find that they are guerrilla insurgencies backed by superpowers.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Advertising: Huge Audience or Not, Oscars Stand Apart</title>
<link>http://www.nytimes.com/2006/02/27/business/media/27adcol.html?ex=1298696400&#x26;en=e79431d7fc61cc06&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[This year's crop of nominations has some advertisers worried about the Oscar-night audience.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Tribal Customs of Oscar</title>
<link>http://www.nytimes.com/2006/02/26/fashion/sundaystyles/26oscar.html?ex=1298610000&#x26;en=7e37a53d719136ef&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Unlike typical cocktail soirees, Oscar weekend parties have rules of behavior that fly in the face of conventional manners.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Careful, These Cartoons Pack a Punch</title>
<link>http://www.nytimes.com/2006/02/26/movies/redcarpet/26solo.html?ex=1298610000&#x26;en=69e0f6d7a7333d74&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In what some animators have complained is less than a vintage year for the Oscars animated short films category, John Canemaker's "Moon and the Son" stands out for its ambition. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: What She&#x27;d Really Like to Do Is Sing</title>
<link>http://www.nytimes.com/2006/02/26/movies/26handelman.html?ex=1298610000&#x26;en=8b4c42f7f03eda29&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Kathleen York, an actor-singer-songwriter, gets her close-up at the Academy Awards, where she will perform a song from "Crash."]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Movie Review | &#x27;The 2005 Academy Award-Nominated Short Films&#x27;: Good Things in Small Packages</title>
<link>http://www.nytimes.com/2006/02/24/movies/24shor.html?ex=1298437200&#x26;en=da605b6a642f4f71&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Oscar hoopla focuses on feature-length films, but some excellent, largely unseen work is also in competition in the short form. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Murderous Seductress Is Back</title>
<link>http://www.nytimes.com/2006/02/22/movies/redcarpet/22tease.html?ex=1298264400&#x26;en=1b94387d00565606&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Maybe the "Basic Instinct 2" trailer is trying to be serious and campy at once, but it only succeeds in being frustrating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Penguins Gone Wild</title>
<link>http://www.nytimes.com/2006/02/21/movies/redcarpet/21wadler.html?ex=1298178000&#x26;en=990f29ffd67a96f8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[What happens when Inspector Jacques Clouseau travels to the frozen Antarctic to observe the long, noble march of the Penguins?]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>A First-Time Oscar Host in Search of That Fine Line</title>
<link>http://www.nytimes.com/2006/02/20/movies/MoviesFeatures/20osca.html?ex=1298091600&#x26;en=5394e5f6968e5e87&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Jon Stewart has, at least for one night, signed on to transform himself from Hollywood outsider to A-list insider.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Robert Altman&#x27;s Long Goodbye</title>
<link>http://www.nytimes.com/2006/02/19/movies/redcarpet/19raff.html?ex=1298005200&#x26;en=777034091edb6bcb&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood has never known quite what to make of Robert Altman, but he's finally getting an Oscar anyway.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Critic&#x27;s Notebook: Five Oscar Nominees: Foreign, Not Alien</title>
<link>http://www.nytimes.com/2006/02/17/movies/redcarpet/17fore.html?ex=1297832400&#x26;en=d3532c5b6dc68e9b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this year of politically themed best-picture contenders like "Munich" and "Good Night, and Good Luck," the foreign films have a similar urgency.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Celebrity Freebies: A Force Irresistible?</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15bags.html?ex=1297659600&#x26;en=12006c57c967432a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In this Hollywood awards season, the piles of free stuff being handed to celebrities — nominees, award presenters, performers and members of their entourages — is escalating.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: From Russia, With All Kinds of Weird Stuff</title>
<link>http://www.nytimes.com/2006/02/15/movies/redcarpet/15tease.html?ex=1297659600&#x26;en=324b2136b7293113&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There are two visually striking, complementary ways of previewing the Russian-language vampire-and-apocalypse movie "Night Watch." ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>I&#x27;d Really Like to Thank My Pal at the Auction House</title>
<link>http://www.nytimes.com/2006/02/12/movies/redcarpet/12rothman.html?ex=1297400400&#x26;en=2735cd1bee3a1e53&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The trade in vintage Oscars through publicized auctions and an underground market has become a parallel universe as competitive and bitter as the annual acting derby itself.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: The Tin Men of Hollywood</title>
<link>http://www.nytimes.com/2006/02/10/movies/redcarpet/10tease.html?ex=1297227600&#x26;en=088897ad90b090c0&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Freedomland" spots are all over television now, and they're far more effective than the two-and-a-half-minute trailer that is online and in theaters. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: &#x27;Tis Pity He&#x27;s a Pimp</title>
<link>http://www.nytimes.com/2006/02/07/movies/redcarpet/07wadler.html?ex=1296968400&#x26;en=7d63194c06024d91&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For those who disdain hip-hop, here's a tale of pimps and ho's dating back to the time of Shakespeare and suitable for the most discerning viewer.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Questions for . . . : Manohla Dargis</title>
<link>http://www.nytimes.com/2006/02/06/movies/redcarpet/dargis_qa.html?ex=1296882000&#x26;en=03efa76aba217fff&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manohla Dargis, a chief film critic for The Times, answered readers' questions about the Academy Awards. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: Films From All Over</title>
<link>http://www.nytimes.com/2006/02/03/movies/redcarpet/02tease.html?ex=1296622800&#x26;en=6adb02ab25539033&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Based on their trailers, the nominees for Best Foreign Film seem to share the political awareness that also characterizes the major Oscar films this awards season. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Looking for Comedy in the New World</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01wadler.html?ex=1296450000&#x26;en=d4aa096b9bd14431&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[King James I has sent Albert Brooks-Whining to the New World to find out what makes the Indians laugh, but mostly to get him out of England.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Small Films With Potent Themes Lead Oscar Nominations</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01osca.html?ex=1296450000&#x26;en=eaa530a2d82a8144&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With size counting less than serious intent, Oscar nominations went to small films with deep political and social themes.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: Nominations Highlight the Sticky Issue of Credit</title>
<link>http://www.nytimes.com/2006/02/01/movies/redcarpet/01bagg.html?ex=1296450000&#x26;en=60785b3b6497b856&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The ad-hoc nature of moviemaking on the margins can lead to some hurt feelings when Oscar nominations are announced. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>And the Documentary Nominees Aren&#x27;t . . .</title>
<link>http://www.nytimes.com/2006/01/29/movies/redcarpet/29ande.html?ex=1296190800&#x26;en=6ef335fac255dae1&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some great documentaries are ineligible for Oscars. Why? It's all in the fine print. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Tease: It&#x27;s D&#xE9;j&#xE0; Vu All Over Again</title>
<link>http://www.nytimes.com/2006/01/26/movies/redcarpet/26tease.html?ex=1295931600&#x26;en=7b512bc40ca15543&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[All you can think watching the trailer for "Firewall" is that Harrison Ford should probably give up the ghost of his Tom Clancy roles.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: Clich&#xE9; (Guilty White Bourgeoisie in Denial)</title>
<link>http://www.nytimes.com/2006/01/24/movies/redcarpet/24wadler.html?ex=1295758800&#x26;en=8f51421f30e5bc73&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Underfinanced Production Company's first foreign film has audiences all over downtown scratching their heads in puzzlement.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Directions: Diplomacy on The Globes&#x27; Stage</title>
<link>http://www.nytimes.com/2006/01/22/movies/redcarpet/22globe.html?ex=1295586000&#x26;en=6e2c48c91a7e1bac&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In a surprise move, the Golden Globes credited the best foreign language film to Palestine. A representative explains the decision to an editor.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Underfinanced Production Company: TransSylvania</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18wadler.html?ex=1295240400&#x26;en=20228d2b81e5c68a&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[So definitively is this the year of gender malcontent in the cinema that one of its biggest stars has decided to come out of the coffin. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>News Analysis: In Movies, Big Issues, for Now</title>
<link>http://www.nytimes.com/2006/01/18/movies/redcarpet/18glob.html?ex=1295240400&#x26;en=1ec503bea952987c&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[With the year's string of weighty contenders at the Golden Globes, the industry seems to be suffering from a persistent bout of heavy thought.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>At the Globes, &#x27;Brokeback Mountain&#x27; Takes Top Awards</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17glob.html?ex=1295154000&#x26;en=96f04f77af43c3f4&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Brokeback Mountain," a groundbreaking film about a love affair between two cowboys, took top awards at the 63rd Golden Globes. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The TV Watch: Where the Mood Is Spontaneous, and a Little Serious</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17watc.html?ex=1295154000&#x26;en=7c910c2b45774142&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Golden Globes are a pass-fail version of the Oscars — a Hollywood awards ceremony that vaguely indicates merit, without any real risk of humiliation. ]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Fashion: The Temperature, Wind and Red Carpet Vagaries</title>
<link>http://www.nytimes.com/2006/01/17/movies/redcarpet/17Fash.html?ex=1295154000&#x26;en=e03979cb202cd242&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[There were probably some last-minute agonies as actresses got ready for the red-carpet gauntlet at the Golden Globes. But for the most part, the women looked elegant.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Dark Truths of a Killing Love</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15darg.html?ex=1294981200&#x26;en=cab347a48feba77b&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[In "A History of Violence" David Cronenberg has brilliantly complicated the divide between sex and violence, presenting these two seemingly separate realms as locked in hungry embrace.]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: How to Succeed in Business</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15scot.html?ex=1294981200&#x26;en=736973c69c12678f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Stephen Gaghan's "Syriana" is a movie full of quiet, enigmatic performances, but none is more intriguingly underplayed than Jeffrey Wright's.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>The Unforgettable Moment: Nine Short Scenes of Women in Crisis</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15hold.html?ex=1294981200&#x26;en=1db44a23480db8b9&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[One brief scene in "Nine Lives" conveys more about its characters' inner lives than is revealed in most feature-length movies.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Pervert, Vampire, Lout. Perfectly Nice Guy, Though.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15edel.html?ex=1294981200&#x26;en=95209189603f47d8&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Watching Philip Seymour Hoffman embody Truman Capote in "Capote," you want to throw every acting award there is at him and maybe a couple of Olympic medals, too.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Claire Danes Gets Her So-Called Shot</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15stev.html?ex=1294981200&#x26;en=8c9c67f8eea23f51&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA["Shopgirl" may put Claire Danes's intriguing face front and center at the Oscars. It's a role she was raised to play.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Why Stop at 43 Nominations?</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15burl.html?ex=1294981200&#x26;en=d875f617ff6e69da&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[John Williams is already the most widely admired musician in Hollywood. He may soon be the most celebrated.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cartoons Have Their John Henry Moment</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15solo.html?ex=1294981200&#x26;en=2481f022cb5e44e5&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Hollywood executives keep insisting that Americans want to watch only computer animation. But the likely candidates for the Oscar for best animated feature defy this assumption.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>When the Smartest in the Class Isn&#x27;t Most Likely to Succeed</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15jame.html?ex=1294981200&#x26;en=eb9e36b833b4cf32&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It has been a cerebral season at the movies, but when it comes to Oscars, hearts almost always trump minds. ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Stranger Than Fiction; No Stranger to Awards</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15klaw.html?ex=1294981200&#x26;en=f5c9c6a4f4b5897f&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Eighteeen movies inspired by true stories may vie this year for Oscar nominations — 19, if you're a Red Sox fan and want to count "Fever Pitch." ]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>For Those Who&#x27;ve Tired of Glory and Riches</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15john.html?ex=1294981200&#x26;en=74263cb25eb09d03&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[It was a surprisingly busy year for actors-turned-screenwriters.]]></description>
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<item rdf:about="http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss">
<title>Cruising on the Road to the Oscars. Or Missing the Exit.</title>
<link>http://www.nytimes.com/2006/01/15/movies/redcarpet/15olse.html?ex=1294981200&#x26;en=19943231ca2a8819&#x26;ei=5088&#x26;partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Some movies come out and steer right onto the fast track to the Academy Awards. Others take a wrong turn.]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607627/a-dreyer-duo-mdash-day-of-wrath-at-the-ifc-and-vampyr-thinsp-on-dvd">
<title>A Dreyer Duo&#x26;mdash;Day of Wrath at the IFC and Vampyr&#x26;thinsp; on DVD</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607627/a-dreyer-duo-mdash-day-of-wrath-at-the-ifc-and-vampyr-thinsp-on-dvd</link>
<description><![CDATA[Before there were Luis Bu&ntilde;uel, Robert Bresson, Ingmar Bergman, or Andrei Tarkovsky (not to mention Lars von Trier, Carlos Reygadas, and Guy Maddin), there was Carl Theodor Dreyer (1889&ndash;1968), the original solitary, uncompromising film artist.

A product of the Danish film indu...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607630/john-carpenter-lives-in-a-bam-retrospective">
<title>John Carpenter Lives in a BAM Retrospective</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607630/john-carpenter-lives-in-a-bam-retrospective</link>
<description><![CDATA[I'm not sure if John Carpenter ever actually spoke the oft-reproduced quote: "In France, I'm an auteur; in Germany, I'm a filmmaker; in England, I'm a genre director; in the U.S., I'm a bum." But as an Old West newspaperman once advised a certain U.S. senator: "When the legend becomes fact, print...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607632/social-climbing-through-politically-turbulent-times-in-the-dark-but-exuberant-comedy-i-served-the-king-of-england">
<title>Social Climbing Through Politically Turbulent Times in I Served the King of England</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607632/social-climbing-through-politically-turbulent-times-in-the-dark-but-exuberant-comedy-i-served-the-king-of-england</link>
<description><![CDATA[Septuagenarian Czech filmmaker Jir&iacute; Menzel's sixth adaptation of work by his late pal, the novelist Bohumil Hrabal (their collaboration goes back four decades and includes 1966's Oscar-winning Closely Watched Trains), boasts the same darkly sarcastic and lyrically absurdist trademar...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607639/lincoln-center-honors-charlton-heston">
<title>Lincoln Center Honors Charlton Heston</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607639/lincoln-center-honors-charlton-heston</link>
<description><![CDATA[Among the myriad crimes of Michael Moore was his sandbagging of Charlton Heston in Bowling for Columbine. It was a moment everyone could hate: the anti-Heston crowd, for seeing the Moses of the NRA rendered feeble and sympathetic, and the pro-Heston crowd, for seeing the Moses of Hollywood...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607643/my-mexican-shivah">
<title>My Mexican Shivah</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607643/my-mexican-shivah</link>
<description><![CDATA[My Mexican Shivah kvetches its way through an insipid vision of cross-cultural conflict. In the Polanco quarter of Mexico City, a Jewish paterfamilias goes kaput, after which family and friends come together to sit shivah over him, with two angels surveying the ensuing skirmishes from the ...
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607644/the-sensation-of-sight">
<title>The Sensation of Sight</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607644/the-sensation-of-sight</link>
<description><![CDATA[Aaron Wiederspahn&#146;s feature debut, The Sensation of Sight, blurs the line between illness&#151;in this case borderline-autism&#151;and plain loneliness, gently suggesting that solitude can often be a malady in itself. In a progression of understated conversations and poetic shots of a...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607629/traitor">
<title>Traitor</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607629/traitor</link>
<description><![CDATA[Despite his reputation as that rarest of creatures&#151;a Hollywood intellectual&#151;new evidence suggests that Steve Martin reads . . . prepare yourself . . . thrillers and spy novels. Or at least that's the only conclusion one can draw from the "Story by" credit the comedian receives on Tra...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607631/two-films-two-boots">
<title>Two Films @ Two Boots</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607631/two-films-two-boots</link>
<description><![CDATA[Released simultaneously by ArtMattan&mdash;founders of the African Diaspora Film Festival, whose mission is to de-marginalize art depicting the black experience&mdash;these two docs spotlight world-music vocalists who are living legends in their respective cultures. Georges Gachot's flagging 2005...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607638/sukiyaki-western-django">
<title>Sukiyaki Western Django</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607638/sukiyaki-western-django</link>
<description><![CDATA[Whether it's score-settling culture theft, a fever dream of interlinked Wild West mythology, or simply a company casserole of way-cool cinema, this delirious spaghetti eastern could only have come from the boiling brain of Takashi Miike, the prolific Japanese auteur whose spectacularly uneven fil...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607641/year-of-the-fish">
<title>Year of the Fish</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607641/year-of-the-fish</link>
<description><![CDATA[Year of the Fish is the kind of really bad movie it takes a lot of misplaced conviction to make. A modern-day fairy tale unwisely told from the perspective of an omniscient, magical fish, David Kaplan's first feature follows Ye Xian (An Nguyen), fresh off the boat and conscripted into an i...
  
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/film/~3/375607642/another-gay-sequel-gays-gone-wild">
<title>Another Gay Sequel: Gays Gone Wild</title>
<link>http://feeds.villagevoice.com/~r/articles/film/~3/375607642/another-gay-sequel-gays-gone-wild</link>
<description><![CDATA[Previously on Another Gay Movie, Todd Stephens's racist and pandering but almost canny response to American Pie, Nico thankfully lost his shit before almost getting it from Richard Hatch; Superman-ish Jarod gave in to Griff's big nerd cock; and Andy sacrificed his ass cherry to two ...
  
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4606240.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Desperados with avocados &#x26;#45; a sort of Guy Ritchie film</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4606240.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Imagine a voiceover. It's me, only it's not really me, because I have a voice 
like Bob Hoskins. And I'm saying this: &#8220;It's 7.30 on a Sunday morning and 
I've just been flashed by the Old Bill. This is bad news. There's a bag of 
guns in the boot, a bag of cash on the back seat, and I'm late for a job.&#8221;	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/books/article4573000.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>How do you solve a problem like Georgiana?</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/books/article4573000.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
I did not know anything in my twenties. I don&#8217;t mean I was stupid or ignorant. 
I simply knew nothing of the world. My contemporaries were climbing the job 
ladder and buying houses. I, on the other hand, was reading about a tiny 
little area, within a small field, of a narrow aspect of 18th&#45;century 
British history.	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Somers Town</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Get Smart</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4572201.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Life as a RocknRolla: meet the crafty Cockney Idris Elba</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4572201.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Idris Elba has an announcement to make: if you own a Ford Fiesta manufactured 
between 1989 and 1990 &#8211; when the British actor was still working the night 
shift at Ford&#8217;s factory in Dagenham &#8211; the chances are you bought a lemon.	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/tv_and_radio/article4572706.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>A Life in the Day: William Shatner</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/tv_and_radio/article4572706.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
I wake up any time between 5am and 7am, depending on what the day holds. If 
I&#8217;m working I have to be up early, but if I&#8217;ve got the day off I 
like to sleep a little later. On those days I let my beautiful wife take 
care of me. She lavishes attention on me, and I luxuriate in that. Five or 
six times a week I try to do some exercise, which usually involves the 
swimming pool. We&#8217;ve got a nice pool at home, and I work out for 30 to 40 
minutes. The exercise is important, you see, because I am trying to develop 
a six&#45;pack stomach. At the moment, unfortunately, it&#8217;s a 12&#45;pack? It needs a 
little trim here and there.	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574038.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Sean Connery on being a Scot and Scotland&#x27;s influence on Hollywood</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4574038.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
Scotland provided the subject for America&#8217;s first feature film, The 
Execution of Mary Stuart, with Mary played by a man, at least up until 
the final cut. This created a far greater shock on its first screening in 
1895 than Lumi&#232;re&#8217;s train achieved that same year when it puffed into a 
French seaside station in front of a sophisticated Paris audience in a 
Champs&#45;Elys&#233;es caf&#233;. It was one thing to fear a steam locomotive crashing 
into your room; quite another to believe that an actor had literally died on 
stage for your cinematic pleasure.	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4572210.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>The good, the bad and the mental: Guy Ritchie&#x26;#8217;s hits and stinkers</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/article4572210.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
LOCK, STOCK AND TWO SMOKING BARRELS (1998)	
]]></description>
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<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Somers Town</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574066.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
</item>

<item rdf:about="
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
">
<title>Get Smart</title>
<link>
http://www.timesonline.co.uk/tol/arts_and_entertainment/film/film_reviews/article4574054.ece#cid=OTC-RSS&#x26;attr=1063710
</link>
<description><![CDATA[	
	
]]></description>
</item>

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