Vicente García-Huidobro Fernández (January 10, 1893 – January 2, 1948) was a Chilean poet born to an aristocratic family. He was an exponent of the artistic movement called Creacionismo ("Creationism"), which held that a poet should bring life to the things he or she writes about, rather than just describe them.

Huidobro was born into a wealthy family in Santiago. After spending his first years in Europe, he enrolled in a Jesuit secondary school in Santiago. He studied literature at the University of Chile and published Ecos del alma (Soul's Echoes), a work with modernist tendencies. The following year he married, and started to edit the journal Musa Joven (Young Muse), where part of his later book, Canciones en la noche (Songs in the Night) appeared, as well as his first calligram, "Triángulo armónico" ("Harmonic Triangle").

In 1913, along with Carlos Díaz Loyola, he edited the three issues of the journal Azul, and published Canciones en la noche and La gruta del silencio (The Cry of Silence). The next year, he gave a lecture, Non serviam, which reflected his aesthetic creed. In another work of the same year, he explained his religious doubts and criticized the Jesuits, which earned him reproaches from his family.

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