<?xml version="1.0" encoding="UTF-8"?>

<rdf:RDF
 xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
 xmlns="http://purl.org/rss/1.0/"
 xmlns:content="http://purl.org/rss/1.0/modules/content/"
 xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/"
 xmlns:dc="http://purl.org/dc/elements/1.1/"
 xmlns:syn="http://purl.org/rss/1.0/modules/syndication/"
 xmlns:admin="http://webns.net/mvcb/"
>

<channel rdf:about="http://arts.gourt.com/Magazines-and-E-zines/E-zines/J.html">
<title>J RSS : Gourt</title>
<link>http://arts.gourt.com/Magazines-and-E-zines/E-zines/J.html</link>
<description></description>
<dc:language>en-us</dc:language>
<dc:rights>Copyright 2007, Gourt.com</dc:rights>
<dc:date>2008-10-13T12:08+15:00
</dc:date>
<dc:publisher>rtruog@gourt.com</dc:publisher>
<dc:creator>rtruog@gourt.com</dc:creator>
<dc:subject>J RSS : Gourt</dc:subject>
<syn:updatePeriod>hourly</syn:updatePeriod>
<syn:updateFrequency>1</syn:updateFrequency>
<syn:updateBase>1901-01-01T00:00+00:00</syn:updateBase>
<items>
 <rdf:Seq>
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_aletti" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_menand" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/theatre/2008/10/20/081020crth_theatre_lahr" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/atlarge/2008/10/20/081020crat_atlarge_lepore" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_frank" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/theatre/2008/10/20/081020goth_GOAT_theatre" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/readings/2008/10/20/081020goab_GOAT_above1" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/horizon/2008/10/20/081020gohz_GOAT_horizon" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/nightlife/2008/10/20/081020goni_GOAT_nightlife" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/revivals/2008/10/20/081020gomo_GOAT_movies" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/dance/2008/10/20/081020goda_GOAT_dance" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/classical/2008/10/20/081020gocl_GOAT_classical" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/art/2008/10/20/081020goar_GOAT_art" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/above/2008/10/20/081020goab_GOAT_above" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_kolbert" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted3" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted2" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted1" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted4" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/recordings/2008/10/20/081020gore_GOAT_recordings_greenman" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_lane" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/cinema/2008/10/20/081020crci_cinema_lane" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/books/2008/10/13/081013crbo_books_mallon" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_frerejones" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_brody" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/theatre/2008/10/13/081013crth_theatre_lahr" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_als" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_futterman" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/theatre/2008/10/13/081013goth_GOAT_theatre" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies_brody" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/readings/2008/10/13/081013goab_GOAT_above1" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/horizon/2008/10/13/081013gohz_GOAT_horizon" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/nightlife/2008/10/13/081013goni_GOAT_nightlife" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_greenman" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/dance/2008/10/13/081013goda_GOAT_dance" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/classical/2008/10/13/081013gocl_GOAT_classical" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/art/2008/10/13/081013goar_GOAT_art" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/above/2008/10/13/081013goab_GOAT_above" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/cinema/2008/10/13/081013crci_cinema_denby" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted1" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted4" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted3" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted2" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/musical/2008/10/13/081013crmu_music_ross" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/theatre/2008/10/06/081006crth_theatre_lahr" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/events/horizon/2008/10/06/081006gohz_GOAT_horizon" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/critics/notebook/2008/10/06/081006gonb_GOAT_notebook_denby" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted4" />
  <rdf:li rdf:resource="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted1" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/0-0&#x26;fd=R&#x26;url=http://www.courier-journal.com/apps/pbcs.dll/article%3FAID%3D/20081013/FEATURES/810130350&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHFu5BvxLA3rTV2anjXVJNc7dyisw" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/1-0&#x26;fd=R&#x26;url=http://www.mercurynews.com/centralcoast/ci_10703334&#x26;cid=1256925698&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFqrB1rN7RS7lLs8dEsLHO4H8YOPQ" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/2-0&#x26;fd=R&#x26;url=http://www.mediabistro.com/fishbowlny/magazines/saveur_hungry_for_conde_nast_talent_97272.asp&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFVxnQhZXwsuYluR32VRHvaGeCRTQ" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/3-0&#x26;fd=R&#x26;url=http://www.wwd.com/media-news/fashion-memopad/cosmogirl-shuttered-ann-moore-plan-mansueto-layoffs-1833282%3Fgnewsid%3D1c9b2e44b7c2b9314e72c11279aa9e8c&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGu7VcOzimGsDD-DefDzjqxZ6RLOg" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/4-0&#x26;fd=R&#x26;url=http://www.mesquitelocalnews.com/viewnews.php%3Fnewsid%3D1073%26id%3D2&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGUkDiao9XABbegGtZSN_Vvjsi_VA" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/5-0&#x26;fd=R&#x26;url=http://www.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article4868918.ece&#x26;cid=1253557142&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEqK3dkREptw04zfm1S1vLZffMPeg" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/6-0&#x26;fd=R&#x26;url=http://www.latimes.com/features/books/la-ca-art-spiegelman12-2008oct12,0,1678753.story&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFjZHbptPhxOJ3siPEWPx9YtNOgaA" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/7-0&#x26;fd=R&#x26;url=http://www.nola.com/business/index.ssf/2008/10/sagging_economy_may_hurt_art_f.html&#x26;cid=1256842434&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEF1v03R2OWlRFViiFfcok_MKCekA" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/8-0&#x26;fd=R&#x26;url=http://www.eurekareporter.com/article/081009-artist-profile-matt-beard&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHwXXhy-RKNOICaSHqdDVLk5m1I3g" />
  <rdf:li rdf:resource="http://news.google.com/news/url?sa=T&#x26;ct=us/9-0&#x26;fd=R&#x26;url=http://www.artdaily.com/index.asp%3Fint_sec%3D2%26int_new%3D26571&#x26;cid=1256743208&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNG2L6_GcaB7TYgUaAHFZftuE1eM9A" />
 </rdf:Seq>
</items>
</channel>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_aletti">
<title>Vince Aletti: Gilbert &#x26;#38; George, at the Brooklyn Museum.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_aletti</link>
<description><![CDATA[The world of Gilbert &#38; George, now on gaudy, overwhelming display at the Brooklyn Museum, revolves around the artists themselves, a pair of Brits dressed in conservative suits--or in nothing at all. On the evidence of some hundred photographs and drawings made between 1970 and 2006, the couple&#8217;s work, which&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_menand">
<title>Louis Menand: Is texting here to stay?</title>
<link>http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_menand</link>
<description><![CDATA[Is texting bringing us closer to the end of life as we currently tolerate it? Enough people have suggested that it is to have inspired David Crystal to produce &#8220;Txtng: The Gr8 Db8&#8221; (Oxford; &#36;19.95). &#8220;I don&#8217;t think I have ever come across a topic which has attracted more&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2008/10/20/081020crth_theatre_lahr">
<title>John Lahr: Martyrdom and marriage onstage.</title>
<link>http://www.newyorker.com/arts/critics/theatre/2008/10/20/081020crth_theatre_lahr</link>
<description><![CDATA[In Robert Bolt&#8217;s 1960 hit &#8220;A Man for All Seasons&#8221; (now in a Roundabout Theatre Company revival, at the American Airlines, under the direction of Doug Hughes), Cardinal Wolsey (Dakin Matthews) asks Sir Thomas More (Frank Langella) a question that is meant to wrong-foot him. &#8220;Take you altogether, Thomas&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/atlarge/2008/10/20/081020crat_atlarge_lepore">
<title>Jill Lepore: Writing campaign lives.</title>
<link>http://www.newyorker.com/arts/critics/atlarge/2008/10/20/081020crat_atlarge_lepore</link>
<description><![CDATA[Biographers of Andrew Jackson used to be cursed. On January 8, 1815, the General led American forces in a stunning defeat of an invading British Army, winning the Battle of New Orleans at the end of the War of 1812. With a political career in mind, he cast about for&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_frank">
<title>Jeffrey Frank: Per Petterson&#x27;s &#x22;To Siberia.&#x22;</title>
<link>http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_frank</link>
<description><![CDATA[On April 7, 1990, the ferryboat Scandinavian Star sailed from Oslo toward Frederikshavn, in the northern part of Denmark, carrying nearly five hundred passengers. The ship caught fire, and more than a hundred and fifty people perished. Four of the dead belonged to the family of the Norwegian novelist Per&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/theatre/2008/10/20/081020goth_GOAT_theatre">
<title>Goings on About Town: The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2008/10/20/081020goth_GOAT_theatre</link>
<description><![CDATA[OPENINGS AND PREVIEWS 
        Please call the phone number listed with the theatre for timetables and ticket information.   
          
          
        ALL MY SONS 
        John Lithgow, Dianne Wiest, Patrick Wilson, and Katie Holmes star in Arthur Miller&#8217;s play from 1947, about a businessman&#8217;s shady dealings during the Second World War. Simon McBurney directs. In&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/readings/2008/10/20/081020goab_GOAT_above1">
<title>Goings on About Town: Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2008/10/20/081020goab_GOAT_above1</link>
<description><![CDATA[RUBIN MUSEUM OF ART 
        Ellen Burstyn, Brian Cox, Linus Roache, and others give a dramatic reading based on the Dhammapada, a central text of Buddhism. (150 W. 17th St. 212-620-5000, ext. 344. Oct. 15 at 7.) 
          
        UNION HALL 
        Jay McInerney, Kate Christensen, and Arthur Phillips read short stories they have&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/10/20/081020gohz_GOAT_horizon">
<title>Goings on About Town: On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/10/20/081020gohz_GOAT_horizon</link>
<description><![CDATA[ART 
        THE LONG GOODBYE 
        Oct. 24-Feb. 1 
        The Met bids a fond farewell to its director of thirty-one years with &#8220;The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions.&#8221; The exhibition features some three hundred objects, including a sixteenth-century Islamic manuscript that illustrates &#8220;worldly and&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2008/10/20/081020goni_GOAT_nightlife">
<title>Goings on About Town: Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2008/10/20/081020goni_GOAT_nightlife</link>
<description><![CDATA[ROCK AND POP 
        Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
          
          
        APOLLO THEATRE 
        253 W. 125th St. (212-531-5300)--Oct. 16: The lead singer of Antony and the Johnsons, who has a sweet and haunting voice reminiscent of Bryan Ferry&#8217;s, won a Mercury&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/10/20/081020gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/10/20/081020gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        AZUR AND ASMAR 
        Michel Ocelot directed this animated fable, set in the Middle Ages, about a man seeking his long-lost brother. Opening Oct. 17. (IFC Center.) 
          
        THE ELEPHANT KING 
        In this drama, a woman (Ellen Burstyn) sends one of her sons (Tate Ellington) to bring the other (Jonno&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/dance/2008/10/20/081020goda_GOAT_dance">
<title>Goings on About Town: Dance</title>
<link>http://www.newyorker.com/arts/events/dance/2008/10/20/081020goda_GOAT_dance</link>
<description><![CDATA[AMERICAN BALLET THEATRE  
        Fresh from its recent coup--snapping up the Russian choreographer Alexei Ratmansky for the position of artist-in-residence--the company presents its two-week fall season at City Center, which is focussed on the British choreographer Antony Tudor, whose centennial is this year. On opening night&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/classical/2008/10/20/081020gocl_GOAT_classical">
<title>Goings on About Town: Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2008/10/20/081020gocl_GOAT_classical</link>
<description><![CDATA[OPERA 
          
        METROPOLITAN OPERA 
        Mary Zimmerman&#8217;s daring--and rewarding--new production of &#8220;Lucia di Lammermoor&#8221; stars Diana Damrau (in the title role), along with Piotr Beczala, Vladimir Stoyanov, and Ildar Abdrazakov; Marco Armiliato, the Met&#8217;s reliable Italian hand, is on the podium. (Oct. 15 at 8 and Oct. 18 at 8:30&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/art/2008/10/20/081020goar_GOAT_art">
<title>Goings on About Town: Art</title>
<link>http://www.newyorker.com/arts/events/art/2008/10/20/081020goar_GOAT_art</link>
<description><![CDATA[MUSEUMS AND LIBRARIES 
          
        METROPOLITAN MUSEUM 
        Fifth Ave. at 82nd St. (212-535-7710)--&#8220;Giorgio Morandi, 1890-1964.&#8221; Through Dec. 14. |  &#8220;Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717).&#8221; Through Jan. 4. |  &#8220;Royal Porcelain from the Twinight Collection: 1800-1850.&#8221; Through April 19. |  &#8220;Jeff Koons on the Roof.&#8221; Through Oct. 26. | &#8220;Rhythms of&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/above/2008/10/20/081020goab_GOAT_above">
<title>Goings on About Town: Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2008/10/20/081020goab_GOAT_above</link>
<description><![CDATA[HAROLD CLURMAN FESTIVAL OF THE ARTS 
        The Stella Adler Studio of Acting&#8217;s annual gathering gets under way on Oct. 17, with a symposium at Cooper Union&#8217;s Great Hall (7 E. 7th St.) about art and social activism in Africa, featuring Winter Miller, John Prendergast, Nima Elbagir, and others. It is&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_kolbert">
<title>Elizabeth Kolbert: Emily Post, at home.</title>
<link>http://www.newyorker.com/arts/critics/books/2008/10/20/081020crbo_books_kolbert</link>
<description><![CDATA[New York&#8217;s moneyed class has always loved to read about itself. In the early years of the twentieth century, it particularly loved to do so in a magazine called Town Topics: The Journal of Society. Far and away the weekly&#8217;s most popular feature, titled &#8220;Saunterings,&#8221; offered material of a sort&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted3">
<title>Books: &#x22;The House at Sugar Beach&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted3</link>
<description><![CDATA[Cooper is a descendant of the Congo People--the &#233;lite who once governed Liberia--and can trace her ancestry to the freed American slaves who colonized the country in the eighteen-hundreds. In 1980, she and her family fled Monrovia following a coup; her mother was raped and, on her&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted2">
<title>Books: &#x22;The English Major&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted2</link>
<description><![CDATA[The protagonist of this wistfully comic novel is a sixty-year-old English teacher turned farmer, whose wife has left him for another man, and who takes to the road in the quixotic pursuit of renaming all the birds and all the states. Along the way, he picks up a&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted1">
<title>Books: &#x22;The Elegance of the Hedgehog&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted1</link>
<description><![CDATA[In this supple novel of ideas, a best-seller in France, the unschooled middle-aged concierge of an upper-class Paris apartment building acts like a stereotypical concierge, leaving the television on all day and sharing her quarters with an old, fat cat, but she secretly consumes vast quantities of&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted4">
<title>Books: &#x22;Antoine&#x26;#8217;s Alphabet: Watteau and His World&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/20/081020crbn_brieflynoted4</link>
<description><![CDATA[In 1944, Cyril Connolly, having just passed his fortieth birthday and in a melancholy mood, published &#8220;The Unquiet Grave,&#8221; a gloriously strange book of fragments, quotations, epigrams, impressions, and wartime journal entries--a kind of aesthetic autobiography--under the pseudonym Palinurus. Perl, the art critic for the New Republic, has&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/recordings/2008/10/20/081020gore_GOAT_recordings_greenman">
<title>Ben Greenman: Outtakes and rarities, from Bob Dylan.</title>
<link>http://www.newyorker.com/arts/reviews/recordings/2008/10/20/081020gore_GOAT_recordings_greenman</link>
<description><![CDATA[Bob Dylan&#8217;s new collection of outtakes and rarities, &#8220;Tell Tale Signs: Rare and Unreleased, 1989-2006&#8221; (Sony), is an object lesson in the oddness of modern record distribution. In addition to the basic two-disk version, which has twenty-seven songs, there is a deluxe edition that includes an extra CD&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_lane">
<title>Anthony Lane: Andrzej Wajda, at Anthology Film Archives and Lincoln Center.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/20/081020gonb_GOAT_notebook_lane</link>
<description><![CDATA[This is Andrzej Wajda season in New York. From Oct. 24 through Oct. 28, Anthology Film Archives is screening plays he filmed for Polish television, including a 1991 &#8220;Hamlet&#8221; with a female lead, and from Oct. 17 through Nov. 13 a complete retrospective is being mounted at Lincoln Center. One&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/10/20/081020crci_cinema_lane">
<title>Anthony Lane: &#x22;Filth and Wisdom,&#x22; &#x22;RocknRolla,&#x22; and &#x22;What Just Happened?&#x22;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/10/20/081020crci_cinema_lane</link>
<description><![CDATA[There have been countless occasions on which a husband and wife have acted together onscreen. A pair of mating movie directors, however, is altogether a more exotic find, and, as for both having a film released in the same month, it&#8217;s almost unheard of. &#8220;Wanda,&#8221; for instance, Barbara Loden&#8217;s impressive&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/10/13/081013crbo_books_mallon">
<title>Thomas Mallon: Abraham Lincoln and the politics of memory.</title>
<link>http://www.newyorker.com/arts/critics/books/2008/10/13/081013crbo_books_mallon</link>
<description><![CDATA[At the dedication of the Lincoln Memorial, in Washington, D.C., on May 30, 1922, remarks by Robert Moton, the principal of the Tuskegee Institute, received special attention from the &#8220;colored&#8221; section of the audience. The federal commission responsible for the memorial&#8217;s construction were loath to have Moton participate at all&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_frerejones">
<title>Sasha Frere-Jones: The Brazilian Girls at Terminal 5.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_frerejones</link>
<description><![CDATA[Sabina Sciubba has lived in Italy, Germany, France, and New York, and is currently the lead singer of a band called Brazilian Girls, which contains no Brazilians and only one girl. The group&#8217;s third album, &#8220;New York City,&#8221; is sung in five languages, though not all simultaneously. Perhaps the most&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_brody">
<title>Richard Brody: Max Oph&#x26;#252;ls at Film Forum.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_brody</link>
<description><![CDATA[The exacting and sumptuous Cin&#233;math&#232;que Fran&#231;aise restoration of &#8220;Lola Mont&#232;s,&#8221; Max Oph&#252;ls&#8217;s last film, from 1955 (opening at Film Forum on Oct. 10), recovers not just the movie&#8217;s look but also its meaning. The romantic costume drama presents a great nineteenth-century femme fatale, a faux-Spanish danseuse and gold&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2008/10/13/081013crth_theatre_lahr">
<title>John Lahr: Ian Rickson revives &#x22;The Seagull.&#x22;</title>
<link>http://www.newyorker.com/arts/critics/theatre/2008/10/13/081013crth_theatre_lahr</link>
<description><![CDATA[When Anton Chekhov&#8217;s &#8220;The Seagull&#8221; first opened in St. Petersburg, in October, 1896, the hubbub of catcalls was so loud that the actors had trouble hearing themselves. Recounting the play&#8217;s sensational failure--the humiliated author stopped writing plays for a few years--Chekhov wrote to a friend, &#8220;The theatre breathed&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_als">
<title>Hilton Als: My Barbarian at the New Museum.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/13/081013gonb_GOAT_notebook_als</link>
<description><![CDATA[The New Museum curator Eungie Joo has a nose for talent--particularly for performers who are more likely to comment on the &#8220;legitimate&#8221; theatre than to attend it. Just recently, she reintroduced New York audiences to My Barbarian, a performance collective based in Los Angeles. Founded in 2000 by Malik&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_futterman">
<title>Goings on About Town: Tony Award</title>
<link>http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_futterman</link>
<description><![CDATA[From 1974 to 1980, the immensely assured multi-instrumentalist and composer Anthony Braxton was given virtual carte blanche at Clive Davis&#8217;s Arista Records--an unlikely union of artist and corporation. Braxton was nothing if not rigorously intellectual and formally obsessed--a sonic omnivore influenced by artists as seemingly irreconcilable as&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/theatre/2008/10/13/081013goth_GOAT_theatre">
<title>Goings on About Town: The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2008/10/13/081013goth_GOAT_theatre</link>
<description><![CDATA[OPENINGS AND PREVIEWS 
        Please call the phone number listed with the theatre for timetables and ticket information.   
          
          
        ALL MY SONS 
        John Lithgow, Dianne Wiest, Patrick Wilson, and Katie Holmes star in Arthur Miller&#8217;s play from 1947, about a businessman&#8217;s shady dealings during the Second World War. Simon McBurney directs. In&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies_brody">
<title>Goings on About Town: The Other Half</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies_brody</link>
<description><![CDATA[F. W. Murnau&#8217;s 1924 drama &#8220;The Last Laugh&#8221; (a new restoration of which is featured in a two-disk set from Kino) may well be the apogee of silent-film production. From its small-scale story--the aging head doorman at a grand hotel can no longer lift heavy luggage&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/readings/2008/10/13/081013goab_GOAT_above1">
<title>Goings on About Town: Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2008/10/13/081013goab_GOAT_above1</link>
<description><![CDATA[POETS OUT LOUD&#8221; 
        Fordham University&#8217;s reading series presents Sarah Gambito, Myung Mi Kim, Ravi Shankar, and Kelly Tsai. (113 W. 60th St., 12th fl. No tickets necessary. Oct. 8 at 7.) 
          
        CASSANDRA WILSON 
        The jazz vocalist talks about her career with the critic Gary Giddins. (City University of New York&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/10/13/081013gohz_GOAT_horizon">
<title>Goings on About Town: On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/10/13/081013gohz_GOAT_horizon</link>
<description><![CDATA[DANCE 
        TUDOR HOUSE 
        Oct. 21-Nov. 2 
        This fall, American Ballet Theatre celebrates the British choreographer Antony Tudor (1909-87); on opening night, Gillian Murphy and David Hallberg will dance the pas de deux from his one-act &#8220;Romeo and Juliet.&#8221; (212-581-1212.) 
          
        MOVIES 
        INSIDE AND OUT 
        Oct. 31-Nov. 5 
        The&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2008/10/13/081013goni_GOAT_nightlife">
<title>Goings on About Town: Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2008/10/13/081013goni_GOAT_nightlife</link>
<description><![CDATA[ROCK AND POP 
        Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
          
          
        B. B. KING BLUES CLUB &#38; GRILL 
        237 W. 42nd St. (212-997-4144)--Oct. 8: In the early nineties, Digable Planets forged a fusion of jazz and hip-hop that sounded to some&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_greenman">
<title>Goings on About Town: Mutton Doing</title>
<link>http://www.newyorker.com/arts/reviews/recordings/2008/10/13/081013gore_GOAT_recordings_greenman</link>
<description><![CDATA[People who call Lambchop a country band should probably stop. While the group&#8217;s earlier albums, like &#8220;Nixon,&#8221; were firmly within the countrypolitan tradition--mid-tempo epics strategically overproduced with lavish strings and horns--the music made these days by the singer and songwriter Kurt Wagner and his ensemble of adjustable&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies">
<title>Goings on About Town: Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/10/13/081013gomo_GOAT_movies</link>
<description><![CDATA[OPENING 
          
        ASHES OF TIME REDUX 
        The director Wong Kar-Wai&#8217;s reworking of his 1994 adaptation of a martial-arts novel, starring Leslie Cheung, Brigitte Lin, Tony Leung Chiu Wai, and Tony Leung Ka Fai. In Cantonese. Opening Oct. 10. (Angelika Film Center and Lincoln Plaza Cinemas.) 
          
        BODY OF LIES 
        Reviewed&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/dance/2008/10/13/081013goda_GOAT_dance">
<title>Goings on About Town: Dance</title>
<link>http://www.newyorker.com/arts/events/dance/2008/10/13/081013goda_GOAT_dance</link>
<description><![CDATA[BALLET HISPANICO  
        The company&#8217;s two-week season at the Joyce is the last with its pioneering founder, Tina Ramirez, as artistic director. To cap off her estimable tenure of nearly forty years, she takes the stage for a small role in Graciela Daniele&#8217;s &#8220;Stages.&#8221; The first week also includes the&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/classical/2008/10/13/081013gocl_GOAT_classical">
<title>Goings on About Town: Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2008/10/13/081013gocl_GOAT_classical</link>
<description><![CDATA[OPERA 
          
        METROPOLITAN OPERA 
        Last season&#8217;s opening-night attraction was Mary Zimmerman&#8217;s new production of &#8220;Lucia di Lammermoor,&#8221; whose combination of fantasy and verisimilitude delighted the daring but left traditionalists unmoved. Diana Damrau (who could definitely give 2007&#8217;s Lucia, Natalie Dessay, a run for her money) takes the title role&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/art/2008/10/13/081013goar_GOAT_art">
<title>Goings on About Town: Art</title>
<link>http://www.newyorker.com/arts/events/art/2008/10/13/081013goar_GOAT_art</link>
<description><![CDATA[MUSEUMS AND LIBRARIES  
          
        METROPOLITAN MUSEUM  
        Fifth Ave. at 82nd St. (212-535-7710)--&#8220;Giorgio Morandi, 1890-1964.&#8221; The first-ever American retrospective of the Italian modern master is the sleeper hit of the season. Morandi&#8217;s still-lifes, each an adventure, are unbeatably radical meditations on what can and can&#8217;t happen when three dimensions&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/above/2008/10/13/081013goab_GOAT_above">
<title>Goings on About Town: Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2008/10/13/081013goab_GOAT_above</link>
<description><![CDATA[HARVEST TIME 
        With the price of gas being what it is, a quick trip to the country for, say, a Halloween pumpkin and some fresh air requires much consideration. So what&#8217;s an urbanite to do? Head to the Queens County Farm Museum, the oldest patch of continuously farmed land in&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/10/13/081013crci_cinema_denby">
<title>David Denby: &#x22;Body of Lies&#x22; and &#x22;Happy-Go-Lucky.&#x22;</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/10/13/081013crci_cinema_denby</link>
<description><![CDATA[There&#8217;s a startling moment in &#8220;Body of Lies,&#8221; the potent new thriller directed by Ridley Scott--a moment that not only crystallizes what the movie is about but shrewdly demonstrates the ironies of asymmetrical warfare in the age of terror. The hardworking C.I.A. field agent Roger Ferris (Leonardo DiCaprio) has&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted1">
<title>Books: &#x22;The Snowball&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted1</link>
<description><![CDATA[This authorized biography of Warren Buffett, based on thousands of hours of interviews, appears just a week after Buffett took a decisive role in the current financial crisis, investing some five billion dollars in Goldman Sachs--a deal that conforms to his maxim &#8220;Be fearful when others are greedy and&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted4">
<title>Books: &#x22;The Beautiful Soul of John Woolman, Apostle of Abolition&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted4</link>
<description><![CDATA[The journal of the Quaker mystic and abolitionist John Woolman has never been out of print since 1774, when it was first published. Along with Woolman&#8217;s pamphlets and speeches, the journal was instrumental in persuading the Society of Friends to give up owning slaves. In this meditative biography, Slaughter provides&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted3">
<title>Books: &#x22;Red State, Blue State, Rich State, Poor State&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted3</link>
<description><![CDATA[Attempting to explain &#8220;why Americans vote the way they do,&#8221; Gelman and a group of fellow political scientists crunch numbers and draw graphs, arriving at a picture that refutes the influential one drawn by Thomas Frank, in &#8220;What&#8217;s the Matter with Kansas?,&#8221; of poor red-staters voting Republican against their&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted2">
<title>Books: &#x22;Capitol Men&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/13/081013crbn_brieflynoted2</link>
<description><![CDATA[During Reconstruction, sixteen black men served as congressmen. They have been scorned as bumbling, corrupt, or ineffectual--former field hands in shiny suits--and even the growing recognition, in recent years, of the shamefulness of the North&#8217;s abandonment of Reconstruction has not entirely effaced that caricature. Dray&#8217;s book should do&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/musical/2008/10/13/081013crmu_music_ross">
<title>Alex Ross: Stockhausen&#x27;s &#x22;Gruppen,&#x22; at Tempelhof Airport, in Berlin.</title>
<link>http://www.newyorker.com/arts/critics/musical/2008/10/13/081013crmu_music_ross</link>
<description><![CDATA[For a few years in the late nineteen-sixties and early seventies, Karlheinz Stockhausen, the German avant-garde composer, nearly achieved the status of a pop icon. Each new piece of his attracted crowds of critics, struggling to convey the latest cosmic splatter of pointillistically variegated sounds. A lavish recording&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2008/10/06/081006crth_theatre_lahr">
<title>John Lahr: The mystery plays of Sarah Ruhl and Peter Shaffer.</title>
<link>http://www.newyorker.com/arts/critics/theatre/2008/10/06/081006crth_theatre_lahr</link>
<description><![CDATA[In 1997, as the playwright Sarah Ruhl was on her way to see the first work of hers to be produced, she was knocked unconscious in a car accident. Nonetheless, she managed to get to the show--two short plays that now, with the addition of a third, make up&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/10/06/081006gohz_GOAT_horizon">
<title>Goings on About Town: On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/10/06/081006gohz_GOAT_horizon</link>
<description><![CDATA[AUCTIONS 
        STRINGS ATTACHED 
        Oct. 10 
        Martin Guitar--a storied brand in the history of blues and rock--is a hundred and seventy-five years old, and Christie&#8217;s is marking the anniversary by offering forty-nine of the company&#8217;s guitars at its upcoming sale of musical instruments. (212-636-2000.) 
          
        MOVIES 
        POLAND, SPRUNG&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/10/06/081006gonb_GOAT_notebook_denby">
<title>David Denby: New Wave at BAM.</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/10/06/081006gonb_GOAT_notebook_denby</link>
<description><![CDATA[The compilation film &#8220;Six in Paris&#8221; (&#8220;Paris Vu Par . . .&#8221;), from 1965, screening at BAM Oct. 3-9, is a not terribly distinguished but nonetheless happy souvenir of the New Wave, when films could be thrown together casually. Six directors, three established (Jean-Luc Godard, Jean Rouch, and Claude Chabrol), one starting&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted4">
<title>Books: &#x22;Unpacking the Boxes&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted4</link>
<description><![CDATA[Most memoirs begin with a birth, but Hall&#8217;s starts with another sort of becoming: &#8220;At fourteen I decided to spend my life writing poetry, which is what I have done.&#8221; Soon Hall moves from suburban Connecticut, where &#8220;nothing happened,&#8221; to Exeter, Harvard, and Oxford, his time line marked indelibly by&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted1">
<title>Books: &#x22;The Given Day&#x22;</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/10/06/081006crbn_brieflynoted1</link>
<description><![CDATA[Lehane, whose previous novels include &#8220;Mystic River&#8221; and &#8220;Gone, Baby, Gone,&#8221; sets his latest at the end of the First World War, as waves of immigration, uneasy race relations, and agitation over labor issues culminate in a police strike in Boston. Danny, a patrolman and the son of a powerful&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/0-0&#x26;fd=R&#x26;url=http://www.courier-journal.com/apps/pbcs.dll/article%3FAID%3D/20081013/FEATURES/810130350&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHFu5BvxLA3rTV2anjXVJNc7dyisw">
<title>Editor keeps indie magazine growing - Louisville Courier-Journal</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/0-0&#x26;fd=R&#x26;url=http://www.courier-journal.com/apps/pbcs.dll/article%3FAID%3D/20081013/FEATURES/810130350&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHFu5BvxLA3rTV2anjXVJNc7dyisw</link>
<description><![CDATA[Editor keeps indie magazine growingLouisville Courier-Journal,&nbsp;KY&nbsp;- 7 hours ago&quot;I think that there&#39;s a lack of magazines about our area,&quot; Harrison said. &quot;A lot of times when you&#39;re reading an art magazine, it just focuses on New York ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/1-0&#x26;fd=R&#x26;url=http://www.mercurynews.com/centralcoast/ci_10703334&#x26;cid=1256925698&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFqrB1rN7RS7lLs8dEsLHO4H8YOPQ">
<title>Chris Watson, Bookends: Spiegelman looks back at his early work - San Jose Mercury News</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/1-0&#x26;fd=R&#x26;url=http://www.mercurynews.com/centralcoast/ci_10703334&#x26;cid=1256925698&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFqrB1rN7RS7lLs8dEsLHO4H8YOPQ</link>
<description><![CDATA[Chris Watson, Bookends: Spiegelman looks back at his early workSan Jose Mercury News,&nbsp; USA&nbsp;- Oct 12, 2008Written between 1972 and 1977, the panels were first published in &quot;Short Order Comix&quot; and &quot;Arcade, the Comix Revue,&quot; magazines edited by Spiegelman and Bill ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/2-0&#x26;fd=R&#x26;url=http://www.mediabistro.com/fishbowlny/magazines/saveur_hungry_for_conde_nast_talent_97272.asp&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFVxnQhZXwsuYluR32VRHvaGeCRTQ">
<title>Saveur Hungry for Conde Nast Talent - mediabistro.com</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/2-0&#x26;fd=R&#x26;url=http://www.mediabistro.com/fishbowlny/magazines/saveur_hungry_for_conde_nast_talent_97272.asp&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFVxnQhZXwsuYluR32VRHvaGeCRTQ</link>
<description><![CDATA[mediabistro.comSaveur Hungry for Conde Nast Talentmediabistro.com,&nbsp;NY&nbsp;- 1 hour agoShe was previously the Creative Marketing Director, Creative Design Director, and Art Director for the magazine. Prior to her tenure at Bon Appetit, ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/3-0&#x26;fd=R&#x26;url=http://www.wwd.com/media-news/fashion-memopad/cosmogirl-shuttered-ann-moore-plan-mansueto-layoffs-1833282%3Fgnewsid%3D1c9b2e44b7c2b9314e72c11279aa9e8c&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGu7VcOzimGsDD-DefDzjqxZ6RLOg">
<title>CosmoGirl Shuttered... Ann Moore&#x26;#39;s Plan... Mansueto Layoffs... - Women&#x27;s Wear Daily</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/3-0&#x26;fd=R&#x26;url=http://www.wwd.com/media-news/fashion-memopad/cosmogirl-shuttered-ann-moore-plan-mansueto-layoffs-1833282%3Fgnewsid%3D1c9b2e44b7c2b9314e72c11279aa9e8c&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGu7VcOzimGsDD-DefDzjqxZ6RLOg</link>
<description><![CDATA[CosmoGirl Shuttered... Ann Moore&#39;s Plan... Mansueto Layoffs...Women's Wear Daily&nbsp;- 4 hours agoby WWD Staff TEENS HAVE ONE LESS CHOICE: And then there were two: Hearst Magazines on Friday shuttered Cosmogirl magazine, the teen title it spun off from ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/4-0&#x26;fd=R&#x26;url=http://www.mesquitelocalnews.com/viewnews.php%3Fnewsid%3D1073%26id%3D2&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGUkDiao9XABbegGtZSN_Vvjsi_VA">
<title>Local Artist Wins National Art Award - Mesquite Local News</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/4-0&#x26;fd=R&#x26;url=http://www.mesquitelocalnews.com/viewnews.php%3Fnewsid%3D1073%26id%3D2&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNGUkDiao9XABbegGtZSN_Vvjsi_VA</link>
<description><![CDATA[Local Artist Wins National Art AwardMesquite Local News,&nbsp;NV&nbsp;- 23 hours agoHis illustrations have appeared in  over forty trade magazines; he had held over thirty-three one man shows. Many of his artworks, including commissions, ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/5-0&#x26;fd=R&#x26;url=http://www.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article4868918.ece&#x26;cid=1253557142&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEqK3dkREptw04zfm1S1vLZffMPeg">
<title>How to plan and run a successful art fair - Times Online</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/5-0&#x26;fd=R&#x26;url=http://www.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article4868918.ece&#x26;cid=1253557142&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEqK3dkREptw04zfm1S1vLZffMPeg</link>
<description><![CDATA[How to plan and run a successful art fairTimes Online,&nbsp;UK&nbsp;- Oct 2, 2008My business partner, Amanda Sharp, and I had been running frieze magazine for about ten years when we started talking about setting up an art fair. ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/6-0&#x26;fd=R&#x26;url=http://www.latimes.com/features/books/la-ca-art-spiegelman12-2008oct12,0,1678753.story&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFjZHbptPhxOJ3siPEWPx9YtNOgaA">
<title>Art Spiegelman continues his tale with the reinvented &#x26;#39;Breakdowns&#x26;#39; - Los Angeles Times</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/6-0&#x26;fd=R&#x26;url=http://www.latimes.com/features/books/la-ca-art-spiegelman12-2008oct12,0,1678753.story&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNFjZHbptPhxOJ3siPEWPx9YtNOgaA</link>
<description><![CDATA[Art Spiegelman continues his tale with the reinvented &#39;Breakdowns&#39;Los Angeles Times,&nbsp;CA&nbsp;- Oct 10, 2008Beginning in the early 1970s, he edited a succession of underground comics magazines, most notably Arcade (with &quot;Zippy the Pinhead&quot; creator Bill Griffith) ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/7-0&#x26;fd=R&#x26;url=http://www.nola.com/business/index.ssf/2008/10/sagging_economy_may_hurt_art_f.html&#x26;cid=1256842434&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEF1v03R2OWlRFViiFfcok_MKCekA">
<title>Sagging economy may hurt art fair - The Times-Picayune - NOLA.com</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/7-0&#x26;fd=R&#x26;url=http://www.nola.com/business/index.ssf/2008/10/sagging_economy_may_hurt_art_f.html&#x26;cid=1256842434&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNEF1v03R2OWlRFViiFfcok_MKCekA</link>
<description><![CDATA[Sagging economy may hurt art fairThe Times-Picayune - NOLA.com,&nbsp;LA&nbsp;- Oct 12, 2008The flagging economy could have an impact on the unprecedented six-week exhibition of contemporary art scheduled to begin in New Orleans at the beginning of ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/8-0&#x26;fd=R&#x26;url=http://www.eurekareporter.com/article/081009-artist-profile-matt-beard&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHwXXhy-RKNOICaSHqdDVLk5m1I3g">
<title>Artist Profile: Matt Beard - The Eureka Reporter</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/8-0&#x26;fd=R&#x26;url=http://www.eurekareporter.com/article/081009-artist-profile-matt-beard&#x26;cid=0&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNHwXXhy-RKNOICaSHqdDVLk5m1I3g</link>
<description><![CDATA[Artist Profile: Matt BeardThe Eureka Reporter,&nbsp;CA&nbsp;- Oct 10, 2008At about that same time, Rick Griffin, renowned surf artist, died. Being a surfer, Beard noticed his work in the surf magazines and realized that art could ...]]></description>
</item>

<item rdf:about="http://news.google.com/news/url?sa=T&#x26;ct=us/9-0&#x26;fd=R&#x26;url=http://www.artdaily.com/index.asp%3Fint_sec%3D2%26int_new%3D26571&#x26;cid=1256743208&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNG2L6_GcaB7TYgUaAHFZftuE1eM9A">
<title>The BMA Organizes First Comprehensive Survey of Austrian Artist ... - Art Daily</title>
<link>http://news.google.com/news/url?sa=T&#x26;ct=us/9-0&#x26;fd=R&#x26;url=http://www.artdaily.com/index.asp%3Fint_sec%3D2%26int_new%3D26571&#x26;cid=1256743208&#x26;ei=KXTzSJnZHJaO9QTQpbWGAQ&#x26;usg=AFQjCNG2L6_GcaB7TYgUaAHFZftuE1eM9A</link>
<description><![CDATA[The BMA Organizes First Comprehensive Survey of Austrian Artist ...Art Daily&nbsp;- Oct 11, 2008... to sit down and reflect on the artist’s work, read newspapers and magazines, or express their thoughts using word magnets to create poetry or prose. ...]]></description>
</item>

</rdf:RDF>