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<dc:date>2008-10-05T16:51+38:00
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/Q8h1_Whi--s/AR2008091601390.html">
<title> Bridge </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/Q8h1_Whi--s/AR2008091601390.html</link>
<description><![CDATA[A fan sent me a query about trump opening leads. "When you present a deal in which the auction calls for a trump lead," my fan writes, "the leader has two or three low trumps and to lead a trump is painless. What if he has Q-x-x or K-10-x and the lead may blow a trick?"
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/s9j9zk8ee1k/AR2008092200800.html">
<title> Bridge </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/s9j9zk8ee1k/AR2008092200800.html</link>
<description><![CDATA[A fan sent me a query about trump opening leads. "When you present a deal in which the auction calls for a trump lead," my fan writes, "the leader has two or three low trumps and to lead a trump is painless. What if he has Q-x-x or K-10-x and the lead may blow a trick?"
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/GbDfnzbrsuA/AR2008100302264.html">
<title> Expanded Text of Mary Garrard Interview </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/GbDfnzbrsuA/AR2008100302264.html</link>
<description><![CDATA[Mary Garrard, 71 and professor emerita at American University, is one of the founders of feminist art history. She recently completed work on a book about nature, art and gender in Renaissance Italy.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/3_DsFuTMY14/AR2008100302267.html">
<title> More from Leo Steinberg </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/3_DsFuTMY14/AR2008100302267.html</link>
<description><![CDATA[Leo Steinberg, 88, is one of the most influential figures in art history. In the 1950s and 60s, we was already doing pioneering work on Jasper Johns and Robert Rauschenberg. His 1983 booked called "The Sexuality of Christ in Renaissance Art and in Modern Oblivion" -- a deeply scholarly look at de...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/ld-_AHkYVQw/AR2008100300991.html">
<title> South Side Story </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/ld-_AHkYVQw/AR2008100300991.html</link>
<description><![CDATA[CHICAGO The figures are stilled in lovely black-and-white portraits along the walls of Josephine Wade's soul food restaurant here on the South Side. There's Lou Rawls. And Aretha Franklin. "I do all of Aretha's cooking when she comes to town," Wade says.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/DUNSlB-8mgo/AR2008100300896.html">
<title> Farrell Sets The Barre High </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/DUNSlB-8mgo/AR2008100300896.html</link>
<description><![CDATA[It's a long shot almost beyond contemplation: Imagine the ballet equivalent of hockey's Miracle on Ice, or of the nearly winless Buster Douglas setting his sights on Mike Tyson's heavyweight belt. That kind of supreme confidence -- and possibly overreaching -- will be on view this week at the...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/nLVyt-oy4P4/AR2008100300907.html">
<title> It&#x27;s an Ugly Business When Fashion and Reality TV Converge </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/nLVyt-oy4P4/AR2008100300907.html</link>
<description><![CDATA[PARIS As designers have been sending their spring 2009 collections down the runways here, sometimes it has been hard to know whether one was watching a global industry engaged in its most urgently creative sales endeavors or if one was in the midst of a reality show.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/TDvPFzUo2HA/AR2008100300951.html">
<title> &#x22;The sexual sin is a stand-in, it&#x27;s a symbol.&#x22; : Susan Wise Bauer Looks at the Art of Public Apology </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/TDvPFzUo2HA/AR2008100300951.html</link>
<description><![CDATA[Susan Wise Bauer's new book, "The Art of the Public Grovel," traces the growing influence of public confession in America, touching on the roles of the Puritans, televangelists, group therapy and, of course, Oprah Winfrey. Bauer, who teaches American literature at the College of William & Mary,...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/YWJH7DzRM3E/AR2008100300923.html">
<title> CAROLYN HAX </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/YWJH7DzRM3E/AR2008100300923.html</link>
<description><![CDATA[Hi, Carolyn: My son is married and has two kids, 8 and 3. They live several states away. My daughter-in-law dictates the rules by which my husband and I are allowed to spend time with the kids. Her mother watches them while she works, and her parents have unlimited access to them. When my grandda...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/W6AVPdzbUmE/AR2008100300965.html">
<title> The Nerd-Next-Door Voted Most Likely to Succeed </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/W6AVPdzbUmE/AR2008100300965.html</link>
<description><![CDATA[Michael Cera is the best actor under 30, according to Entertainment Weekly.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/hHFl0XZZvSM/AR2008100300959.html">
<title> Niemeyer &#x26; the Sweep of History </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/hHFl0XZZvSM/AR2008100300959.html</link>
<description><![CDATA[At almost 101 years of age, the great Brazilian architect Oscar Niemeyer's eyesight is pretty much limited to peripheral vision, but he's still working. There are cultural centers in Spain and Chile to be finished, and a corporate headquarters in Paraguay. And he is still busy in his native Brazi...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/B9Vsc9Nuwxc/AR2008100300925.html">
<title> A Young Director With Tom Hanks&#x27;s Seal of Approval </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/B9Vsc9Nuwxc/AR2008100300925.html</link>
<description><![CDATA[BELFAST, Northern Ireland -- Five years ago, Gil Kenan was an unknown university student with a video camera; today he is an Oscar-nominated director strolling around one of the largest indoor film sets ever made. And it's his.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/1IAsdpeEDnI/AR2008100300924.html">
<title> Time and Again </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/1IAsdpeEDnI/AR2008100300924.html</link>
<description><![CDATA[In the four decades he's lived in the farm town of Oxford, Iowa (population 705), Peter Feldstein, 66, has remained something of an outsider. If you weren't born there, you are eternally regarded as a newcomer by people who go back several generations. He was originally from New York, an artist, ...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/BsKxxw1VewQ/AR2008100300931.html">
<title> From Meredith Monk, Grounded &#x27;Impermanence&#x27; </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/BsKxxw1VewQ/AR2008100300931.html</link>
<description><![CDATA[A recording of Meredith Monk's "Impermanence," a multidisciplinary work that takes on the transient nature of human existence, is perhaps a skewed document of the composer's intentions. But even stripped bare of its choreography, costumes and video accompaniment, it's an attractive photograph.
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/VvsHFmZUgYY/AR2008100300942.html">
<title> Landscape Photography&#x27;s Altered State </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/VvsHFmZUgYY/AR2008100300942.html</link>
<description><![CDATA[Many landscape painters (like most cosmetic surgeons and makers of silk flowers) do their best to make their artifice look natural. In this jungly photo-painting called "Koreshan 39" (2008), Washington's Frank Hallam Day flips that ancient striving. While his picture is a photograph (shot after d...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/p9a6f1bz-fM/AR2008100204313.html">
<title>  </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/p9a6f1bz-fM/AR2008100204313.html</link>
<description><![CDATA[Inside The Architecture We are not mice. Please, no more white-walled warrens as exhibition spaces. R3
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/TVbM5hVWk3c/AR2008100204330.html">
<title> On the Cover </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/TVbM5hVWk3c/AR2008100204330.html</link>
<description><![CDATA[The illustration is a painting by Benoit van Innis, whose work has appeared frequently on the covers and inside pages of the New Yorker. The Belgian artist recently created murals for a Metro station in Brussels, a soccer stadium in Bruges and a design center in Antwerp. His paintings have also been...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/wb5Zq2KagxM/AR2008100204350.html">
<title> When a Cutting-Edge Exhibit Is Housed in History </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/wb5Zq2KagxM/AR2008100204350.html</link>
<description><![CDATA[The 1908 painting "Diana of the Tides" is an exuberantly over-the-top exercise in turn-of-the-century decorative art: Diana rides a clamshell chariot, pulled by four obstreperous horses that charge out of the froth and spray of the ocean. At least that's what grainy photographs of the painting sh...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/q4j27ab5SOo/AR2008100204334.html">
<title> That Summer We All Went to Washington </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/q4j27ab5SOo/AR2008100204334.html</link>
<description><![CDATA[The Cobb/Rudy family, ages 11 to 49, is down from Syracuse on summer vacation. Four kids, tweeners to teeners, Mom and Dad. They're looking to hit the city's museums. It's late August.
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/6Ev_PxCHYWs/AR2008100204331.html">
<title> Museum Fees </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/6Ev_PxCHYWs/AR2008100204331.html</link>
<description><![CDATA[More than 60 percent of America's museums charge admission. Washington mostly spoils you with its open-door policy -- but fee-based attractions are increasing here.
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/ioo1OtfQtsQ/AR2008100204329.html">
<title> D.C. Museums With Interactive Exhibits </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/ioo1OtfQtsQ/AR2008100204329.html</link>
<description><![CDATA[Museums have long grappled with the teen attention span and are increasingly adopting interactive and other electronic media to help. Washington is somewhat behind on creating these types of exhibits, but Mount Vernon, the relocated Newseum and the new Ocean Hall at the National Museum of Natural...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/LoYQxUmo3oM/AR2008100204333.html">
<title> Trip Planning </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/LoYQxUmo3oM/AR2008100204333.html</link>
<description><![CDATA[If you only have 72 hours in Washington, like this article's family, planning is essential.
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/oWnLk5lJSLY/AR2008100204332.html">
<title> Visiting With Teens </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/oWnLk5lJSLY/AR2008100204332.html</link>
<description><![CDATA[One good thing about the abundance of museums in Washington is that virtually any topic your teen is obsessed with can be explored here. So before planning a trip, take stock of your teen's interests and match those to exhibits to minimize the frequency of sighing and eye-rolling during the visit.
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/6pf0LY9FIaY/AR2008100202598.html">
<title> For Every Fancy, Cultural Experiences Near and Far </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/6pf0LY9FIaY/AR2008100202598.html</link>
<description><![CDATA[ONGOING/OPEN "Red Lines, Death Vows, Foreclosures, Risk Structures: Architectures of Finance From the Great Depression to the Subprime Meltdown." Through Dec. 21. Compton Gallery, Massachusetts Institute of Technology, Cambridge, Mass. You've lived the bubble and watched your assets tank, now see...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/Mr2qKwFcF08/AR2008100202599.html">
<title> The Standouts from the Upcoming Exhibitions </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/Mr2qKwFcF08/AR2008100202599.html</link>
<description><![CDATA[ONGOING/OPEN "Dinosaur Mummy CSI: Cretaceous Science Investigation" Through Jan. 11. Houston Museum of Natural Science The world premiere exhibition of the most perfectly fossilized plant-eating dinosaur ever discovered: a duckbilled dinosaur named Leonardo, found by paleontologists with almost a...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/abWfqEotf6U/AR2008100204356.html">
<title> Area Museums Update: What&#x27;s on Display, in the Works (or Still on the Drawing Board) </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/abWfqEotf6U/AR2008100204356.html</link>
<description><![CDATA[National Museum of American History UPDATE: The museum reopens Nov. 21 after an $85 million, two-year renovation. The Star-Spangled Banner moved into its new gallery last week so the historic fabric can acclimate to its new environment. In the meantime, the staff is contributing stories and insig...
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/nMNvj-ixzd0/AR2008100204414.html">
<title> Unraveling The Alba Madonna </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/nMNvj-ixzd0/AR2008100204414.html</link>
<description><![CDATA[Not many objects can hope to rival the Alba Madonna. By common consent it is one of the greatest paintings ever made. It's almost a calling card for all that art achieved in the High Renaissance in Italy. Everything -- everything-- that Western artists have produced since then looks back to that ...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/cGP7EpCS4wE/AR2008100204448.html">
<title> The Monumental Base Of a Classic Triangle </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/cGP7EpCS4wE/AR2008100204448.html</link>
<description><![CDATA[Mary Garrard, 71, is professor emerita at American University. Her 1989 book on the baroque painter Artemisia Gentileschi established Garrard as a leader in feminist art history. She recently completed work on a book about nature, art and gender in Renaissance Italy.
]]></description>
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<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/bWQIpEFHMRk/AR2008100204447.html">
<title> Coming to Artistic Terms With a Divine Scheme </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/bWQIpEFHMRk/AR2008100204447.html</link>
<description><![CDATA[Alexander Nagel , 43, is best known for an award-winning book on Michelangelo, and for research into Renaissance concepts of history that he conducted during a two-year stint as Andrew Mellon professor at the National Gallery's Center for Advanced Study in the Visual Arts. This fall, he was appoi...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/huZN7uXhdG8/AR2008100204408.html">
<title> A Hint of Restraint, As Jesus&#x27;s Destiny Tugs </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/huZN7uXhdG8/AR2008100204408.html</link>
<description><![CDATA[Leo Steinberg, 88, is one of the most influential figures in art history. In the 1950s and '60s, he was already doing pioneering work on Jasper Johns and Robert Rauschenberg. His 1983 book called "The Sexuality of Christ in Renaissance Art and in Modern Oblivion" -- a scholarly look at depictions...
]]></description>
</item>

<item rdf:about="http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/-N1CoriYsZE/AR2008100204449.html">
<title> Freer&#x27;s Humble Bowl Overflows With Meaning </title>
<link>http://feeds.washingtonpost.com/~r/wp-dyn/rss/print/style/index_xml/~3/-N1CoriYsZE/AR2008100204449.html</link>
<description><![CDATA[If you were selecting the greatest work of art in Washington, you wouldn't pick this lumpy, chipped, revered old tea bowl from Kyoto at the Freer Gallery of Art. It isn't the greatest. Yet it's the humblest.
]]></description>
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