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<title>Books of The Times: &#x2018;My Bright Abyss,&#x2019; a Memoir by Christian Wiman</title>
<link>http://www.nytimes.com/2013/04/03/books/my-bright-abyss-a-memoir-by-christian-wiman.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Christian Wiman, the editor of Poetry magazine, uses his memoir to detail how cancer helped bring him back to religion.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/23/books/toni-morrison-speaks-at-west-point.html?partner=rss&#x26;emc=rss">
<title>Toni Morrison Speaks at West Point</title>
<link>http://www.nytimes.com/2013/03/23/books/toni-morrison-speaks-at-west-point.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Students at West Point attended a reading by Toni Morrison on Friday, where she read from her novel “Home,” which centers on a Korean War veteran.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/04/02/books/a-tale-for-the-time-being-by-ruth-ozeki.html?partner=rss&#x26;emc=rss">
<title>Books of The Times: &#x2018;A Tale for the Time Being,&#x2019; by Ruth Ozeki</title>
<link>http://www.nytimes.com/2013/04/02/books/a-tale-for-the-time-being-by-ruth-ozeki.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[In Ruth Ozeki’s “Tale for the Time Being,” a teenage Japanese girl’s diary washes ashore off the Canadian coast and is found by an introspective novelist.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/04/02/health/the-human-touch-amid-big-data-medicine-review-of-when-doctors-dont-listen.html?partner=rss&#x26;emc=rss">
<title>Books: The Human Touch Amid Big Data Medicine - Review of &#x2018;When Doctors Don&#x2019;t Listen&#x2019;</title>
<link>http://www.nytimes.com/2013/04/02/health/the-human-touch-amid-big-data-medicine-review-of-when-doctors-dont-listen.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[In two new books, doctors write about the problems, and details, of American medicine today.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/04/01/books/the-interestings-by-meg-wolitzer.html?partner=rss&#x26;emc=rss">
<title>Books of The Times: &#x2018;The Interestings,&#x2019; by Meg Wolitzer</title>
<link>http://www.nytimes.com/2013/04/01/books/the-interestings-by-meg-wolitzer.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The summer camp friends in “The Interestings” by Meg Wolitzer find their later years not unfolding quite as they imagined.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/us/cowboy-stuntman-dean-smith-writes-a-memoir.html?partner=rss&#x26;emc=rss">
<title>Texas Monthly: &#x2018;Cowboy Stuntman&#x2019; Dean Smith Writes a Memoir</title>
<link>http://www.nytimes.com/2013/03/31/us/cowboy-stuntman-dean-smith-writes-a-memoir.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The Texas-born stuntman Dean Smith has retired to Stephens County, but his new book, “Cowboy Stuntman: From Olympic Gold to the Silver Screen,” may bring him out of hiding.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/arts/thomas-mcevilley-critic-and-scholar-of-non-western-art-dies-at-73.html?partner=rss&#x26;emc=rss">
<title>Thomas McEvilley, 73, Critic and Scholar of Non-Western Art, Dies</title>
<link>http://www.nytimes.com/2013/03/31/arts/thomas-mcevilley-critic-and-scholar-of-non-western-art-dies-at-73.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Mr. McEvilley’s evisceration of a Museum of Modern Art show on “primitivism” in 1984 put curators on the defensive and changed the debate about multiculturalism in art.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/nyregion/a-review-of-the-gilded-age-of-hartford-at-twains-home.html?partner=rss&#x26;emc=rss">
<title>Arts | Connecticut: A Review of &#x2018;The Gilded Age of Hartford,&#x2019; at Twain&#x2019;s Home</title>
<link>http://www.nytimes.com/2013/03/31/nyregion/a-review-of-the-gilded-age-of-hartford-at-twains-home.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“The Gilded Age of Hartford” includes plenty of Mark Twain’s wit, but it also depicts cruelty and prejudice beneath Hartford’s late-Victorian prosperity.]]></description>
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<item rdf:about="http://artsbeat.blogs.nytimes.com/2013/03/29/graphic-books-best-sellers-earth-2-at-no-1/?partner=rss&#x26;emc=rss">
<title>ArtsBeat: Graphic Books Best Sellers: &#x2018;Earth 2&#x2019; at No. 1</title>
<link>http://artsbeat.blogs.nytimes.com/2013/03/29/graphic-books-best-sellers-earth-2-at-no-1/?partner=rss&#x26;emc=rss</link>
<description><![CDATA[“Earth 2″ chronicles a parallel world in which Batman, Superman and Wonder Woman have died.]]></description>
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<item rdf:about="http://artsbeat.blogs.nytimes.com/2013/03/29/hit-or-flop-expert-on-broadway-musicals-to-write-history-explaining-why/?partner=rss&#x26;emc=rss">
<title>ArtsBeat: Hit or Flop? Expert on Broadway Musicals to Write History Explaining Why</title>
<link>http://artsbeat.blogs.nytimes.com/2013/03/29/hit-or-flop-expert-on-broadway-musicals-to-write-history-explaining-why/?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Jack Viertel, the artistic director of Encores!, will explore the architecture of classic shows in “The Secret Life of the Broadway Musical.”]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/30/us/a-book-doctor-in-dallas-patches-up-well-loved-bibles.html?partner=rss&#x26;emc=rss">
<title>Beliefs: A Book Doctor in Dallas Patches Up Well-Loved Bibles</title>
<link>http://www.nytimes.com/2013/03/30/us/a-book-doctor-in-dallas-patches-up-well-loved-bibles.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The Bibles that Candice McKay repairs can be the marked-up ones of regular churchgoers or ones old enough to have palm leaves stuck in them from when Grover Cleveland was president.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/04/07/books/review/inside-the-list.html?partner=rss&#x26;emc=rss">
<title>Inside the List</title>
<link>http://www.nytimes.com/2013/04/07/books/review/inside-the-list.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Harlan Coben, whose thriller “Six Years” is at No. 1 on the hardcover fiction list, has read every book by a fellow native of Newark: Philip Roth.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/the-retrospective-by-a-b-yehoshua.html?partner=rss&#x26;emc=rss">
<title>&#x2018;The Retrospective,&#x2019; by A. B. Yehoshua</title>
<link>http://www.nytimes.com/2013/03/31/books/review/the-retrospective-by-a-b-yehoshua.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[In A. B. Yehoshua’s novel, an Israeli film director travels to Santiago de Compostela for a tribute to his work.]]></description>
</item>
<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/a-crack-in-the-darkness.html?partner=rss&#x26;emc=rss">
<title>Essay: A Crack in the Darkness</title>
<link>http://www.nytimes.com/2013/03/31/books/review/a-crack-in-the-darkness.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Novelists can peer into places like North Korea, with help from Google Earth.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/ways-of-going-home-by-alejandro-zambra.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Ways of Going Home,&#x2019; by Alejandro Zambra</title>
<link>http://www.nytimes.com/2013/03/31/books/review/ways-of-going-home-by-alejandro-zambra.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Alejandro Zambra’s novel considers the legacy of Pinochet.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/kids-for-cash-and-the-injustice-system.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Kids for Cash&#x2019; and &#x2018;The Injustice System&#x2019;</title>
<link>http://www.nytimes.com/2013/03/31/books/review/kids-for-cash-and-the-injustice-system.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[An investigative journalist examines a juvenile justice scandal, and a maverick defense lawyer recounts his most fraught case.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/the-honored-society-by-petra-reski-and-more.html?partner=rss&#x26;emc=rss">
<title>&#x2018;The Honored Society,&#x2019; by Petra Reski, and More</title>
<link>http://www.nytimes.com/2013/03/31/books/review/the-honored-society-by-petra-reski-and-more.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[New books by Petra Reski, Sam Roberts, Walter Stahr and Jessica Grogan.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/the-force-of-things-by-alexander-stille.html?partner=rss&#x26;emc=rss">
<title>&#x2018;The Force of Things,&#x2019; by Alexander Stille</title>
<link>http://www.nytimes.com/2013/03/31/books/review/the-force-of-things-by-alexander-stille.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Alexander Stille looks at the discordant strains of his parents’ marriage.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/the-rebellious-life-of-mrs-rosa-parks-by-jeanne-theoharis.html?partner=rss&#x26;emc=rss">
<title>&#x2018;The Rebellious Life of Mrs. Rosa Parks,&#x2019; by Jeanne Theoharis</title>
<link>http://www.nytimes.com/2013/03/31/books/review/the-rebellious-life-of-mrs-rosa-parks-by-jeanne-theoharis.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[This biography reveals a fiercely determined activist behind the mild-mannered lady in a hat.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/i-dreamed-i-was-a-very-clean-tramp-by-richard-hell.html?partner=rss&#x26;emc=rss">
<title>&#x2018;I Dreamed I Was a Very Clean Tramp,&#x2019; by Richard Hell</title>
<link>http://www.nytimes.com/2013/03/31/books/review/i-dreamed-i-was-a-very-clean-tramp-by-richard-hell.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[The rocker and frontman for the Voidoids ruminates on his life, loves and his rift with a collaborator.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/the-walking-by-laleh-khadivi.html?partner=rss&#x26;emc=rss">
<title>&#x2018;The Walking,&#x2019; by Laleh Khadivi</title>
<link>http://www.nytimes.com/2013/03/31/books/review/the-walking-by-laleh-khadivi.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Two Kurdish brothers are forced to flee the ayatollah’s revolution in Laleh Khadivi’s novel.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/wash-by-margaret-wrinkle.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Wash,&#x2019; by Margaret Wrinkle</title>
<link>http://www.nytimes.com/2013/03/31/books/review/wash-by-margaret-wrinkle.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[A Revolutionary War veteran and his slave are locked in an intimate battle of wills in Margaret Wrinkle’s first novel.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/sugar-in-the-blood-by-andrea-stuart.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Sugar in the Blood,&#x2019; by Andrea Stuart</title>
<link>http://www.nytimes.com/2013/03/31/books/review/sugar-in-the-blood-by-andrea-stuart.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Andrea Stuart pursues the history of both sides of her Caribbean family.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/mohsin-hamids-how-to-get-filthy-rich-in-rising-asia.html?partner=rss&#x26;emc=rss">
<title>Mohsin Hamid&#x2019;s &#x2018;How to Get Filthy Rich in Rising Asia&#x2019;</title>
<link>http://www.nytimes.com/2013/03/31/books/review/mohsin-hamids-how-to-get-filthy-rich-in-rising-asia.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Disguised as a self-help book, Mohsin Hamid’s novel traces a nameless hero’s journey from impoverished boy to corporate tycoon.]]></description>
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<item rdf:about="http://www.nytimes.com/2013/03/31/books/review/out-of-order-by-sandra-day-oconnor.html?partner=rss&#x26;emc=rss">
<title>&#x2018;Out of Order,&#x2019; by Sandra Day O&#x2019;Connor</title>
<link>http://www.nytimes.com/2013/03/31/books/review/out-of-order-by-sandra-day-oconnor.html?partner=rss&#x26;emc=rss</link>
<description><![CDATA[Sandra Day O’Connor offers an overview of the Supreme Court’s history.]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/features/2013/04/08/130408fi_fiction_hadley">
<title>Tessa Hadley: &#x26;#8220;Valentine.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/features/2013/04/08/130408fi_fiction_hadley</link>
<description><![CDATA[Madeleine and I are waiting at the bus stop at the bottom of Beech Grove in our school uniforms: green print dresses, short white socks and sandals, blazers. In the summer, we are allowed to leave off our hated green felt hats. It&#8217;s June, and summer is thick&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/04/08/130408po_poem_obrien">
<title>Peggy O&#x26;#8217;Brien: &#x26;#8220;Crustaceans.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/04/08/130408po_poem_obrien</link>
<description><![CDATA[Just as I cross myself when a cat like a hearse 
Cuts across my path, as though I still believed, 
Before the summer goes, I&#8217;ll be damned 
If we don&#8217;t get to the beach and eat lobster. 
  
I dive right in waves with frosty lion manes&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/04/08/130408po_poem_whitehead">
<title>Gary J. Whitehead: &#x26;#8220;Soldier Course.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/04/08/130408po_poem_whitehead</link>
<description><![CDATA[I watched them do the math, 
snap a powdered line. 
The brick saw whined 
a red dust. I&#8217;d wanted a path 
  
to my back patio, same 
herringbone. I&#8217;d wanted a Weber, 
four chairs, an umbrella. 
The foreman&#8217;s name 
  
was Hector. I gave him a&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/04/01/130401po_poem_komunyakaa">
<title>Yusef Komunyakaa: &#x26;#8220;Night Gigging.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/04/01/130401po_poem_komunyakaa</link>
<description><![CDATA[A three-pronged spear waits for a bullfrog 
to sing bass from the weedy millpond. 
  
A silhouette lingers, cleaved from the kneeling man, 
back to hunger &#38; simple philosophy of the spheres, 
  
how dirt begs for a seed to work into a thick root 
to pry up the foundation of&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/features/2013/04/01/130401fi_fiction_braunstein">
<title>Sarah Braunstein: &#x26;#8220;Marjorie Lemke.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/features/2013/04/01/130401fi_fiction_braunstein</link>
<description><![CDATA[She was only twenty but had an old person&#8217;s name. How she despised her name: its merry singsong, its too many vowels, its very M.L., benign initials that in fourth grade inspired Tommy Sugarman to crow, &#8220;Major Loser, Major Loser, Major Loser.&#8221; Was she a loser&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/04/01/130401po_poem_gluck">
<title>Louise Gluck: &#x26;#8220;An Adventure.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/04/01/130401po_poem_gluck</link>
<description><![CDATA[1. 
It came to me one night as I was falling asleep 
that I had finished with those amorous adventures 
to which I had long been a slave. Finished with love? 
my heart murmured. To which I responded that many profound discoveries 
awaited us, hoping, at the same time, I&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/features/2013/03/25/130325fi_fiction_jhabvala">
<title>Ruth Prawer Jhabvala: &#x26;#8220;The Judge&#x26;#8217;s Will.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/features/2013/03/25/130325fi_fiction_jhabvala</link>
<description><![CDATA[After his second heart attack, the judge knew that he could no longer put off informing his wife about the contents of his will. He did this for the sake of the woman he had been keeping for twenty-five years, who, ever since his first attack, had been agitating&#160;.&#160;.&#160;.]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/03/25/130325po_poem_kirchwey">
<title>Karl Kirchwey: &#x26;#8220;Troia.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/03/25/130325po_poem_kirchwey</link>
<description><![CDATA[Ruined Troy lay promiscuous among 
               findspot and tell, breastworks and ditches 
like nine gold bracelets at a Turkish wedding, 
                         in twenty-two karats, mined outside Pergamum. 
Schliemann&#8217;s trench was a wound through the whole thing: 
               at the Scaean Gate he was off by twelve hundred years, 
  
where the&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/features/2013/03/25/130325fi_fiction_blitt">
<title>Barry Blitt: &#x26;#8220;Manparel.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/features/2013/03/25/130325fi_fiction_blitt</link>
<description><![CDATA[&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.newyorker.com/fiction/poetry/2013/03/25/130325po_poem_fulton">
<title>Alice Fulton: &#x26;#8220;The Next Big Thing.&#x26;#8221;</title>
<link>http://www.newyorker.com/fiction/poetry/2013/03/25/130325po_poem_fulton</link>
<description><![CDATA[I know I cannot tell it all forever and so I want to tell it 
all of you, a sparkscale audible from the corner of 
my ear, visible if I look just to the side of 
where you are. If I surface as I move from 
seclusion to seclusion, trusting&#160;.&#160;.&#160;. (Subscription required.)]]></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/frederick-seidel/two-poems">
<title>Frederick Seidel: Two Poems</title>
<link>http://www.lrb.co.uk/v35/n07/frederick-seidel/two-poems</link>
<description></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/nicholas-spice/is-wagner-bad-for-us">
<title>Nicholas Spice: Is Wagner bad for us?</title>
<link>http://www.lrb.co.uk/v35/n07/nicholas-spice/is-wagner-bad-for-us</link>
<description><![CDATA[In one of the European galleries at the British Museum, there’s a bronze medal of Erasmus made in Antwerp in 1519 by the artist Quentin Metsys. A portrait of Erasmus in profile is on the front of the medal. On the reverse, the smiling bust of Terminus, the Roman god of boundaries, and the words ‘concedo nulli’ – ‘I yield to no one.’ It’s said that Erasmus kept a figurine of the god Terminus on his desk. He wrote: ‘Out of a profane god I have made myself a symbol exhorting decency in life. For death is the real terminus that yields to no one.’]]></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/paul-taylor/rigging-the-death-rate">
<title>Paul Taylor: Rigging the Death Rate</title>
<link>http://www.lrb.co.uk/v35/n07/paul-taylor/rigging-the-death-rate</link>
<description><![CDATA[The publication in February of the Francis Report into the failings of the Mid-Staffordshire NHS Foundation Trust was the worst of the many recent bad news stories about the NHS, its significance underscored by the fact that David Cameron felt it necessary to present the report to the House of the Commons himself, rather than leave it to the secretary of state for health. The public inquiry was set up in 2010 by the then secretary of state, Andrew Lansley, to investigate further the findings of a previous inquiry, commissioned by the Labour health minister.]]></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/john-lanchester/when-did-you-get-hooked">
<title>John Lanchester: Game of Thrones</title>
<link>http://www.lrb.co.uk/v35/n07/john-lanchester/when-did-you-get-hooked</link>
<description><![CDATA[The writer Neal Stephenson, in response to a question about his own fame or lack of it, came up with a usefully precise and clarifying answer: ‘It helps to put this in perspective by likening me to the mayor of Des Moines, Iowa. It’s true of both the mayor of Des Moines and of me that, out of the world’s population of some six billion people, there are a few hundred thousand who consider us important, and who recognise us by name. In the case of the mayor of Des Moines, that is simply the population of the Des Moines metropolitan area.’]]></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/joanna-biggs/tell-me-everything">
<title>Joanna Biggs: Facebook Feminism</title>
<link>http://www.lrb.co.uk/v35/n07/joanna-biggs/tell-me-everything</link>
<description><![CDATA[Facebook may have started as a way to rank one woman’s hotness over another’s, but it has been quick to produce its first feminists. Everything goes faster in Silicon Valley: code is written overnight; engineers get around the office on aerodynamic skateboards called RipStiks; a company less than ten years old is worth $104 billion for a day before losing $35 billion in value. And so, as Sheryl Sandberg, might have said to herself, why can’t a movement effectively stalled for thirty years be kickstarted with a 15-minute online talk?]]></description>
</item>
<item rdf:about="http://www.lrb.co.uk/v35/n07/jeremy-harding/short-cuts">
<title>Jeremy Harding: Short Cuts</title>
<link>http://www.lrb.co.uk/v35/n07/jeremy-harding/short-cuts</link>
<description></description>
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<item rdf:about="http://www.lrb.co.uk/v35/n07/stephen-sedley/after-leveson">
<title>Stephen Sedley: After Leveson</title>
<link>http://www.lrb.co.uk/v35/n07/stephen-sedley/after-leveson</link>
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<item rdf:about="http://www.lrb.co.uk/v35/n07/letters">
<title>Letters</title>
<link>http://www.lrb.co.uk/v35/n07/letters</link>
<description><![CDATA[The letters page from London Review of Books Vol. 35 No. 7 (11 April 2013)]]></description>
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<item rdf:about="http://www.lrb.co.uk/v35/n07/contents">
<title>Table of contents</title>
<link>http://www.lrb.co.uk/v35/n07/contents</link>
<description><![CDATA[Table of contents from London Review of Books Vol. 35 No. 7 (11 April 2013)]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/fRtwJQfpjBA/peter-worsley-obituary-letters">
<title>Letters: &#x27;Peter Worsley was one of Britain&#x27;s sociology superstars&#x27;</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/fRtwJQfpjBA/peter-worsley-obituary-letters</link>
<description><![CDATA[Jeffrey Henderson writes: Peter Worsley (obituary, 29 March) was one of Britain's sociology superstars. His book The Third World was as much a popular intellectual success as it was an academic one: that is why it was so influential in helping to transform understanding and discussion of the developing world.As a final-year student I had read his groundbreaking book on millenarianism and anti-colonialism, The Trumpet Shall Sound, and it became one of the two or three books that convinced me to become a sociologist. Eventually Peter became a mentor and friend. The generosity of his foreword to my 1989 book, The Globalisation of High Technology Production, was entirely characteristic. He was a person of great warmth, and will be sorely missed.Anthony King writes: Peter Worsley had a great sense of humour. I first met him in 1970 after he had just come back from China, recently opened up to visitors from the west. After regaling me for some minutes with stories of what he had seen of China's amazing achievements he concluded: "And they don't even have any sociologists."David Bull writes: Your obituary of Peter Worsley alludes to his support of Manchester United (mandatory for all acolytes of Max Gluckman). Peter told the story against himself about a Saturday when United and he were both in London, he at a conference. Going into the gents at Euston station at the start of the return journey, he spotted Denis Law and couldn't resist saying: "Hello, Denis.""Hello, Peter," came the reply."Blimey", said the shocked sociology professor, "do you know me?""No", said Denis, "but you've got your badge on."Bruce Ross-Smith writes: Along with several of his British contemporaries exploring similar areas and born in the 1920s, Peter Worsley rose academically and imaginatively above and beyond the tyranny of "isms". Was it also a feature of a generation who experienced war that they displayed considerable wit and humour? Wit and humour are always a good measure for the humane scholar.SociologyManchester UnitedAnthony KingBruce Ross-Smithguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/r65h8I6OwSI/doctor-who-roots-evil-philip-reeve-extract">
<title>Doctor Who: The Roots of Evil by Philip Reeve - extract</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/r65h8I6OwSI/doctor-who-roots-evil-philip-reeve-extract</link>
<description><![CDATA[Sample the fourth in a new series of Doctor Who stories. Written by Philip Reeve, author of the Mortal Engines, the story focuses on the fourth Doctor and Leela and the dangers of an immense tree space station known as the Heligan Structure that has been asleep for centuries, dreaming of vengeance against a man in a blue box...]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/b8e6UlAdInI/cosmic-gallery">
<title>It&#x27;s full of stars</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/b8e6UlAdInI/cosmic-gallery</link>
<description><![CDATA[Gallery: From a serene view of planet Earth, through the heart of the Milky Way and out to far-flung galaxies, take an armchair tour of the Universe with these dazzling images]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/fryZYAJgnCE/beyond-a-boundary-broke-cricket-barriers">
<title>How Beyond a Boundary broke down the barriers of race, class and empire | Selma James</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/fryZYAJgnCE/beyond-a-boundary-broke-cricket-barriers</link>
<description><![CDATA[Fifty years ago my husband's book on cricket inspired our anti-discrimination struggles – and continues to do so to this dayFifty years ago, after a March as cold as the one&nbsp;just gone, my husband CLR James's semi-autobiographical Beyond a Boundary appeared as the cricket season opened. Reviews were favourable, but none even approached the incomparable (and anti-racist) John Arlott's, in Wisden, "the cricketers' Bible".It was the almanack's centenary edition (19 April 1963), itself a national event: "1963 has been marked by the publication of a cricket book so outstanding as to compel any reviewer to check his adjectives several times before he describes it and, since he is likely to be dealing in superlatives, to measure them carefully to avoid over-praise – which this book does not need … in the opinion of the reviewer, it is the finest book written about the game of cricket."Hard to know from this extraordinary accolade that the book could not, at&nbsp;first, find a publisher. In desperation, CLR asked his friend George Lamming if he could help. Hutchinson had not long before published Lamming's In&nbsp;the&nbsp;Castle of My Skin, a great novel,&nbsp;and&nbsp;he used its succès d'estime to&nbsp;sell CLR's manuscript.Years later I learned that it was Lamming who had named it – almost. He had proposed Beyond the Boundary, which the publisher changed to "a" for no reason we could agree with. "The" challenges all boundaries, not just cricket's – a true description of the book.It was a book CLR had to write. He understood the game, he believed, in ways most experts did not and could not. He considered himself more scrupulous about the game's technique and how it grappled with team dynamics, skills, players' concentration and the psychological war between batsman and bowler, batsman and fielders. And he saw the game not only as it was played but as it was lived – and for West Indians that meant first of all a colonial society stratified by race and class. His unblinking description of the shades of status among cricket clubs cuts like glass.Because he was clever and literary, CLR could join the club of either the lighter or the darker skinned cricketers; he confesses having chosen the former. "So it was that I became one of those dark men whose 'surest sign of … having arrived is the fact that he keeps company with people lighter in complexion than himself'. My decision cost me a great deal … by cutting myself off from the popular side, [I] delayed my political development for years."Establishing early the interconnection between cricket and race and class divisions opens the way for Beyond a Boundary to fulfil its author's full purpose: to draw out other startling connections – cricket and art, life in ancient Greece, even rewriting English social history with cricket's great WG&nbsp;Grace as a crucial figure. As startling as his connections is the light he sheds on each – not only cricket but every subject benefits from shattering boundaries. We are invited to reject the fragmenting of reality, and to see its diverse interconnections without which we are prevented from ever knowing anything fully – including our own reality. What do they know of cricket, or anything, if it is walled off from every other aspect of life and struggle?CLR approached each area of concern with the method of thought learned from Marx and Hegel, and from his study of history. He considered it impossible to think in a disconnected or artificially linked way. But dialectical&nbsp;thinking depended on attention to detail. In cricket, his foundation was its&nbsp;technique.Beyond a Boundary demonstrates that profound connections can be grasped by a popular sporting audience. Here, cricket was CLR's touchstone, but he had been doing the same with many subjects for years.When the manuscript was near completed CLR was invited to return home after 26 years away. He spent four years working to end colonial rule and bring the islands together in a federation. The independence came, but the West Indies Federation failed. What stayed "federated" was the cricket.But this great cricketing nation, with a primarily Afro- and Indo-Caribbean population, had always been captained by a white man. CLR, now editor of the Nation, Trinidad's ruling party newspaper, seized the moment. The man to captain was Frank Worrell, a great batsman, a great cricketing mind, and an extraordinary human being. But Worrell, though middle class, was black. CLR plunged in with front-page editorials, cricket facts, and so on. CLR's penultimate chapter describes the campaign with zest. It upset those who thought challenging the racists who had always governed was too Marxist, and would lead to "communism".But we won, and the day after, Prime&nbsp;Minister Eric Williams, aiming to placate the anti-communists at his party's annual conference, said: "If CLR James took it upon his individual self to wage a campaign for Worrell as captain of the West Indies team …" That's all I heard. Williams's words were drowned in a roar of applause and shouts and celebration: a piece of the imperial past had gone.Beyond a Boundary was part of a movement. Soon after, the anti-apartheid boycott swept across every sport and a Black Power salute from the Olympic podium shook the world. Campaigns against discrimination (including sexism) in sport no longer startle. Alas, what sportspeople contend with on the playing field is still cordoned off from injustice beyond the boundary – from stop and search to benefits cuts to disabled people orchestrated by Paralympics praise.The book opened a new chapter in sports writing, and inspired Joseph O'Neill to write Netherland, a novel dissecting American society whose touchstone is the cricket brought by immigrants to New York. The 2001 film Lagaan, about an Indian cricket match, is a wonderful example of the beauty and truth that emerges with a judicious mix of cricket&nbsp;and class struggle.Everywhere we are confined by boundaries but we struggle to break out.CricketRace issuesGenderSelma Jamesguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/yRsPAbhMc5s/do-teen-authors-get-published">
<title>Is it possible for teenagers to get published?</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/yRsPAbhMc5s/do-teen-authors-get-published</link>
<description><![CDATA[Christopher Paolini's Eragon is the latest of a long line of books by young writers - think of Daisy Ashford's Young Visiters and The Diary of Anne FrankMy daughter has just finished her second book. What are the opportunities for teenagers to become published writers and are there any examples of great successes? – Mother of Mia, 14Apart from the disadvantage that you can't sign a contract under the age of 18, publishers have no prejudice against young authors and currently it is even rather fashionable, especially in the burgeoning young adult market. Abigail Gibbs, now 18 and a student of English literature, wrote her bestselling first novel, The Dark Heroine: Dinner with a Vampire, when she was 15. Like many other contemporary newcomers, she made use of the possibilities of epublishing, self- publishing it on Wattpad, where she picked up thousands of enthusiastic readers. That eager following was spotted by an agent and Gibbs is now a high-selling published as well as self-published author. But it is not just a new fad made possible by epublishing. There's a long and proud showing of books by under 18s. Two of the most famous examples from the past are Daisy Ashford and Anne Frank. Ashford, born in 1891, wrote The Young Visiters, a charming novella with idiosyncratic spelling as in the title, when she was 9, and saw it published in 1919. It has run through many editions since and remains in print in an attractive recent edition with illustrations by Posy Simmonds. The Diary of Anne Frank, written between 1942 and 1944 when she was 13 and 14 and first published in 1947 after Anne's death, is perennially popular as the outstanding eye-witness account of the Germany occupation of Holland. The biggest teen success of recent times has been Christopher Paolini, who was 15 when he began Eragon, the first in his epic, bestselling Inheritance Cycle series, and 19 when it first hit the shops as a self-published title. By the time he was 22 he had a big publishing deal and was top of the New York Times bestseller list. Of course, not all publishing stories end as happily as that, but it demonstrates that there is no age restriction for authors.If you have a question for Book Doctor, email us at childrens.books@guardian.co.uk or tweet them to @GdnChildrensBksAnne FrankVampires (children and teens)Children and teenagersTeen booksPosy SimmondsJulia Eccleshareguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qLti-slgXoY/adam-roberts-bsfa-jack-glass">
<title>Adam Roberts wins BSFA prize for SF crime novel Jack Glass</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qLti-slgXoY/adam-roberts-bsfa-jack-glass</link>
<description><![CDATA[Science fiction novelist's riff on golden-age detective fiction has won him his first awardAdam Roberts, the science fiction novelist Kim Stanley Robinson said should have won the Man Booker prize, has received his first major award – the British Science Fiction Association (BSFA) best novel prize for his space-set riff on golden-age detective fiction, Jack Glass.Roberts beat authors including former BSFA winners Robinson – who in 2009 said Roberts's novel Yellow Blue Tibia should have won the Booker – and Ken MacLeod to take the award. Jack Glass plays on the tropes of classic science fiction and crime fiction, such as the locked room mystery, with the story of a serial murderer living in a future solar system where Earth is only inhabited by the rich, and the poorer sections of humanity – the "Sumpolloi" – live in life-support capsules orbiting the sun."I've had a fairly long writing career but never before won any kind of award; I couldn't be happier my first is a BSFA," said Roberts.BSFA awards administrator Donna Scott called Jack Glass "an amazing book, which successfully blends crime and science fiction into a triptych of appealing narratives concerning – of all things – a sociopathic protagonist.""It's highly intelligent and skilful storytelling. I wouldn't be surprised if this book goes on to win more awards," said Scott. "Adam Roberts must surely soon be recognised by the literary establishment as one of the finest writers we currently have working in the English language."Running since 1958, the BSFA awards are voted for by members of the association, with the best novel prize going to writers including Arthur C Clarke, Philip K Dick, Terry Pratchett and, last year, Christopher Priest.This year, the best short story award went to Ian Sales for "Adrift on the Sea of Rains", which sees a group of astronauts stranded on the moon when nuclear war breaks out on Earth. World Fantasy award-winning novelist Lavie Tidhar won the best non-fiction prize for his work on the World SF Blog, while Blacksheep took the best artwork award for the cover of Jack Glass."We started the World SF Blog four years ago, in order to have a conversation: a conversation about science fiction and about diversity, a conversation we felt it was important to have," said Tidhar in his speech. "I have seen a lot of changes in genre fiction in the past four years, a greater awareness to do with representation, and a strong and vigorous discussion of assumptions only a few years ago no one thought to question. I am delighted I've been able to contribute to that discussion, in whatever minor capacity, and very grateful to the members of this convention for recognising us in this way."The winner of the Philip K Dick award for distinguished science fiction – Brian Francis Slattery for Lost Everything – was also announced at the weekend. Set in the near future, Slattery's post-apocalyptic novel is about a man travelling up the Susquehanna river to find his son, passing through an America ravaged by war and climate change.Science fictionCrime fictionFictionAwards and prizesAlison FloodAdam Robertsguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/CsoNZZyjS6I/review-the-diary-of-a-young-girl-anne-frank">
<title>The Diary of a Young Girl by Anne Frank - review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/CsoNZZyjS6I/review-the-diary-of-a-young-girl-anne-frank</link>
<description><![CDATA['A great book about the will to survive.'In the 1940's, Germany invaded Holland and the Nazis started creating a load of anti-Jewish rules. Otto Frank knew he had to do something to protect his family. They went into hiding. In the building of Anne Frank's Dad's office, behind a bookcase, is a marvellous secret annexe, two floors and an attic full of strangeness. Find out about life in the annexe of 263 Prinsengracht, Amsterdam, from the perspective of a teenage girl and the strange arguments and discussions that take place in the Jewish struggle to survive and Anne's struggle to stay a part of her family.This book at first seems rather light-hearted with the oddness of living without daylight but soon Anne's diary gets flooded with hardship as she gets bullied by almost everyone. A great book about the will to survive.Want to tell the world about a book you've read? Join the site and send us your review!Children and teenagersChildren's books: 8-12 yearsAnne FrankWar (children and teens)guardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/59I11myYpDc/amazon-purchase-goodreads-stuns-book-industry">
<title>Amazon purchase of Goodreads stuns book industry</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/59I11myYpDc/amazon-purchase-goodreads-stuns-book-industry</link>
<description><![CDATA[Alarm from Authors' Guild, and many Goodreads users, over 'shocking vertical integration' but at least one writer declares move 'cool'"Truly devastating" for some authors but "like finding out my mom is marrying that cool dude next door that I've been palling around with" for another, Amazon's announcement late last week that it was buying the hugely popular reader review site Goodreads has sent shockwaves through the book industry.The acquisition, terms of which Amazon.com did not reveal, will close in the second quarter of this year. Goodreads, founded in 2007, has more than 16m members, who have added more than four books per second to their "want to read" shelves over the past 90 days, according to Amazon. The internet retailer's vice president of Kindle content, Russ Grandinetti, said the two sites "share a passion for reinventing reading"."Goodreads has helped change how we discover and discuss books and, with Kindle, Amazon has helped expand reading around the world. In addition, both Amazon and Goodreads have helped thousands of authors reach a wider audience and make a better living at their craft. Together we intend to build many new ways to delight readers and authors alike," said Grandinetti, announcing the buy. Goodreads co-founder Otis Chandler said the deal with Amazon meant "we're now going to be able to move faster in bringing the Goodreads experience to millions of readers around the world", adding on his blog that "we have no plans to change the Goodreads experience and Goodreads will continue to be the wonderful community we all cherish".But despite Chandler's reassurances, many readers and authors reacted negatively to the news. American writers' organisation the Authors' Guild called the acquisition a "truly devastating act of vertical integration" which meant that "Amazon's control of online bookselling approaches the insurmountable". Bestselling legal thriller author Scott Turow, president of the Guild, said it was "a textbook example of how modern internet monopolies can be built"."The key is to eliminate or absorb competitors before they pose a serious threat," said Turow. "With its 16 million subscribers, Goodreads could easily have become a competing online bookseller, or played a role in directing buyers to a site other than Amazon. Instead, Amazon has scuttled that potential and also squelched what was fast becoming the go-to venue for online reviews, attracting far more attention than Amazon for those seeking independent assessment and discussion of books. As those in advertising have long known, the key to driving sales is controlling information."Turow was joined in his concerns by members of Goodreads, many of whom expressed their fears about what the deal would mean on Chandler's blog. "I have to admit I'm not entirely thrilled by this development," wrote one of the more level-headed commenters. "As a general rule I like Amazon, but unless they take an entirely 100% hands-off attitude toward Goodreads I find it hard to believe this will be in the best interest for the readers. There are simply too many ways they can interfere with the neutral Goodreads experience and/or try to profit from the strictly volunteer efforts of Goodreads users."But not all authors were against the move. Hugh Howey, author of the smash hit dystopian thriller Wool – which took off after he self-published it via Amazon – said it was "like finding out my mom is marrying that cool dude next door that I've been palling around with". While Howey predicted "a lot of hand-wringing over the acquisition", he said there were "so many ways this can be good for all involved. I'm still trying to think of a way it could suck.""Right now, I spend a lot of time on both sites in both capacities," said Howey. "My guess is that we won't see many changes at all. I'm betting that the real acquisition here is all the data behind the scenes. The algorithms that tell me what to buy (and almost always nail it) are going to get better. The social networks that feed my reading habit are going to get stronger. The people who helped make Goodreads awesome are going to get richer. And the people at Amazon, who I have gotten to know this past year and who to a man and woman love the fuck out of some books, are going to keep trying to get the right ones in the hands of readers."The acquisition of Goodreads follows Amazon's purchase of Shelfari, another social reading site, in 2008.BooksellersAmazon.comInternetE-commerceAlison Floodguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/PDDM6fJMndo/the-dark-lemony-snicket-watch-trailer">
<title>The Dark by Lemony Snicket, illustrated by Jon Klassen - watch the trailer</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/PDDM6fJMndo/the-dark-lemony-snicket-watch-trailer</link>
<description><![CDATA[Lemony Snicket, author of A Series of Unfortunate Events, has written a picture book. Not only that, he's got Jon Klassen, who drew This Is Not My Hat, to illustrate it, and Neil Gaiman to read it. We think that's quite cool. Here's the trailer - what do you think?Join the site and email us at childrens.books@guardian.co.uk to share YOUR favourite trailer in Trailer blazers!Children and teenagersChildren's books: 7 and underPicture booksguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/wTxqeCFKgSA/review-matched-ally-condie">
<title>Matched by Ally Condie &#x2013; review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/wTxqeCFKgSA/review-matched-ally-condie</link>
<description><![CDATA['It is not your typical soppy love story'Imagine, on your seventeenth birthday you chose to be matched or single, if you chose to be matched you would be put in the matching pool and you would be paired with who the officials thought would be your best match. This is what happens to 17 year-old Cassie when she is matched with her best friend. But what if you loved another?On her seventeenth birthday, Cassia is matched with her best friend but she soon falls for someone different, Ky Markham. As Cassia falls in love with Ky the officials are watching her every choice as Cassia has to choose between her best friend or Ky, the graceful poet.This book does have a bit of romance in it but it is not your typical soppy love story, it is more of a kind of story that makes you wonder what life would be like if you were matched with people instead of choosing. Given a job instead of choosing. Given the day you will die instead of letting fate decide. When looking at the blurb I thought this would be just another love story along with millions but boy was I wrong. I quickly got sucked into this original book and I am glad I did. There were moments where I doubted this book and the ending wasn't up to the same standard as the rest of the book. But in the end it was a very good read. I will be excited to read the next book in the series.Want to tell the world about a book you've read? Join the site and send us your review!Children's books: 8-12 yearsguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/IA_mycNGQDI/5-simple-machines-mcewen-review">
<title>The 5 Simple Machines by Todd McEwen</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/IA_mycNGQDI/5-simple-machines-mcewen-review</link>
<description><![CDATA[Six narratives about sex that, due to the writer's verbal deftness, manage to be unflaggingly funny yet never wearisomeCraig Raine on the radio last week came up with a phrase that captured nicely the common English reaction to a novel that is not rigidly conventional. "Why, that novel isn't even wearing a suit!" (He was talking apropos Milan Kundera's The&nbsp;Unbearable Lightness of Being.) Well, this novel isn't wearing a suit. Actually, it's not even a novel: it is&nbsp;six separate narratives, and they are certainly not wearing suits. They are, figuratively speaking, wearing loud Hawaiian shirts and holding improbably large cocktails and being incredibly indiscreet – and making you laugh until&nbsp;you wonder whether you can take&nbsp;much more.By which I do not mean that there is anything tacky about them: the prose is tight, even when it looks colloquially sloppy. Todd McEwen can get you to laugh, simply by the quick spin he puts&nbsp;on someone's turn of phrase. Here&nbsp;is one narrator describing how he introduced two senior clergymen to each other at a convention: "And this, I&nbsp;said, is Bishop Staunton. We've met, said my uncle, strangely, and they sneered at each other." You may not find that in and of itself hilarious, but here's the context: an ex‑girlfriend of the narrator's, whom we already know to be a little odd, had left him 10 years earlier for this Bishop Staunton chap, on account of his having (a) the largest known collection of gnostic literature on the eastern seaboard of the US ("but&nbsp;how large does it&nbsp;have to be, I&nbsp;said, to be the largest known etc"), and (b) an improbably enormous penis ("proportionately as knobful ivory and stiff as the Staunton chess piece of the same name").Or how about something more conventionally, if that is the word, funny? On people in the BDSM "scene": "There's an entire race of people out there with dungeons in their garages. They publish very bad magazines about this – they are called Fake Dungeons Monthly and Stupid Looking Dungeons and Slobs in Rubber."So, the stories in this book about reminiscences of sex: relationships that went bad, or were ridiculous, or were mismatches – there's one about a&nbsp;marriage that seems to be working, yet is still radically unsatisfactory.The titles are "six so-called mechanical powers – the lever, wedge, wheel and axle, pulley, screw and inclined plane". The explanation for the confusion arising from the six mentioned here and the big red "5" on&nbsp;the front cover comes in an italicised form under the chapter headed "Wedge": "It is well known that, strictly speaking, the wedge is only an application of the inclined plane. But." And then we're off: a story in which the&nbsp;girlfriend wears wedge shoes, her car looks like a&nbsp;wedge, and there are wedges driven between the characters.McEwen is not afraid to alert us to&nbsp;any possible metaphorical or secondary applications of the terms he&nbsp;uses. You should see what he does with "Screw". No, really, you should: McEwen knows what he is doing – this is his fifth novel,&nbsp;and I recommend the&nbsp;others, too. I&nbsp;gave a brief thumbs-up to McX: A&nbsp;Romance of the Dour 15 years or so ago, but this is much more chatty,&nbsp;fluid, and, once you accustom yourself to its varying rhythms, hilarious.This is a rare kind of humour: it is not only a&nbsp;matter of verbal deftness – a&nbsp;word, or a comma, popping up unexpectedly – but of intelligence, lightly applied. Says a narrator admiring his girlfriend's autumn outfit: "Wow, I&nbsp;thought, who has not seen thee oft amid thy store?" – which is sweet and charming to boot. Another character, whose girlfriend works in Wall Street and doesn't understand her job (this one's set in the 1980s, I'd say), chats up a different woman in a bar: "he listened to her describe her job and realised she didn't understand it." These stories manage to be unflaggingly funny, yet never wearisome: the tonal control is complete. And the deeper message is that laughter is a cure. I&nbsp;have the best job in the world because I can tell thousands of you at the same time about this book, instead of having to tell everyone individually.PaperbacksSexNicholas Lezardguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/-rQpak848SI/novels-personal-propaganda-transgender">
<title>My transgender novel is too personal to be propaganda</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/-rQpak848SI/novels-personal-propaganda-transgender</link>
<description><![CDATA[As the author of a YA novel about a transgender boy I've been accused of attempting 'social engineering' but you can't campaign with fictionTwo years ago, I published a book called I Am J. It's a young adult novel about a runaway transgender boy in New York City and, a few weeks ago, the state of California put the book on its recommended reading list for public high schools. It's the first time a book with a transgender character ever made the list.I didn't write I Am J to be political, or to fill a void, or to make it on to any lists. Or to freak out the conservatives, who have been pretty vocal since the new list was published. I wrote it as a love letter. I have a transgender foster daughter and a gender-variant partner and the book was a way to imaginatively discern their psychic wounds and early fears, a way to say I see you in the best way I know. With my partner specifically, the character J embodies a childhood he didn't have but could have, had he lived in a different time with different options. J transitions at the age of 17, and he's angry and surly like a lot of teenage boys I know, but he's also resilient and creative. He offers, for me, a particular kind of hope.J was a character tapping at the edges of my mind for several years before I wrote the book. He was singular and specific, a complicated person I wanted to sort through on the page. I think a lot of authors feel like this – drawn to write out of both love and a need to resolve something confusing, painful or just out of reach. But once the character's complete and the book is on the shelves, he's no longer your baby. He becomes a symbol, a representative and, in the worst cases, a tool.This is what happened when the state updated its list, for the first time in five years. Despite the 7,800 titles to choose from, most of the media attention has revolved around exactly two: I Am J and De Donde? – a play about immigration. I would be willing to wager my pets that the conservative critics, who cried "sexual anarchy" and claimed that kids were "being taught social engineering that will hurt them physically and emotionally", haven't read my book. Rather, they encountered a tool, a symbol, that they could wield against larger social movements, such as the LGBTQ fight for equality.But books, when they're good, don't live in these public arenas. They exist in a far more intimate space, between one reader and his imagination as he's turning the pages. If books are "socially engineered", they're propaganda, and readers can smell that from across the library.I do, however, agree with the one critic that books can hurt. They can break you right open, reflect your own losses, and sometimes bring you into a broader plain of understanding. After I Am J was published, I received many letters from kids asking about J and his friends, as though he were a real person. And I received heart-wrenching emails from other children saying the book had saved their life; they hadn't read about "someone like them" before. These children weren't connecting with a political movement or a symbol. They were connecting with a human being, written on a page and brought to life in their minds.In this way, I'm not worried about the conservative resistance to queer books. Of course, there's the very real business (and a long history) of restricting access to certain stories, and that's why I'm grateful to the State of California for making its list and including me on it. But literature, at its best, doesn't live in this world of agendas and witch hunts, as tools for any side's political purpose. Literature and its readers are in an alternate realm, and they'll continue to meet in this quieter place.• Cris Beam is the author of I Am J, which is published in the US and the UK.Children and teenagersFictionCris Beamguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/YYDXW_PffXA/review-angel-dust-sarah-mussi">
<title>Angel Dust by Sarah Mussi - review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/YYDXW_PffXA/review-angel-dust-sarah-mussi</link>
<description><![CDATA['Mussi wrote a brilliant novel that had me hooked start to finish.'Serafina is one of God's best and brightest angels. Normally, she stays in Heaven, but since the Declaration of War, she must come to earth to collect souls.  It's then she sees him, Marcus Montague. She knows she must collect his soul and she knows he isn't bound for Heaven...  And yet, she's drawn to Marcus, the "original badman", the gangsta. But now she has to snuff his life out and take his soul away. And all Serafina wants is to give Marcus more time, time to repent. It's then Larry shows up, a "gentle being in white". He offers her something, something she can't refuse... But how far is Serafina willing to go to save the gangsta's life? How far when Heaven and Hell is at war, when everything Serafina's ever know is at stake...?From the moment I laid eyes on the blurb (and gorgeous cover) of Angel Dust, I was enchanted. After hearing Sarah Mussi talk about it and chatting a bit with her, I was positively itching to get stuck into the story. I have seen some negative reviews, but I must say I loved it. I do love angel books, and the fact this one had a definite Romeo-Juliet inspiration meant I was even more happy about it. And this book was brilliant. I really loved it and can't wait for more by Mussi. Serafina was actually quite cute: she was so naive and unworldly. She kind of made me laugh at times with all her enthusiasm! Of course, at other times, I could hit her for her naivety. She was so trusting and unworldly – she didn't see things coming we saw a mile off. I loved seeing her grow and challenge everything, hitting perfectly all the controversy around Free Will and Rules and how far one should go to save the one you love. Marcus was sweet, but personally not someone I'd risk falling from Heaven for. He did have many good points, like how much he cared. He did try to be better and he only wanted to help. I saw his potential, but I didn't really know him as well as I'd like to. And, uh, why did he call himself the "Man"?There were some other good characters, like Larry-slash-Harry or Kamuel. Larry-Harry was funny but seriously, Serafina?! And Kamuel… I so wish he were in it more! The romance between Serafina and Marcus, I must admit wasn't totally believable. The way she just saw him once and just fell so in love she was willing to break the Rules? It just didn't seem totally plausible. Then again, she did mention that he was her "temptation" – does that mean he was like her soulmate, the one person alive who could pull her from Heaven? I just wish it was a little more clear or less insta-love-y. It did get better as I read, and there were these moments where I really felt the love and chemistry. I loved that this was written from the angel's POV. The only other book I've come across like that is Halo, and I must say that Serafina is a much more likeable character. And her language was much easier to read; more like an average teen and less like a 19th century poet. But I get off topic: the point is that reading from an angel's perspective is brilliant – the most mundane thing seems magical. I'll admit that the beginning of the story was a little slow.  But with a war brewing and oh-so-many rules for Serafina to break, it didn't stay that way for long!  And the story was so much more than just a forbidden romance, a mission to save a human's eternal soul from Hell.  It was so much more complex and twisty. And while I saw things coming when Serafina didn't, I think we were meant to – it just added to the overall suspense and kind of horror!I loved learning about the angelic world: lots came from the bible inspiration and stuff, but what I really loved was the description of the road to Hell. And Heaven – as amazing as it all was and how rich it was in places, I still felt like it could have been a little more padded out. I saw the outline in my head, but bits weren't in technicolour.I hate naive characters - normally. But somehow Mussi made Serafina angelically innocent without making her infuriating. I must say though, I'm not 100% why she fell for Marcus quite so hard. But, Mussi perfectly captured that overwhelming, all-consuming nature of first love, emphasised by it being felt by an immortal being who had never known love before, who had only wanted to save the one she loved...  So, yes, this book has very strong points and some let downs. The strong points were more than enough to keep me hooked and I absolutely can't wait to see what Mussi brings out next. But, more importantly, yes: Mussi wrote a brilliant novel that had me hooked start to finish. There was something so magic about her writing - she made many of my usual pet peeves things I loved most about the story. I think Mussi may be magic, if you ask me. I can't wait for her next book. And I really think most will love this too, 'cause it's magic. Want to tell the world about a book you've read? Join the site and send us your review!Children and teenagersTeen booksguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/rfSMssDJzrU/guardian-audio-edition-2-april-2013">
<title>The Guardian Audio Edition: 2 April 2013</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/rfSMssDJzrU/guardian-audio-edition-2-april-2013</link>
<description><![CDATA[Audio versions of a selection of articles from the Guardian newspaper and websiteReading on a mobile? Click here to listen.In this week's edition:• The Bedroom Tax will push up benefit bill, cause social disruption and create widespread misery, say critics. Click here to read this article. By Toby Helm and Tracy McVeigh• Research involving 1,000 scientists has found scores of genetic markers that identify the people most likely to develop prostate, breast and ovarian cancer. Click here to read this article. By Ian Sample• Residents and business owners in Cairo say the 12ft barriers installed by military dictatorship have changed the once vibrant streets. Click here to read this article. By Patrick Kingsley• The Voice: Will.i.am looks like an action-figure of himself, Tom Jones is Zeus, Danny O'Donoghue's on Wikipedia. Click here to read this article. By Charlie Brooker• Blending traditions and consistently confounding expectations, Malian singer Rokia Traoré is much more than just another global soul. Click here to read this article. By Caspar Llewellyn SmithAnd our audiobook review this week looks at historical fiction, with TracyChevalier's latest, The Last Runaway, and a debut novel from ElizabethFremantle, Queen's Gambit.• The Guardian Audio Edition is supported by Audible.co.uk. To listen to the audiobooks reviewed in this week's edition go to audible.co.uk/guardianaudioAudiobooksToby HelmTracy McVeighIan SamplePatrick KingsleyCharlie BrookerCaspar Llewellyn Smithguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/F4SKrJaBTPQ/social-enterprises-libraries">
<title>Are social enterprises the future for libraries?</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/F4SKrJaBTPQ/social-enterprises-libraries</link>
<description><![CDATA[Public sector cuts have led to a rise in the number of social enterprises running library services, but sustainability is a problemThe local library, along with schools and hospitals, used to form part of an unbreakable bond between citizen and state. Since austerity measures were enacted in 2010, however, that bond became much more fragile. Many local authorities have been quick to divest of library services, and their reasons for doing so are understandable. As Pete Gascoigne, executive director at Wigan Leisure and Culture Trust (WLCT) says, "No public libraries make a profit."Much less understandable then, has been the subsequent eagerness of social enterprises to take them on.Wigan Council were ahead of the curve when it outsourced its entire leisure and culture services in 2003. WLCT was created as a social enterprise spin-out to run everything from libraries to crematoria. But the money maker was always the leisure services, and Gascoigne informs that cross-subsidising is needed to support its library services. After ten years of experience, he says the Trust would be interested in bidding for library contracts in other boroughs, but primarily because "libraries may be part of a wider package... which would be our preference."So if libraries are loss makers, how are some social enterprises able to make them self-sufficient?The small computer recycling social enterprise Eco Computers for example won the contract to run three libraries in the borough of Lewisham in early 2011. Having never run a library before, it was a bold move. "We gave an expression of interest initially," explains Gavin Dunn, director of Eco Computers, "and went through a tendering process whereby we put our business case forward and Lewisham council looked at the range of applications... As far as I know, it was only local community projects that bid for it. I'm not sure it was a very attractive proposition for a private company, because there were no obvious ways to monetise the spaces."It was attractive to Eco Computers, says Dunn, because, "It offered us a portal to expand our community projects, and at the same time we knew how well used the libraries were... we were already trying to address digital exclusion across the community, so it just seemed like a natural thing to do."After re-branding the libraries as community hubs, and the company name to Eco Communities, the business plan mirrors that of all social enterprise-run libraries since – it diversified. "Obviously you don't generate money out of loaning books, or the use of computers – they are all free", says Dunn. "But we are installing cafés in all the libraries and the local housing associations are funding us to provide work experience and training for long-term unemployed residents, and we have a pot of funding from Defra... We also have the contract with the council to sell old library books... on Amazon, and at book fairs." And, of course, it continues to sell recycled electrical equipment, with the library buildings providing effective showrooms and depots.Wigan understands the need to diversify too, Gascoigne says: "We've run everything from an emerging business working with adults with learning disabilities, to community cafés, to the citizens advice bureau."In the borough of Kirklees, where Huddersfield-based social enterprise Fresh Horizons has taken on a single library contact, its managing director Mike McCusker explains, "The advantage we have over mainstream local authority services is our ability to embrace innovation and deliver a wide range of services." His library has even added a small cinema. However McCusker admits that "in the longer term we will need to be able to identify other income streams". An experiment to charge for internet access was short-lived, he says, because "we are serving a community which has little disposable income."Even some of the biggest social enterprises are yet to crack the revenue model. London-based GLL took on its first library contract with Greenwich council in April last year, and has just been awarded the Wandsworth Libraries contract. Mark Sesnan, MD of GLL, says that it's still "early days. What we've got to decide is what we want the library service to look like for the next 30 years, and how that should be delivered... But in Greenwich we've made sure no libraries have closed, we've kept the opening hours the same, we've kept staff pay and conditions, and our guarantee is that things will be as good as they were before if not better."There remains an element of experimentation around the social enterprise library model, but also an element of urgency. GLL has recently found itself competing against the private sector giant John Laing Intergrated Services (JLIS), which proudly boasts on its website to be "the first private sector company to specialise in the outsourcing of unique areas of public sector services that include libraries". Some fear that social enterprises may be unable to compete. McCusker talks of social benefits being "jettisoned in favour of imaginary cost effectiveness of the multi-nationals – here for short term gain and leaving the expensive complex issues to local providers who are committed for the long term." Indeed there was a messy fallout when a recent library contract in Croydon was said to have been awarded to JLIS – defeating GLL – only to fall through when pensions agreements were allegedly reneged on.However, not all social enterprises are able to keep up local authority staffing structures either. In Lewisham, "we have one paid manager per library supported by a team of volunteers and some work placements – it's similar to a charity shop model," says Dunn. He says these are people who are already "very active in the local community and want to see their community prosper". But as an argument it is unlikely to hold much sway with trade unions. Meanwhile McCusker's experience is that a volunteers-based approach, "just won't work in deprived communities. Even in affluent areas I have heard examples where it takes 60 volunteers to keep a rural library open 21 hours a week. Volunteers are not free, they need support and co-ordination and many councils have found that the savings they imagined when taking this route have been far smaller than expected."Social enterprises are, however, offering much more than books and computer access – the mixed-use community hub, argues Dunn, is the library model for the next 30 years: "We're open longer now than when the local council ran the libraries. I really believe that there's a wider range of services that we offer from our libraries now... There are things that the local council do well, no question. But they are unable to move quickly and introduce new services quickly when the community asks for it." The reason why social enterprises can, he says, "is that we are the local community – there is no them and us."This content is brought to you by Guardian Professional. To join the Guardian Social Enterprise Network, click here.Social enterprise blogStart up & scale upPublic servicesSpinning outLocal governmentLocal government network blogSocial enterprisesSmall businessLibrariesLocal governmentPublic sector cutsTim Smedleyguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qAD3OzkZlWc/william-sutcliffe-interview-the-wall">
<title>&#x27;It was so much more brutal than I thought it could be&#x27;</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qAD3OzkZlWc/william-sutcliffe-interview-the-wall</link>
<description><![CDATA[William Sutcliffe tells Alison Flood why his first novel for young adults is about the Israeli occupationWilliam Sutcliffe, best known for his satirical take on gap year travel, Are You Experienced?, is moving into writing for young adults with The Wall – and he isn't expecting it to go unnoticed."If you criticise Israel you are going to be attacked. I expect one of the angles of attack to be: who is this guy?" says the British novelist, who describes himself as a Jewish atheist. "I have tried to be fair, but in describing a situation I'm very clear is unfair."Pitched as a fable, his crossover novel is set in a city split in two by a vast wall. On one side live the privileged, the occupiers – and our hero Joshua. On the other live the desperate, the occupied, and when Joshua, hunting for his lost football, discovers a tunnel that leads under the wall, he sets in action a series of dreadful consequences. Without making it explicit, it soon becomes clear that this is the West Bank, that Joshua, 13, is Jewish, and that Leila, the girl who saves his life on the other side of the wall, is Palestinian.It's an idea that had been rumbling in Sutcliffe's head for years, "that the story of our era is the divide between the haves and the have-nots, and it seemed the wall in the West Bank was very specific to that situation, but also symbolic of other things happening elsewhere". But at first, he wasn't sure if he wanted to make his wall so easily identifiable. Then he heard about PalFest, Palestine's annual travelling festival of literature, and decided he needed to travel to the region. He'd been to Israel before, but after experiencing PalFest, "everything I thought I knew about Israel was shattered. Seeing a military occupation up close, seeing a small number of people with guns telling a large number without guns what to do… it was so much more brutal than I thought it could be."When he came home, he rewrote, with "the setting a bit closer to the West Bank", the geography more aligned, the city named Amarias, an anagram of Samaria. Then he realised he needed to see how the Jewish settlers were living. He found a tourist company that arranged for him to stay with three different Jewish settlers in the West Bank, and the novel's setting became "almost entirely literal"."The physical reality is almost like reportage, but the story is fiction," says Sutcliffe, who is married to the novelist Maggie O'Farrell.He always intended The Wall to be for young adults, but found as he was writing that he was doing it for two audiences. "I was trying to write two different books at the same time. My model was Animal Farm – for younger readers it's a farmyard story; for adult readers it's obviously about Stalinism. It works for both in different ways," he says. The dystopian vision his own book presents will, he believes, be familiar to children who have read the likes of Patrick Ness and Suzanne Collins, while for adult readers "it's reportage – which is why I went out of my way with the two research trips".He's also playing on another familiar children's literary motif – that of the portal from the mundane to a world of fantasy. "What's happening in this book is a kid living in a complete fantasy, who discovers a portal to reality. I'm taking the cliche and turning it upside down," he says. "I've been with the settlers… and I think they are living in a world of complete fantasy."Utterly different from his previous five novels, from his debut, New Boy, set in a private school, to his most recent, Whatever Makes You Happy, about three friends' relationships with their mothers, The Wall has, admits Sutcliffe, been "a huge struggle" to write, but "I've gradually got to grips with a subject that is so complicated that you have to read everything around before you can even open your mouth."And how will he answer those anticipated critics? "It is illegal for an Israeli to visit downtown Ramallah or Bethlehem, and Palestinian writers are not going to visit the settlements, so the answer to the question "who am I to write it?" is that no Israeli or Palestinian could write it. Because only a foreigner can see both sides of the wall," he says.Children and teenagersTeen booksFictionIsraelPalestinian territoriesGeorge OrwellAlison Floodguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/-T2OiObfWXA/hobbit-tolkien-ring-exhibition">
<title>&#x27;A golden ring, a precious ring...&#x27;</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/-T2OiObfWXA/hobbit-tolkien-ring-exhibition</link>
<description><![CDATA[Lord of the Rings author was researching the story of the curse of a Roman ring for two years before starting Bilbo Baggins taleIn what was once the housekeeper's office of a Tudor mansion in Hampshire, a very odd golden ring glitters on a revolving stand in a tall perspex column. In chapter five of The Hobbit, Bilbo Baggins finds a ring in the gloom of Gollum's cave. Not just any ring. "One very beautiful thing, very beautiful, very wonderful. He had a ring, a golden ring, a precious ring."A new exhibition opening today at The Vyne, now owned by the National Trust, raises the intriguing possibility that the Roman ring in the case, and the ring of power in JRR Tolkien's book The Hobbit, and in his Lord of the Rings trilogy, are one and the same.As Dave Green, the property manager, explains, there's more to the story than the ring – an iron-age site with ancient mine workings known as "the Dwarf's Hill", a curse on the thief who stole the ring, and a&nbsp;strong link to Tolkien himself.Tolkien was a professor of Anglo-Saxon at Oxford before he found fame as an author, with the publication of The Hobbit in 1937, and the first of the Rings trilogy in 1954. He certainly knew the story of the curse and the ring, and was researching the subject two years before he began work on The Hobbit.The ring was in the collection of the Chute family – which for generations was interested in politics, collecting, and antiquarian research – for centuries before the house came to the National Trust in the 1930s."I was looking for the ring to show a visitor, and I walked right past the case with it – that's when I decided we really had to make more of this amazing thing," Green said. As well as the exhibition room, created with the help of the Tolkien Trust, the house now has a dwarf trail for children and a new playground with circular tunnels and green hillocks recalling Bilbo's home, Bag End.The ring was probably found in 1785 by a farmer ploughing a few miles away within the walls of Silchester, one of the most enigmatic Roman sites in the country – a town which flourished before the Roman invasion, was abandoned by the 7th century and was never reoccupied.There are no details of exactly when it was found, but historians assume the farmer sold it to the history loving wealthy family at The Vyne. It was a strikingly odd object, 12g of gold so large that it would only fit on a gloved thumb, ornamented with a peculiar spiky head wearing a&nbsp;diadem, and a Latin inscription reading: "Senicianus live well in God".A few decades later and 100 miles away, more of the story turned up: at Lydney in Gloucestershire, a Roman site known locally as the Dwarf's Hill, a tablet with an inscribed curse was found. A Roman called Silvianus informs the god Nodens that his ring has been stolen. He knows the villain responsible, and he wants the god to sort them out: "Among those who bear the name of Senicianus to none grant health until he bring back the ring to the temple of Nodens."Lydney was re-excavated by the maverick archaeologist Sir Mortimer Wheeler, who called in Tolkien in 1929 to advise on the odd name of the god – and also spotted the connection between the name on the curse and the Chute family's peculiar ring. It seems that Senicianus only got as far as Silchester before he lost his booty.Dr Lynn Forest-Hill of the Tolkien Trust said Tolkien's source was usually assumed to be literary sources, including the Niebelung legends. "It is, then, particularly fascinating to see the physical evidence of the Vyne ring, with its links to Tolkien through the inscription associating it with a curse."The ring is now on display with a first edition of The Hobbit and a copy of the curse – visitors are invited to vote on whether they are looking at the original of Bilbo's ring.JRR TolkienLord of the RingsScience fiction and fantasyUniversity of OxfordThe National TrustMaev Kennedyguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/sguBYXjZTGU/timothy-mcfarland-obituary">
<title>Timothy McFarland obituary</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/sguBYXjZTGU/timothy-mcfarland-obituary</link>
<description><![CDATA[Timothy McFarland, who has died aged 76, was an expert on medieval German literature. He had a particular love for the epic poetry of Wolfram von Eschenbach, the author of Parzival, which he taught with passion to generations of students. He co-edited a collection of essays devoted to Eschenbach's less well-known Willehalm.Timothy was born in Hamilton, New Zealand. His childhood was overshadowed by the early death of his mother and his father's taking his own life. He often recalled being summoned by the headmaster of his boarding school to be told of his father's death: he was just told to go and get a glass of hot milk from matron.Despite hating the school, he performed brilliantly. He completed an MA from Auckland in German at the age of 20. Then a Humboldt scholarship took him to Munich, where he remained for nine years – first as a student, then as a foreign language assistant in the university.Coming from sheltered New Zealand, it was exciting to witness Germany recovering from the war. He would say that it was through the fridges of his friends that he experienced the German economic miracle: beer, wine, Sekt and champagne. He arrived in London in October 1965 to join the German department of University College London, from which he retired in 2000.Timothy was everything but a narrow medievalist. Because his intellectual curiosity was boundless, he did not publish all he would have wanted. There were too many projects on the go: a historical guidebook to Bavaria, a study of the American modernist review the Dial, another of music composed in the Theresienstadt concentration camp. He was the antithesis of the modern academic tendency to specialisation or "relevance". If the impact of a great university teacher is on the horizons they open up and the intellectual conversations they spark, he was unrivalled.After retirement, he continued to be an active participant in London's academic scene. A man with innumerable friends, of whom I was one, he is survived by his wife, Jenny, who had shared his life for 40 years, and whom he married in 2011.PoetryJulian Jacksonguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<title>Amina Cachalia turned down Nelson Mandela&#x27;s offer of marriage, son claims</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/4Dq1XT7Zs1s/amina-cachalia-mandela-marriage-proposal</link>
<description><![CDATA[Activist politely rebuffed Mandela's proposal in 1990s out of loyalty to her late husband, says Ghaleb Cachalia"I can't help it if the ladies take note of me," Nelson Mandela once said. "I am not going to protest."The thrice-married former president of South Africa is a celebrated charmer who, even in old age, has captivated celebrities such as Naomi Campbell and the Spice Girls. But one woman, it has been claimed, turned down a proposal of marriage from Mandela before he went on to wed his current wife, Graça Machel.Amina Cachalia, a distinguished activist in the anti-apartheid struggle, politely rebuffed the great statesman in the 1990s, according to her son, Ghaleb."She called me and my sister aside and said she wanted to tell us about this proposal and that she was not going to accept it," Ghaleb said on Monday. "She was very matter of fact about it."Mandela had been a guest at Cachalia's 21st birthday party and she visited him in Pollsmoor prison. "We knew they were good friends, he was a friend of the family; he dropped in all the time. It didn't come as a surprise to us," Ghaleb said.Cachalia's husband, Yusuf, had died in 1995, as Mandela was heading for divorce from his second wife, Winnie Madikizela-Mandela.Asked why his mother had spurned one of the 20th century's moral giants, Ghaleb said: "She wanted to honour the legacy of my father. She was a strong, and independent woman. She wanted to live her life as she saw fit and be close to her grandchildren."Noting that his father had been 15 years older than Cachalia, Ghaleb quipped: "Perhaps after getting rid of one old man, she didn't want to take another on."Cachalia, whose father had joined Mohandas Gandhi in passive resistance to the South African government, never regretted her decision and remained fiercely independent until her death this year at the age of 82, Ghaleb added. "My father was the love of her life."But after Yusuf died there were "romantic interludes" with Mandela in the 1990s, which are detailed in Cachalia's autobiography, When Hope and History Rhyme, published last month. The book skates past the marriage proposal, which Ghaleb revealed to South Africa's Mail & Guardian newspaper.Undeterred, Mandela married Machel, the widow of the Mozambican president Samora Machel, on his 80th birthday in 1998. Now 94, he remained in hospital on Monday for a sixth day, receiving treatment for a recurring bout of pneumonia. Doctors reported a further improvement in his condition over the weekend.Nelson MandelaSouth AfricaAfricaAutobiography and memoirDavid Smithguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<title>The History Keepers: Circus Maximus by Damian Dibben - review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/rPeKxC4RHpQ/review-the-history-keepers-circus-maximus-damien-dibben</link>
<description><![CDATA['The History Keepers is a great story about a young boy who lives in the twenty-first century but can travel through time.'The front cover of this book features the main character holding a Roman sword. It suggests danger and adventure, which is exactly what this story is all about. The History Keepers is a great story about a young boy named Jake who lives in the twenty-first century but can travel through time.This is the second book in the History Keepers series. In this story, Jake heads back in time to Ancient Rome to retrieve a stolen time-travelling potion. The main characters in the book are Jake, Lucius, Nathan, Charlie, and Topaz; and Caspar, Leopardo and Ageta Zeldt, the bad guys. My favourite character is Charlie because he knows a lot about Ancient Rome and hates cruelty to animals.My favourite part of the book is when Leopardo, Topaz's half-brother, is injured in a chariot race then blows up the centre of Circus Maximus and himself in the hope of blowing up the Roman Senators. It is very exciting and dramatic, like the rest of the book which is full of adventure and danger. Overall I really enjoyed reading this book and would recommend it to girls and boys aged 8-12 who like adventure books.Want to tell the world about a book you've read? Join the site and send us your review!Children's books: 8-12 yearsAdventure (children and teens)Children and teenagersguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qUr9oMhcYeY/last-rites-campus-novel">
<title>Last rites for the campus novel</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/qUr9oMhcYeY/last-rites-campus-novel</link>
<description><![CDATA[Joyce Carol Oates's latest novel, The Accursed, shows why writers should stay out of academiaEven by Joyce Carol Oates's prolific standards publishing two books a month apart (Daddy Love came out in the UK in February) is remarkable. Following last year's Mudwoman, Oates, a Princeton professor for 35 years, has written her second campus novel, The Accursed.Though currently very much on-trend, the campus novel is now approaching retirement age, having begun its life in the postwar US with Mary McCarthy's The Groves of Academe and Randall Jarrell's Pictures from an Institution. The pre-eminent novelists who emerged in the 50s and 60s kept their distance, however, with the notable exceptions of Salinger's Franny and Nabokov's Pnin and Pale&nbsp;Fire.Once academic fiction's appeal waned across the Atlantic, Malcolm Bradbury and David Lodge took over, reflecting Britain's student boom and&nbsp;the emergence of US-style campus universities such as Bradbury's UEA. America's appetite was only renewed when the Brat Pack generation emerged in the late 80s, writing from the perspective of recent students, not scribbling professors, in Bret Easton Ellis's The Rules of Attraction and Donna Tartt's The Secret History.By then, the senior novelists who had sniffily abstained felt impelled to join in too, and the next 25 years saw fiction about universities or dons from&nbsp;DeLillo (White Noise), Bellow (The&nbsp;Dean's December), Updike (Memories of&nbsp;the Ford Administration), Pynchon (Vineland) and Roth (The Human Stain).Once the subgenre received these grandees' endorsement it became a near-compulsory rite of passage, with contributors including Paul Auster, Michael Chabon, Jonathan Lethem, Lorrie Moore, Richard Powers, Jane Smiley and, most recently, Jeffrey Eugenides and Chad&nbsp;Harbach.It's not hard to see why so many are drawn to extend the tradition, besides the sense that doing so is an elite club's induction ritual. The cut-off communities that writers love to observe are hard to find in the interconnected contemporary world, and they're otherwise usually forced to visit the past (the Tudor court, the monastery, the long-ago country house) to satisfy such cravings. Also not to be overlooked is their collective reluctance to leave any experience not translated into fiction, whether it's the almost universal experience of being a student or the now widely shared one of teaching literature or creative writing. The standard of the campus club's productions, however, increasingly makes you wonder why they bother. The mystifying, unfunny college strand is&nbsp;the weakest part of&nbsp;Jonathan Franzen's The Corrections. Tom Wolfe's I&nbsp;Am Charlotte Simmons, with a female student 50-odd years younger than her creator as protagonist, is either his worst novel or (for&nbsp;those who dislike Back To Blood even more) the point where his career went downhill. Harbach's university material seems humdrum alongside his baseball scenes. Bellow's Ravelstein was dreadful, Roth's The Human Stain muddled and sometimes embarrassing.And writers can't help treading on each other's toes. Chabon's Wonder Boys is fun, but gives another airing to&nbsp;the musty tropes of writer's block and authorial malaise on campus. Eugenides's The Marriage Plot overlaps fairly glaringly with AS Byatt's academic romcom Possession.Oates's bizarre, sprawling novel, in which the devil comes to Princeton in 1905, is especially saturated with other books, ranging from vampire and Stephen King shockers to the prototypical tale of a don driven mad, Goethe's Faust. Like other recent campus concoctions, it suggests a moratorium has long been overdue.FictionJohn Dugdaleguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<title>Darcy Burdock by Laura Dockrill - review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/ZT3RFUbvJ_M/review-darcy-burdock-laura-dockrill</link>
<description><![CDATA['It's so hilarious'Darcy Burdock is one of those books you just have to read again. It's so hilarious that, whilst I was reading it on the tube, I stuffed my sleeve in my mouth to stop myself from laughing so much or people would think I was a little strange.Darcy Burdock is an 11-year-old girl, like me, whose dream, just like mine, is to be a writer when she's older. Darcy keeps a writing book containing all the stories she has written and when the class bully, Jamie Haddock, gets hold of it, Darcy starts to panic. Writing is her life and she will do all she can to get her book back. When Jamie Haddock finally returns the book, he says: "Darcy, I loved your book so much. It made me want to fly away to a magical land where all your stories exist." I wanted to cry at this point, it was so touching.There is no option. You MUST read this book. It is brilliant.Want to tell the world about a book you've read? Join the site and send us your review!Children's books: 8-12 yearsChildren and teenagersguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/ya_ki65k3e0/doctor-who-voice-lifes-short">
<title>Doctor Who; The Voice; Life&#x27;s Too Short; The Village &#x2013; TV review</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/ya_ki65k3e0/doctor-who-voice-lifes-short</link>
<description><![CDATA[New assistant Clara adds fizz to the Tardis in the splendidly scary Doctor Who adventure The Bells of St John• Doctor Who on iPlayer• The Voice on iPlayer• Life's Too Short on iPlayer• Labyrinth on 4OD• The Village on iPlayerSo much interesting TV, so little space. Quick! Doctor Who (BBC1, Saturday) then, and a chance for the Doctor's partnership with new wing-woman Clara to bed in. Very promising, I think. I mean, Amy Pond will always occupy a special place in my heart, but Jenna-Louise Coleman brings something else to the Tardis; she's less ditzy, posher, smarter, more of an equal. Girl power! There's electricity between them too, crackle crackle.This is a lovely episode, stuffed full of wit and Steven Moffatry. More one for an occasional sci-fier than a diehard Whovian perhaps – no monsters, but plenty to be scared of. Wi-Fi carries the threat: there's something in it, harvesting human life, extracting souls – terrifying viewing for anyone who suffers paranoid delusions I&nbsp;imagine.There's a relevance about it, it's not too far-fetched, most of it happens in present-day London – I like the present, I recognise it, there's the Shard. And here, as Clara says, is a perfect definition of Twitter: "Human souls, trapped like flies in the world wide web, stuck for ever, crying out for&nbsp;help …" Moffat left Twitter; I know because I tried to find him.The Voice UK (BBC1, Saturday) is back. Hope you're watching correctly at home, with your backs to the telly, deciding when to spin. They're all back – Jessie J (such good value), Tom J, the other fella, Danny O'DonnoWHO? He always waits, never goes first … whoah, he does! And he says he always trusts the hairs on his arms, which is nice. Has he been to personality school since series one? There are some changes – fewer live shows, which was when Britain switched off last time; more of&nbsp;the good bit, the swivelling.But it's all about The Voice, as we're constantly reminded, and there are some good ones in this first one. Good stories too – a fat boy, a blind girl, Kavana from the 1990s, back for one last crack at it, and failing so very tragically. Of course, there's a big lie at the heart of The Voice. The real music industry's not all about the voice, The Look is quite important too.It may not be fashionable to approve of anything with Ricky Gervais's name on it. But this Life's Too Short Special (BBC2, Saturday) – with Val Kilmer, along with Les Dennis, Keith Chegwin, and Shaun Williamson joining Warwick Davis – is a piece of genius. There's nothing Gervais hasn't done before. An obsession with disability: check. Fading slebs making tits of themselves to highlight the horrors of the fame game: check. More squirminess than a sack of snakes with the squits: check. But it's done with such a breathtaking boldness that it's impossible not to gasp with a mixture of shock'n'awe. I mean he gets Chegwin to revisit not just his drunkenness but his nakedness too!Actually the funniest moment is when Les, Keith and Shaun are sharing a hotel bed, to save money. "Not while I'm reading [Sartre as it happens]," says Shaun, when Cheggers reaches down to say hello to little Cheggers, if&nbsp;you know what I'm saying.Then Gervais chucks in the curveball of touchingness (the other sort). It shouldn't be surprising – he usually does – but it somehow catches you off-guard. Especially poignant if you've just watched Kavana on The Voice.How bad is this adaptation of Kate Mosse with an E's Labyrinth (Channel&nbsp;4, Saturday and Sunday)? Sooo bad. Almost comically so, though after four hours the joke wears a little thin. One of those international collaborations (German-South African), with 101 executive producers, including Ridley and the late Tony Scott, it's Dan Brown meets Ken Follett's Pillars of the Earth, yo-yoing between the 21st and the 13th century (the middle ages, they're so now!), with rings, symbols, secret societies, all that. The dialogue's ghastly: it's pompous and ponderous. John Hurt, what were you thinking?However, you do get to see Lady Sybil off Downton in the buff. Yeah, it's quite steamy, has the feel of a 1970s German porn movie about it. Not that I'd know what one of them was like.Finally The Village (BBC1, Sunday), Peter Moffat's ambitious historical project – grittier than Peak District gritstone, greyer than the Derbyshire sky, earthier than the soil the Middleton family scratches a miserable living from. And then, when you think things couldn't get any bleaker, the first world war breaks out. We'll get properly involved next weekend. Well, there's no big hurry – just another 41 hours to&nbsp;go, if it goes to plan. Happy Easter.• Watch this: TV highlights• Full TV listingsDoctor WhoMatt SmithThe VoiceTelevisionRicky GervaisKate MosseSam Wollastonguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<item rdf:about="http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/IL0MD-hbFYo/poem-of-the-week-william-shakespeare">
<title>Poem of the week</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/IL0MD-hbFYo/poem-of-the-week-william-shakespeare</link>
<description><![CDATA[For 1 April, a sonorous refrain from one of literature's most plaintive fools, making plain the shadows behind the japesIt's not often that April Fool's Day and "Poem of the week Monday" coincide. So it seems an auspicious time to honour one of Shakespeare's most graceful and complex fools, Feste, from Twelfth Night, or What You Will. His song, "When that I was and a little tiny boy", concludes a play which is itself a celebration of misrule, with a plot driven by disguise, mistaken identity and practical jokes.The lyrics of this song, like others in Twelfth Night, might not have been written by Shakespeare. Robert Armin, a noted singer and clown, and the first actor to play Feste, is also a contender – as is our old friend, Anon. Whoever he was, the writer seems to have wanted to fill out Feste's character and "back-story" and add a little last-minute tragi-comic, silly-sad commentary on life. It's almost a version of "All the world's a stage". For that reason, my money's on Shakespeare as the song's author.A recent displacement in the clown's fortunes is hinted at early in the play. Feste – "a fool that the Lady Olivia's father took much delight in" – has outlived his first master, and seems to wander freely between the houses of Olivia and the Duke Orsino. Jester, singer, psychologist, philosopher, informal physician and spoof priest, Feste knows his own superior worth: "Those wits that think they have thee do very oft prove fools."Twelfth Night is full of music, and explores different attitudes to it. For Orsino, music is "the food of love" and even Sir Toby Belch prefers a love-song to "a song of good life". The forlorn realism and mock-ballad-form of "When that I was…" make it unique among the seven songs in the play.The double refrains in each verse are relentless, yet their touch is light. "Hey, ho, the wind and the rain" shrugs a wry weariness at life's weather. The play has delivered the requisite happy endings to its nobly-born leads, but Feste and the rain go on telling a different story. Their epilogue points a sly finger at privilege, and, perhaps, at the whole device of happy endings.The first line offers a charming image, almost a Nativity scene, and an unexpected conjunction: "When that I was and a little tiny boy" (my italics). Why the word "and" rather than the equally metrical "but"? It's oddly effective, fencing off the first part of the sentence to give it existential bite – "When that I was… " It's the kind of enigma Feste loves. However, the answer is probably that three subsequent verses, and the penultimate line, begin with a "But" (almost as in a nonsense poem). Another would be excessive."A foolish thing was but a toy" could be a joking reference to masturbation; the actor can make the appropriate gesture and get an easy laugh. The price of the double entendre is the pathos of imagining the clown as an innocent child, not yet officially a clown, not blamed for foolish acts, simply licensed to play. Some commentaries interpret the "foolish thing" as the child himself, in which case he would also be the worthless "toy" or "trifle".If the child has made a sadly unnoticed start in life, the second verse brings no redemption. Attaining adulthood, he remains an outsider, one of the "knaves and thieves" who will never enter the gates of inheritance and power (a further manifestation of "man's estate").The life story goes from under-achievement to under-achievement. Each verse, every "but", knocks down another hope. But (alas!) there's no fooling the wife. Does she throw out her swaggering husband between the verses? The strange plural of "beds" lends it a hovering association with the guest-house dormitory – perhaps also with hospitals and Bedlam. The beds could be harlots' beds, or, as the Shakespeare scholar Leslie Hotson says, "the various spots he is likely to fall". By now, the clown is an old man, infirm, perhaps a drunk.In the third line, the narrator seems to omit a first person pronoun: "With tosspots still" (I) "had drunken heads". He might be alluding to past carouses with Sir Toby and his pals, or merely generalising. The tosspots, whoever they are, will simply go on boozing, whatever happens.Finally, he seems about to embark on a mock-history of the world. But it's a tease and he shifts quickly to real time and real identities, with a courteous farewell to the relieved audience. "Come back for more" might be the gist of the last line, "We put on a great show every day!" Meanwhile, "that's all one" and the fooling is over. "All's one" is a phrase Feste uses several times during the play, and, again, it reminds us of that little existential shadow the character (or Shakespeare himself?) so often casts."When that I was and a little tiny boy…"When that I was and a little tiny boy,  With hey, ho, the wind and the rain,A foolish thing was but a toy,  For the rain it raineth every day.But when I came to man's estate,  With hey, ho, the wind and the rain,'Gainst knaves and thieves men shut the gate,  For the rain it raineth every day.But when I came, alas! to wive,  With hey, ho, the wind and the rain,By swaggering could I never thrive,  For the rain it raineth every day.But when I came unto my beds,  With hey, ho, the wind and the rain,With toss-pots still had drunken heads,  For the rain it raineth every day.A great while ago the world begun,  With hey, ho, the wind and the rain,But that's all one, our play is done,  And we'll strive to please you every day.PoetryWilliam ShakespeareCarol Rumensguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<title>Why Riddley Walker rivals the Passion as the perfect Easter story | Sarah Ditum</title>
<link>http://feeds.guardian.co.uk/~r/theguardian/books/rss/~3/B0TloEA8G60/riddley-walker-passion-easter-story</link>
<description><![CDATA[Russell Hoban's 1980 dystopian classic is melodramatic and unique, and suggests there is more to human beings than being humanI don't do God, but I do do dystopias, and I do feast days too. Easter is the best one, because you get a four-day weekend, fish pie and a lamb dinner. I like its mix of sombreness and celebration too, and second coming or not, the Passion is a hell of a drama. Betrayal! Sacrifice! Torture! All my favourite narrative elements – and this is where the dystopias come in, because all those things feature in the book I'm re-reading this Easter weekend: Russell Hoban's post-apocalyptic pilgrimage Riddley Walker.Riddley Walker has literary cousins, but as a work of imagination, it's quite singular. You can trace patterns of influence and common themes with Alasdair Gray, James Joyce or Margaret Atwood; but nothing approaches the completeness of Hoban's invention in Riddley Walker. He's fashioned not just a complete world, but also the language to describe that world: the entire novel is written in the strange future-dialect of its eponymous narrator and hero. Riddley Walker exists wholly on its own terms.That doesn't mean it's unmarked by the time and place of its creation. Published in 1980, Riddley Walker fully realises the twin cold war terrors: that the end is coming, and that surviving it would be the worst thing that could happen to you. If you think Threads turns out a bit grim, Riddley Walker is essentially the final scene, extended over 214 pages and a couple of millennia of civil degeneration.Humans live short lives in dismal settlements. Communications and transport have been destroyed, so society is constrained to walking distance: the characters talk about "Inland" in place of England, but it's never quite clear whether Kent, where the novel is set, is included in Inland or apart from it. The only thing that seems to be binding Inland's fragmented society together is a form of government called "the mincery", which acts as church and state together.With only pre-industrial technology available, the people of Inland live by scavenging, digging out the detritus of civilisation to use again, and their belief system is likewise a scavenger theology, combining whatever elements are available. There's some Christianity: the central figure of the mythology is Eusa, based on St Eustace. There's a bit of paganism: the green man features. And it takes in physics too. In the central legend, a trickster character called Mr Clevver encourages Eusa to find and tear in two someone called "the Littl Shynin Man the Addom".There's a temptation to read Riddley Walker as, precisely, a riddle – to think that by matching every element to a literal antecedent, you might be able to weasel out the truth of the book. And this sort of reading works, up to a point: Eusa is humanity seduced by knowledge and power, the Littl Shynin Man is the atom, and both unleash terrible chaos when split. It's satisfying to note these correspondences, in the same way that it's satisfying to realise that the novel's Cambry exists on the site of our Canterbury, its Dog Et on our Dargate.Then having excavated these supposed truths, you realise that you've lost more than you've gained, translating away the richness and myth of the novel and its language. Hoban calls it a "broken-up and worn-down vernacular", but it doesn't seem in need of fixing. Riddley Walker's language is poetic in the sense that it's made to be spoken more than read in silence. My first reading was punctuated by a lot of stopping-and-saying-out-loud when I stumbled on "moufing" or "binses" or "chaynjis".Rendering these pronunciations on paper gives Riddley Walker the physical intimacy of throat and mouth working, but there's depth and allusion to it to. The relative smallness of the Riddley vocabulary and the apparent simplicity of its syntax means that meanings are layered on meanings, and that becomes meaningful in itself. Nothing is ever what it seems to be: instead, things are "blipful", intermittent revelations of something beyond that can never be fixed.That intimation of the something beyond is my favourite thing about Riddley Walker. Lorna, the "tel woman", gives Riddley this speech early on: "Theres some thing in us it dont have no name … It aint you nor it dont even know your name. Its in us lorn and loan and sheltering how it can. … It puts us on like we put on our cloes … What ever it is we dont come naturel to it." Out of all the characters' efforts to impose sense and order on their world through makeshift theology, I don't think any improves on Lorna's, but all of them prove her point: there is something more than human in being human, and the urge to describe that is maybe more important than the description you fix on.EasterPhilosophyReligionChristianityRussell HobanScience fictionSarah Ditumguardian.co.uk &copy; 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds]]></description>
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<title>&#x27;Burgess Boys&#x27; Author, Like Her Characters, Finds Refuge In New York</title>
<link>http://www.npr.org/2013/04/02/176020645/burgess-boys-author-like-her-characters-finds-refuge-in-new-york?ft=1&#x26;f=1032</link>
<description><![CDATA[Pulitzer Prize-winning author Elizabeth Strout comes from a family established in Maine for eight generations. When she left Maine for Brooklyn, she says, it was seen as a betrayal. The characters in her new novel make that same journey.]]></description>
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<item rdf:about="http://www.npr.org/blogs/thetwo-way/2013/04/02/175987431/book-news-american-library-association-barnes-noble-called-facilitators-of-porn?ft=1&#x26;f=1032">
<title>Book News: American Library Association, Barnes &#x26; Noble Called &#x27;Facilitators Of Porn&#x27;</title>
<link>http://www.npr.org/blogs/thetwo-way/2013/04/02/175987431/book-news-american-library-association-barnes-noble-called-facilitators-of-porn?ft=1&#x26;f=1032</link>
<description><![CDATA[Also: Accidental haikus in The New York Times; Alanis Morissette is working on a book; the history of the word "clue."]]></description>
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<item rdf:about="http://www.npr.org/2013/04/02/175952523/exclusive-first-read-julios-day-by-gilbert-hernandez?ft=1&#x26;f=1032">
<title>Exclusive First Read: &#x27;Julio&#x27;s Day&#x27; By Gilbert Hernandez</title>
<link>http://www.npr.org/2013/04/02/175952523/exclusive-first-read-julios-day-by-gilbert-hernandez?ft=1&#x26;f=1032</link>
<description><![CDATA[Read an exclusive excerpt of Love and Rockets co-creator Gilbert Hernandez's latest, Julio's Day, with an introduction from author Brian Evenson. It's a lovely, hallucinatory, often wordless story of a man whose life spans the 20th century, and the close-knit community he lives in.]]></description>
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<item rdf:about="http://www.npr.org/2013/04/02/175696606/in-life-after-life-caught-in-the-dangerous-machinery-of-history?ft=1&#x26;f=1032">
<title>In &#x27;Life After Life,&#x27; Caught In The Dangerous Machinery of History</title>
<link>http://www.npr.org/2013/04/02/175696606/in-life-after-life-caught-in-the-dangerous-machinery-of-history?ft=1&#x26;f=1032</link>
<description><![CDATA[In real life, people have to make choices. But the fictional Ursula Todd gets to live out several realities, all set in 20th century Europe. Reviewer Meg Wolitzer says Kate Atkinson's playfully experimental novel ends up capturing what life is really like.]]></description>
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<item rdf:about="http://www.npr.org/2013/04/02/175585315/minks-perfume-and-beastly-beauty-in-shocked?ft=1&#x26;f=1032">
<title>Minks, Perfume And Beastly Beauty In &#x27;Shocked&#x27;</title>
<link>http://www.npr.org/2013/04/02/175585315/minks-perfume-and-beastly-beauty-in-shocked?ft=1&#x26;f=1032</link>
<description><![CDATA[Patricia Volk's new memoir, Shocked, chronicles her complex relationship with her beautiful, exacting mother. She finds a useful contrast to her mother's stifled life in a memoir by avant-garde designer Elsa Schiaparelli. Reviewer Heller McAlpin calls the book a "stylish coming-of-age tale."]]></description>
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<item rdf:about="http://www.npr.org/blogs/health/2013/04/01/175584297/mining-books-to-map-emotions-through-a-century?ft=1&#x26;f=1032">
<title>Mining Books To Map Emotions Through A Century</title>
<link>http://www.npr.org/blogs/health/2013/04/01/175584297/mining-books-to-map-emotions-through-a-century?ft=1&#x26;f=1032</link>
<description><![CDATA[Anthropologists find that the use of "emotional" words in all sorts of books has soared and dipped across the past century, roughly mirroring each era's social and economic upheavals. And psychologists say this new form of language analysis may offer a more objective view into our culture.]]></description>
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<item rdf:about="http://www.npr.org/2013/04/01/175922965/cable-and-corruption-in-southern-california?ft=1&#x26;f=1032">
<title>Cable And Corruption In Southern California</title>
<link>http://www.npr.org/2013/04/01/175922965/cable-and-corruption-in-southern-california?ft=1&#x26;f=1032</link>
<description><![CDATA[The Galloway brothers, Clinton and Carl, spent most of the 1980s fighting to get poor minorities in Southern California access to cable television. It was a struggle that took them from City Hall to the Supreme Court. Clinton Galloway talks with host Celeste Headlee about his new memoir, Anatomy of a Hustle: Cable Comes to South Central L.A.]]></description>
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<item rdf:about="http://www.npr.org/2013/04/01/175381239/april-1-7-an-mia-mom-a-deluded-romance-and-homegrown-terrorism?ft=1&#x26;f=1032">
<title>April 1-7: An MIA Mom, A Deluded Romance And Homegrown Terrorism</title>
<link>http://www.npr.org/2013/04/01/175381239/april-1-7-an-mia-mom-a-deluded-romance-and-homegrown-terrorism?ft=1&#x26;f=1032</link>
<description><![CDATA[In softcover fiction, Maria Semple chronicles a daughter's search for her missing mother, Jess Walter imagines a glimmering but futile courtship, and Lionel Shriver delivers a tongue-in-cheek take on terrorism. In nonfiction, Victoria Sweet recounts her unusual medical training.]]></description>
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<item rdf:about="http://www.npr.org/2013/04/01/175381702/in-digestion-mary-roach-explains-what-happens-to-the-food-we-eat?ft=1&#x26;f=1032">
<title>In Digestion: Mary Roach Explains What Happens To The Food We Eat</title>
<link>http://www.npr.org/2013/04/01/175381702/in-digestion-mary-roach-explains-what-happens-to-the-food-we-eat?ft=1&#x26;f=1032</link>
<description><![CDATA[With books like Stiff and Spook, Roach has built a reputation for making unpalatable subjects entertaining. In her new book, Gulp, she tackles the human digestive system, from the mouth on down. Along the way, she gets a sedation-free colonoscopy and goes on location for a fecal transplant.]]></description>
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<item rdf:about="http://www.npr.org/blogs/thetwo-way/2013/03/31/175864980/book-news-shakespeare-was-a-tax-evader-and-food-hoarder-researchers-say?ft=1&#x26;f=1032">
<title>Book News: Shakespeare Was A Tax Evader And Food Hoarder, Researchers Say</title>
<link>http://www.npr.org/blogs/thetwo-way/2013/03/31/175864980/book-news-shakespeare-was-a-tax-evader-and-food-hoarder-researchers-say?ft=1&#x26;f=1032</link>
<description><![CDATA[Also: Chimamanda Ngozi Adichie disses V. S. Naipaul; a new biography of Derrida; and the best books coming out this week.]]></description>
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<item rdf:about="http://www.npr.org/2013/03/31/175581456/an-unlikely-explorer-stumbles-into-controversy?ft=1&#x26;f=1032">
<title>An Unlikely Explorer Stumbles Into Controversy</title>
<link>http://www.npr.org/2013/03/31/175581456/an-unlikely-explorer-stumbles-into-controversy?ft=1&#x26;f=1032</link>
<description><![CDATA[The mostly forgotten explorer Paul du Chaillu first introduced the world to gorillas. His methods were attacked and his work discredited during his lifetime, but he also experienced fame and redemption. Now, there's a new book that tells his story.]]></description>
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<item rdf:about="http://www.npr.org/2013/03/31/175829148/1970s-chaos-and-radicalism-fuels-flamethrowers?ft=1&#x26;f=1032">
<title>Art, Chaos And 1970s Radicalism Fuel &#x27;The Flamethrowers&#x27;</title>
<link>http://www.npr.org/2013/03/31/175829148/1970s-chaos-and-radicalism-fuels-flamethrowers?ft=1&#x26;f=1032</link>
<description><![CDATA[The volatile world of New York's art scene is the setting for the newest novel by Rachel Kushner. A young woman, Reno, has come to the city to turn a love of motorcycles into a career in art, but she winds up involved in a radical political movement in Italy.]]></description>
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<item rdf:about="http://www.npr.org/2013/03/31/175493858/in-a-new-memoir-maya-angelou-recalls-how-a-lady-became-mom?ft=1&#x26;f=1032">
<title>In A New Memoir, Maya Angelou Recalls How A &#x27;Lady&#x27; Became &#x27;Mom&#x27;</title>
<link>http://www.npr.org/2013/03/31/175493858/in-a-new-memoir-maya-angelou-recalls-how-a-lady-became-mom?ft=1&#x26;f=1032</link>
<description><![CDATA[Maya Angelou spent much of her childhood being raised by her grandmother in Arkansas, but as a young teenager, she returned to live with her mother, Vivian Baxter. Angelou's Mom & Me & Mom looks back on the long process of reconciliation with the woman who sent her away.]]></description>
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<item rdf:about="http://www.npr.org/2013/03/31/175359065/in-alice-mcdermotts-charming-billy-love-turns-to-grief?ft=1&#x26;f=1032">
<title>In Alice McDermott&#x27;s &#x27;Charming Billy,&#x27; Love Turns To Grief</title>
<link>http://www.npr.org/2013/03/31/175359065/in-alice-mcdermotts-charming-billy-love-turns-to-grief?ft=1&#x26;f=1032</link>
<description><![CDATA[In this novel about sadness and delusion, critic Harold Augenbraum says, "love ... tatters its own lovers." What's your favorite tragic novel? Tell us in the comments.]]></description>
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<item rdf:about="http://www.npr.org/2013/03/30/175598312/game-over-mixing-sports-and-politics?ft=1&#x26;f=1032">
<title>&#x27;Game Over&#x27;: Mixing Sports And Politics</title>
<link>http://www.npr.org/2013/03/30/175598312/game-over-mixing-sports-and-politics?ft=1&#x26;f=1032</link>
<description><![CDATA[Athletes used to lead the charge for social change all the time, but as sports figures started making more in endorsement deals, their politics sometimes took a backseat to their pocketbooks. Sportswriter Dave Zirin's new book is about the uneasy confluence of sports and politics over the years.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/ECJPQPfryuA/story01.htm">
<title>Book Review: A Practical Guide To Linux Commands, Editors, and Shell Programming</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/ECJPQPfryuA/story01.htm</link>
<description><![CDATA[Rambo Tribble writes "This new, third edition of Sobell's book brings enhancements that add to the text's value as both a learning tool and a reference. This has always been a foundation book for those wanting a professional level of familiarity with Linux. The addition of chapters to introduce the Python language and MySQL database serves to offer the reader practical insights into additional Linux-related technologies." Read below for the rest of Rambo's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/UtTdK07sHOc/story01.htm">
<title>Book Review: Hadoop Beginner&#x27;s Guide</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/UtTdK07sHOc/story01.htm</link>
<description><![CDATA[First time accepted submitter sagecreek writes "Hadoop is an open-source, Java-based framework for large-scale data processing. Typically, it runs on big clusters of computers working together to crunch large chunks of data. You also can run Hadoop in "single-cluster mode" on a Linux machine, Windows PC or Mac, to learn the technology or do testing and debugging. The Hadoop framework, however, is not quickly mastered. Apache's Hadoop wiki cautions: "If you do not know about classpaths, how to compile and debug Java code, step back from Hadoop and learn a bit more about Java before proceeding." But if you are reasonably comfortable with Java, the well-written Hadoop Beginner's Guide by Garry Turkington can help you start mastering this rising star in the Big Data constellation." Read below for the rest of Si's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/7VF4yiXgg3U/story01.htm">
<title>Book Review: To Save Everything, Click Here</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/7VF4yiXgg3U/story01.htm</link>
<description><![CDATA[Bennett Haselton writes "Evgeny Morozov's forthcoming book To Save Everything, Click Here describes how an overly helpful 'kitchen of the future' might stifle the learning process and threaten culinary innovation. True, but we could certainly do better than the current state of how-to directions (in cooking and most other subjects) that you can find today on Google. I suggest that the answer lies not in intelligent kitchen technology, but in designing an algorithm that would produce the best possible how-to directions -- where the 'best' directions are judged according to the results that are achieved by genuine beginners who attempt to follow the directions without help." Read below for the rest of Bennett's review. Editor's Note: This article was not intended as a full review, but rather a commentary on one point in the book. The author's actual review of the book will appear in March.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/m7zvfgFCQZ0/story01.htm">
<title>Book Review: Enyo: Up and Running</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/m7zvfgFCQZ0/story01.htm</link>
<description><![CDATA[Michael Ross writes "Upon hearing the name "Enyo," one may wonder if the speaker is referring to the Greek war goddess, or if it is the name of some Celtic New Age music with a Latin twist. In the world of front-end software development, Enyo is a cross-platform open-source JavaScript framework that can be used to build HTML5 web applications for the desktop and for mobile devices, including those powered by iOS and Android. The project website bills it as "an object-oriented JavaScript application framework emphasizing modularity and encapsulation." Any programmer interested in learning Enyo &mdash; or at least exploring what it is capable of &mdash; can consult the online documentation and the forums, but a more time-efficient approach might be to read a book focusing on the topic, such as Enyo: Up and Running, written by Roy Sutton, a contributor to the project." Read below for the rest of Michael's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/zQxhGt1u-uo/story01.htm">
<title>Citizenville: Newsom Argues Against Bureaucracy, Swipes At IT Departments</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/zQxhGt1u-uo/story01.htm</link>
<description><![CDATA[Nerval's Lobster writes "Gavin Newsom, former mayor of San Francisco and current lieutenant governor of California, argues in his new book Citizenville that citizens need to take the lead in solving society's problems, sidestepping government bureaucracy with a variety of technological tools. It's more efficient for those engineers and concerned citizens to take open government data and use it to build apps that serve a civic function&mdash;such as Google Earth, or a map that displays crime statistics&mdash;than for government to try and provide these tools itself. But Newsom doesn't limit his attacks on government bureaucracy to politicians; he also reserves some fire for the IT departments, which he views as an outdated relic. 'The traditional IT department, which set up and maintained complex, centralized services&mdash;networks, servers, computers, e-mail, printers&mdash;may be on its way out,' he writes. 'As we move toward the cloud and technology gets easier to use, we'll have less need for full-time teams of people to maintain our stuff.' Despite his advocacy of the cloud and collaboration, he's also ambivalent about Wikileaks. 'It has made government and diplomacy much more challenging and ultimately less honest,' he writes at one point, 'as people fear that their private communications might become public.' Nonetheless, he thinks WikiLeaks and its ilk are ultimately here to stay: 'It is happening, and it's going to keep happening, and it's going to intensify.' In the end, he feels the benefits of collaboration and openness outweigh the drawbacks." Keep reading for the rest of Nick's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/0KN3TFQZH5A/story01.htm">
<title>Book Review: The Rise and Fall of T. John Dick</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/0KN3TFQZH5A/story01.htm</link>
<description><![CDATA[First time accepted submitter NewtonBoxers writes "Considering the amount of time most of us spend at work, it's surprising how few novels are set in the workplace and base their plot on the goings-on there. Perhaps, having spent a long day slaving in the corporate salt mines, many of us would rather forget about such humdrum matters and take refuge in books that offer us more excitement. Others, though, seem to enjoy the humor that can derive from the very things that drive us mad &ndash; management incompetence, byzantine procedures, pointless meetings... in short the stuff of everyday office life. We read Dilbert, we watch The Office, and we could do a lot worse than read Augustus Gump's very funny second novel, The Rise and Fall of T. John Dick. " Read on for the rest of NewtonBoxers's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/1qDvG5nopQI/story01.htm">
<title>The Book of GIMP</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/1qDvG5nopQI/story01.htm</link>
<description><![CDATA[Michael Ross writes "Web designers, graphics artists, and others who create and edit digital images, have a number of commercial image-manipulation packages from which they can choose &mdash; such as Adobe Photoshop and Adobe Fireworks (originally developed by Macromedia). Yet there are also many alternatives in the open-source world, the most well-known being GNU Image Manipulation Program. GIMP is available for all major operating systems, and supports all commonly-used image formats. This powerful application is loaded with features, including plug-ins and scripting. Yet detractors criticize it as being complicated (as if Photoshop is intuitively obvious). Admittedly, anyone hoping to learn it could benefit from a comprehensive guide, such as The Book of GIMP." Keep reading for the rest of Michael's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/nOJHUuHuUq4/story01.htm">
<title>Book Review: Going Clear: Scientology, Hollywood, and the Prison of Belief</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/nOJHUuHuUq4/story01.htm</link>
<description><![CDATA[benrothke writes "In its first week, Going Clear: Scientology, Hollywood, and the Prison of Belief was #3 on the New York Times Best Sellers list and will likely be #1 soon. The fact that the book is in print is somewhat miraculous given the voracious appetite Scientology has for litigation. It is the first time that such an expose could have been written and found such wide-scale reading. An interesting analysis of this fact is found in Why the Media Is No Longer Afraid of Scientology by Kim Masters. But as mesmerizing an expose as the book is, I doubt that this will be more than a speed bump to Scientology's growth and fund raising." Keep reading to be clear about what Ben has to say.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/zsZqKVwUjdg/story01.htm">
<title>Book Review: A Gift of Fire</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/zsZqKVwUjdg/story01.htm</link>
<description><![CDATA[benrothke writes "In the 4th edition of A Gift of Fire: Social, Legal, and Ethical Issues for Computing Technology, author Sara Baase takes a broad look at the social, legal and ethical issues around technology and their implications. Baase notes that her primary goal in writing the book is for computer professionals to understand the implications of what they create and how it fits into society. The book is an interesting analysis of a broad set of topics. Combined with Baase's superb writing skills, the book is both an excellent reference and a fascinating read." Read below for the rest of Ben's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/YDd8zD4jLdc/story01.htm">
<title>Book Review: Super Scratch Programming Adventure!</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/YDd8zD4jLdc/story01.htm</link>
<description><![CDATA[MassDosage writes "I first heard about the Scratch programming language a few years ago and the idea of a simple language designed to teach kids to program in a fun, new way has always appealed to me. For those of you who don't know, Scratch was developed by the wonderfully named "Lifelong Kindergarten Group" at the MIT Media Lab. It's a programming language that allows programs to be built by dragging, dropping, configuring and combining various blocks that represent common coding concepts such as if/else statements and while loops. Scratch also provides tools for doing simple animation, playing audio and controlling sprites. The idea behind it is to make programming simple, fun and accessible to first time programmers so they can understand the key concepts without first needing to learn complex syntax which can come later when they move on from Scratch to other languages. It has been very successful and there are literally millions of Scratch programs freely available from the Scratch website and many others." Read below for the rest of Mass Dosage's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MiKS9xTInKc/story01.htm">
<title>Book Review: The Nature of Code</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MiKS9xTInKc/story01.htm</link>
<description><![CDATA[eldavojohn writes "I kickstarted a project undertaken by Daniel Shiffman to write a book on what (at the time) seemed to be a very large knowledge space. What resulted is a good book (amazing by CC-BY-NC standards) available in both PDF and HTML versions. In addition to the book he maintains the source code for creating the book and of course the book examples. The Nature of Code starts off swimmingly but remains front heavy with a mere thirty five pages devoted to the final chapter on neural networks. This is an excellent book for Java and Processing developers that want to break into simulation and modeling of well, anything. It probably isn't a must-have title for very seasoned developers (unless you've never done simulation and modeling) but at zero cost why not?" Read below for the rest of eldavojohn's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/6KZC-2ospoE/story01.htm">
<title>Book Review: Burdens of Proof</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/6KZC-2ospoE/story01.htm</link>
<description><![CDATA[benrothke writes "When the IBM PC first came out 31 years ago, it supported a maximum of 256KB RAM. You can buy an equivalent computer today with substantially more CPU power at a fraction of the price. But in those 31 years, the information security functionality in which the PC operates has not progressed accordingly. In Burdens of Proof: Cryptographic Culture and Evidence Law in the Age of Electronic Documents, author Jean-Fran&ccedil;ois Blanchette observes that the move to a paperless society means that paper-based evidence needs to be recreated in the digital world. It also requires an underlying security functionality to flow seamlessly across organizations, government agencies and the like. While the computing power is there, the ability to create a seamless cryptographic culture is much slower in coming." Keep reading for the rest of Ben's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/YCcrluebHgU/story01.htm">
<title>Book Review: Terrible Nerd</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/YCcrluebHgU/story01.htm</link>
<description><![CDATA[tgeller writes "It's hard to believe that today's nerdier children will one day bore their grandkids with stories of primitive mobile access, household robotics, and 3-D printers. Some will become rich and famous by latching onto tomorrow's winners; others will find themselves irrelevant as the objects of their obsessions fail in the marketplace. But all with the energy to remember will come away with stories from the dawn of creation. One such witness is Kevin Savetz, a 41-year-old technology journalist and entrepreneur whose new book Terrible Nerd recounts 'true tales of growing up geek' during the '80s computer revolution. It's a rich chronicle that deftly mixes details of his beloved technologies with the zeitgeist a particular time and space. As such, it's an entertaining read for technologists and non-techies alike." Keep reading for the rest of tgeller's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/if6FiDEANSc/story01.htm">
<title>Book Review: Sams Teach Yourself Node.js In 24 Hours</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/if6FiDEANSc/story01.htm</link>
<description><![CDATA[Michael Ross writes "Since its introduction in 1994, JavaScript has largely been utilized within web browsers, which limited JavaScript programmers to client-side development. Yet with the recent introduction of Node.js, those programmers can leverage their skills and experience for server-side efforts. Node.js is an event-based framework for creating network applications &mdash; particularly those for the Web. Anyone interested in learning this relatively new technology can begin with one of numerous resources, including Sams Teach Yourself Node.js in 24 Hours." Keep reading for the rest of Michael's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/WeUauCbTGvI/story01.htm">
<title>Book Reviews: Lockpicking Books From Deviant Ollam</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/WeUauCbTGvI/story01.htm</link>
<description><![CDATA[benrothke writes "It is well known that the password, while the most widespread information security mechanism, is also one of the most insecure. It comes down to the fact that the average person can't create and maintain secure passwords. When it comes to physical locks, the average lock on your home and in your office is equally insecure. How insecure it in? In two fascinating books on the topic, Deviant Ollam writes in Practical Lock Picking, Second Edition: A Physical Penetration Testers Training Guide and Keys to the Kingdom: Impressioning, Privilege Escalation, Bumping, and Other Key-Based Attacks Against Physical Locks that it is really not that difficult. When it comes to information security penetration tests done on the client site, the testers will most often have permission to be inside the facility. On rare occasions, the testers need to find alternative means to gain entrance. Sometimes that means picking the locks." Keep reading to learn if you'll be picking locks soon.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/T_KlDxgBdSo/story01.htm">
<title>Book Review: Version Control With Git, 2nd Edition</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/T_KlDxgBdSo/story01.htm</link>
<description><![CDATA[kfogel writes "Two thumbs up, and maybe a tentacle too, on Version Control with Git, 2nd Edition by Jon Loeliger and Matthew McCullough. If you are a working programmer who wants to learn more about Git, particularly a programmer familiar with a Unix-based development environment, then this is the book for you, hands down (tentacles down too, please)." Read below for the rest of Karl's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/lIwUuRInIuA/story01.htm">
<title>Book Review: Reverse Deception</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/lIwUuRInIuA/story01.htm</link>
<description><![CDATA[benrothke writes "Advanced persistent threat (APT) is one of the most common information security terms used today and it is an undeniably real and dangerous menace. Wikipedia notes that APT's usually refer to a group, such as a foreign government, with both the capability and the intent to persistently and effectively target a specific entity. The term is commonly used to refer to cyber threats, in particular that of Internet-enabled espionage using a variety of intelligence gathering techniques to access sensitive information, but applies equally to other threats such as that of traditional espionage or attack. Every organization of size and scope is a target, and many of the world's largest firms and governments have been victims. In Reverse Deception: Organized Cyber Threat Counter-Exploitation, Dr. Max Kilger and his co-authors provide an effective counterintelligence approach in which to deal with APT. The good news is that the authors provide an effective framework. The bad news is that creating an effective defense is not an easy undertaking." Keep reading below for the rest of Ben's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/_JVdJ7h5nPU/story01.htm">
<title>Book Review: Presentation Patterns</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/_JVdJ7h5nPU/story01.htm</link>
<description><![CDATA[MassDosage writes "In a remarkable show of good timing Presentation Patterns turned up on my desk for review within days of me having been asked to give a presentation at a large tech conference. So I decided to read the book as I worked on my presentation and apply any lessons learned as I worked my way through it. The word "patterns" in the book's title will be known to most software developers as a reference to the seminal 'Gang of four' software design patterns book which codified common solutions to software problems. The concept of patterns originated in building architecture with the idea being that by categorizing and naming solutions to problems, a common vocabulary could be built up that allowed practitioners in a certain field to communicate more effectively. This was hugely successful and has spawned the idea of looking for patterns in many other areas which is where this book comes in." Read on for the rest of Mass Dosage's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/O7Ip2w4taiY/story01.htm">
<title>Book Review: Everyday Cryptography</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/O7Ip2w4taiY/story01.htm</link>
<description><![CDATA[benrothke writes "When Bruce Schneier first published Applied Cryptography in 1994, it was a watershed event, given that is was one of the first comprehensive texts on the topic that existed outside of the military. In the nearly 20 years since the book came out, a lot has changed in the world of encryption and cryptography. A number of books have been written to fill that gap and Everyday Cryptography: Fundamental Principles and Applications is one of them. While the title may give the impression that this is an introductory text; that is not the case. Author Keith Martin is the director of the information security group at Royal Holloway, a division of the University of London, and the book is meant for information security professionals in addition to being used as a main reference for a principles of cryptography course. The book is also a great reference for those studying for the CISSP exam." Read below for the rest of Ben's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MPLDsNoemOI/story01.htm">
<title>Book Review: Drush User&#x27;s Guide</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MPLDsNoemOI/story01.htm</link>
<description><![CDATA[Michael Ross writes "With the advent of graphical user interfaces (GUIs) decades ago, most of the commercially-available software transitioned from command-line usage to point-and-click interfaces, with the majority of these applications completely phasing out all command-line capabilities, or never implementing them in the first place. But for programmers &mdash; most of whom are comfortable working on the command line &mdash; performing administrative actions within a GUI can become tedious and time-consuming, and there is a growing movement toward adding command-line support back to software development applications. An example of this is Drush, which is a command-line interface for the Drupal content management system. Drush, whose name is derived from "Drupal shell," was originally developed six years ago, and is seeing a resurgence within the Drupal community. However, what appears to be the primary information resource for Drush, the community documentation, currently has a status of "incomplete." Fortunately, there is now a book available that provides more extensive coverage, Drush User's Guide, authored by Requena Juan Pablo Novillo ("juampy"). The book was released by Packt Publishing on 10 April 2012, under the ISBN 978-1849517980. The publisher's page offers descriptions of the book, its table of contents, a brief author biography, the known errata, the example code used in the book, and a free sample chapter (the third one, "Customizing Drush"). This review is based upon a print copy kindly furnished by the publisher; an e-book version is also available." Read below for the rest of Michael's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/OvmkrMa9Evk/story01.htm">
<title>Book Review: Digital Forensics For Handheld Devices</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/OvmkrMa9Evk/story01.htm</link>
<description><![CDATA[benrothke writes "Today's handheld device is the mainframe of years past. An iPhone 5 with 64 GB of storage and the Apple A6 system-on-a-chip processor has more raw computing power entire data centers had some years ago. With billions of handheld devices in use worldwide, it is imperative that digital forensics investigators and others know how to ensure that the information contained in them, can be legally preserved if needed." Read on for the rest of Ben's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/oVYIqch_tK0/story01.htm">
<title>Book Review: Wonderful Life With the Elements</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/oVYIqch_tK0/story01.htm</link>
<description><![CDATA[MassDosage writes "I've always found Chemistry interesting, particularly in high school when I had the good fortune of having a Chemistry teacher who was not only really good looking, but a great teacher too. I studied it for a year at University and then moved on and haven't really given the periodic table and its elements much thought since. This changed when the Wonderful Life with the Elements was delivered to me two weeks ago. It's one of those books that aims to make science fun and, unlike many other attempts which turn out to be pretty lame, this actually succeeds in presenting the periodic table in a fresh, original and interesting manner." Read on for the rest of Mass Dosage's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/UIdZSYrYzew/story01.htm">
<title>Book Review: Why Does the World Exist?</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/UIdZSYrYzew/story01.htm</link>
<description><![CDATA[eldavojohn writes "For quite some time humans have struggled to answer the question why there is anything rather than nothing. Jim Holt's Why Does the World Exist? tackles such questions in the form of a journey. After laying a brief groundwork, Holt travels from leading prominent philosopher to curmudgeonly physicist to reserved theologian, visiting each and relaying the juiciest parts of his transcripts to the reader. In doing so, this book takes on an interesting form with a meaty dense center to each chapter (the actual dialogues) surrounded by the light and fluffy bread of Holt's expert writing about the settings, weather and food of his travels. While this consequently lacks the characteristics of a heady hard hitting original philosophical work, these sandwiches should prove quite palatable for most readers. Why Does the World Exist? criss-crosses the etymological, epistemological, theological and philosophical aspects of its title while remaining a fairly easy read." Keep reading for the rest of eldavojohn's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MNCaF1FUG-Y/story01.htm">
<title>Book Review: Think Like a Programmer</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/MNCaF1FUG-Y/story01.htm</link>
<description><![CDATA[MassDosage writes "After nearly 15 years or of writing code professionally it was refreshing to take a figurative step back and read a book aimed at people getting started with computer programming. As the title suggests, Think Like A Programmer tries to get to the core of the special way that good programmers think and how, when faced with large and complex problems, they successfully churn out software to solve these challenges in elegant and creative ways. The author has taught computer science for about as long as I've been programming and this shows in his writing. He has clearly seen a lot of different people progress from newbie programmers to craftsmen (and craftswomen) and has managed to distill a lot of what makes this possible in what is a clear, well-written and insightful book." Read below for the rest of Mass Dosage's review.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/WYpyuPIMKuc/story01.htm">
<title>Book Review: Drupal For Designers</title>
<link>http://rss.slashdot.org/~r/Slashdot/slashdotBookReviews/~3/WYpyuPIMKuc/story01.htm</link>
<description><![CDATA[Michael Ross writes "Of all the open source content management systems used for building websites, Drupal has a reputation for being one of the most flexible and powerful available, but not the easiest for web designers to use. Drupal version 7 has made some strides in alleviating those flaws, but there is still much progress to be made. During the past few years, a number of books have been published that explain how Drupal designers can do custom theming, but they tend to focus on the technical details of the theme layer, and not the practice of web design when using Drupal as a foundation. That rich yet neglected subject area is the focus of a new book, Drupal for Designers: The Context You Need Without the Jargon You Don't." Keep reading to see what Michael has to say about the book.    Read more of this story at Slashdot.]]></description>
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/V2p76Xl1TrM/Reader-recommendation-Here-There-Elsewhere">
<title>Reader recommendation: Here, There, Elsewhere</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/V2p76Xl1TrM/Reader-recommendation-Here-There-Elsewhere</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/QyEn9cqYZio/Lean-In-boasts-strong-sales-largely-positive-reviews">
<title>&#x27;Lean In&#x27; boasts strong sales, largely positive reviews</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/QyEn9cqYZio/Lean-In-boasts-strong-sales-largely-positive-reviews</link>
<description><![CDATA['Lean In' by Sheryl Sandberg, a book addressing women in the workplace, drew controversy even before it was published. But it now seems to have won over many reviewers and readers.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/cZePI-mbGpQ/Reader-recommendation-The-Hopkins-Touch">
<title>Reader recommendation: The Hopkins Touch</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/cZePI-mbGpQ/Reader-recommendation-The-Hopkins-Touch</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/H8Ov6x2XnBk/Long-Shot">
<title>Long Shot</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/H8Ov6x2XnBk/Long-Shot</link>
<description><![CDATA[In 'Long Shot,' 12-time all-star Mike Piazza recounts his unlikely path from suburban Philadelphia to the big leagues and even how it led to a trip to the Vatican.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/6VNLbWvjCN8/Shakespeare-tax-evader-and-food-hoarder">
<title>Shakespeare: tax evader and food hoarder?</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/6VNLbWvjCN8/Shakespeare-tax-evader-and-food-hoarder</link>
<description><![CDATA[A new study by researchers at Aberystwyth University found that the playwright was fined multiple times for selling food at high prices during a famine and was also threatened with prison for tax evasion.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/_gxiNJy0ZcU/Can-you-fight-bullies-with-books">
<title>Can you fight bullies with books?</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/_gxiNJy0ZcU/Can-you-fight-bullies-with-books</link>
<description><![CDATA[The publishing industry shows signs of maturity with a spate of new books addressing bullying.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/t3QAl2siqgo/Reader-recommendation-Branch-Rickey">
<title>Reader recommendation: Branch Rickey</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/t3QAl2siqgo/Reader-recommendation-Branch-Rickey</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/RpzebRYwzus/Edible-Book-Festival-YUM">
<title>Edible Book Festival: YUM!</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/RpzebRYwzus/Edible-Book-Festival-YUM</link>
<description><![CDATA[A celebration of culinary talent, word play, and classic literature takes place every year in countries around the world.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/Q3U2p__tkUI/Amazon-acquires-literary-social-media-website-Goodreads">
<title>Amazon acquires literary social media website Goodreads</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/Q3U2p__tkUI/Amazon-acquires-literary-social-media-website-Goodreads</link>
<description><![CDATA[Some Goodreads users are excited about the prospect of linking their Amazon devices to their Goodreads accounts while others feel betrayed by the decision.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/tyntI5VOCOI/Hey-Admission-Quit-using-Virginia-Woolf-as-a-punchline">
<title>Hey, &#x27;Admission&#x27;: Quit using Virginia Woolf as a punchline!</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/tyntI5VOCOI/Hey-Admission-Quit-using-Virginia-Woolf-as-a-punchline</link>
<description><![CDATA[Tina Fey's new movie 'Admission' unfairly reinforces the 'only women read Virginia Woolf' stereotype.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/nRuXjjRH0O0/Reader-recommendation-The-Pope-Who-Quit">
<title>Reader recommendation: The Pope Who Quit</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/nRuXjjRH0O0/Reader-recommendation-The-Pope-Who-Quit</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/azFq8VVGquA/Malala-Yousafzai-will-write-memoir">
<title>Malala Yousafzai will write memoir</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/azFq8VVGquA/Malala-Yousafzai-will-write-memoir</link>
<description><![CDATA[Yousafzai, who was shot by a Taliban member in October, is now living in Britain and says she hopes her book will 'reach people around the world so they realize how difficult it is for some children to get access to education.'
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/RyISaPYOk9Y/Scott-Walker-will-pen-book-is-he-another-presidential-hopeful">
<title>Scott Walker will pen book &#x2013; is he another presidential hopeful?</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/RyISaPYOk9Y/Scott-Walker-will-pen-book-is-he-another-presidential-hopeful</link>
<description><![CDATA[Walker's book will be titled 'Unintimidated: A Governor’s Story and a Nation’s Challenge.'
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/4orGJYU4gM0/Reader-recommendation-A-Dance-to-the-Music-of-Time">
<title>Reader recommendation: A Dance to the Music of Time</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/4orGJYU4gM0/Reader-recommendation-A-Dance-to-the-Music-of-Time</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/zwlYYkPt4_0/Fifty-Shades-of-Grey-earns-blockbuster-sales-numbers-for-publisher-Random-House">
<title>&#x27;Fifty Shades of Grey&#x27; earns blockbuster sales numbers for publisher Random House</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/zwlYYkPt4_0/Fifty-Shades-of-Grey-earns-blockbuster-sales-numbers-for-publisher-Random-House</link>
<description><![CDATA[The sales figures for the 'Fifty Shades of Grey' trilogy make the series one of the fastest-selling in history.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/WCgDo7xZikI/Bonnet-rippers-Amish-romances-are-only-gaining-in-popularity">
<title>&#x27;Bonnet rippers&#x27;? Amish romances are only gaining in popularity</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/WCgDo7xZikI/Bonnet-rippers-Amish-romances-are-only-gaining-in-popularity</link>
<description><![CDATA[While the Amish themselves may find the books absurd, popular writers in the 'bonnet ripper' genre are selling millions of books.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/tmKvo7R7H4Q/National-Geographic-teams-with-Bill-O-Reilly-again-for-Killing-Jesus-adaptation">
<title>National Geographic teams with Bill O&#x27;Reilly again for &#x27;Killing Jesus&#x27; adaptation</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/tmKvo7R7H4Q/National-Geographic-teams-with-Bill-O-Reilly-again-for-Killing-Jesus-adaptation</link>
<description><![CDATA[National Geographic and director Ridley Scott's company will again produce an adaptation of O'Reilly's work, this one based on the story of Jesus Christ. Scott and National Geographic have previously adapted O'Reilly's works 'Killing Lincoln' and 'Killing Kennedy.'
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/upwFzGQDX6w/Reader-recommendation-The-Hobbit">
<title>Reader recommendation: The Hobbit</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/upwFzGQDX6w/Reader-recommendation-The-Hobbit</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/oc69aFRFyxg/Reader-recommendation-Close-to-the-Bone">
<title>Reader recommendation: Close to the Bone</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/oc69aFRFyxg/Reader-recommendation-Close-to-the-Bone</link>
<description><![CDATA[Monitor readers share their favorite book picks.
    
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<item rdf:about="http://rss.csmonitor.com/~r/feeds/books/~3/xNqpeHTvsm8/Looking-for-a-Simon-Schuster-title-Barnes-Noble-might-not-be-your-best-bet">
<title>Looking for a Simon &#x26; Schuster title? Barnes &#x26; Noble might not be your best bet</title>
<link>http://rss.csmonitor.com/~r/feeds/books/~3/xNqpeHTvsm8/Looking-for-a-Simon-Schuster-title-Barnes-Noble-might-not-be-your-best-bet</link>
<description><![CDATA[Barnes &amp;Noble has reportedly been ordering fewer Simon &amp; Schuster titles than it normally does as the book retailer and the publisher wrangle over cost issues.
    
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