AmArt Latest IssueVolume 21, number 2: Emerging Themes, Emerging VoicesMills Mon, 30 Jul 2007 16:33:05 -0500
Volume 21, number 2: Considering the CopyMoss Mon, 30 Jul 2007 16:33:05 -0500
Volume 21, number 2: Beyond EnglishLaFountain Mon, 30 Jul 2007 16:33:05 -0500
Volume 21, number 2: Collapsing BoundariesBailly Mon, 30 Jul 2007 16:33:05 -0500
Volume 21, number 2: Objects, Contexts, and the Space BetweenJordan Mon, 30 Jul 2007 16:33:05 -0500
Volume 21, number 2: Copley's CargoRoberts Mon, 30 Jul 2007 16:33:05 -0500
In 1765, John Singleton Copley sent his painting Henry Pelham (Boy with a Squirrel) from Boston to London in hopes of receiving feedback from the arbiters of academic aesthetics. Several months later, he received the welcome news that Sir Joshua Reynolds had called the painting "wonderfull." In virtually every scholarly narrative of early American art, Boy with a Squirrel derives its canonical significance from this famous transatlantic relay. But the most basic reality of that relay–the massive fact of the Atlantic Ocean standing between Copley and his interlocutors–has barely been registered in the scholarship.This essay interprets Boy with a Squirrel in terms of the difficulty and delicacy of its transatlantic transmission. I argue that Copley, as he attempted to create a painting that would have the necessary transitive qualities, drew from an array of familiar discourses of Atlantic exchange and transport. The painting's profile format evoked strategies of numismatic exchange. The precise representation of the flying squirrel tapped into well-established transatlantic natural history circuits. The spatial transformations of the composition echoed not only empiricist theories of sensory conveyance (especially the writings of George Berkeley), but also mirrored the workaday dynamics of the shipping and reassembly of transatlantic commodities. Copley, like many other colonial artists, worked in a global community governed by distance, difference, and delay. By attending to the vehicular context of Boy with a Squirrel, we can begin to understand his strategies for articulating–and navigating–that new global space.
Subscribe to Art_History RSS feed 
Antonio Jacobsen (1851-1921) - The Early Years - Antonio Jacobsen deserves to be remembered for what he painted as much as for how he painted. This virtual exhibition features a number of important early works by the artist and is accompanied by an essay written by the late Harold Sniffen.
Meta Description: [ Antonio Jacobsen (1851-1921) - The Early Years - Antonio Jacobsen
deserves to be remembered for what he painted as much as for how he painted.
This virtual exhibition features a number of important early works by the artist
and is accompanied by an essay written by the late Harold Sn... ]
Antonio Jacobsen - The Later Years - Exhibition featuring a short biography on Antonio Jacobsen and high-resolution images of 15 works painted between 1902 and 1917.
Meta Description: [ Antonio Jacobsen (1851-1921) - The Later Years - An online exhibition
featuring a short biography on Antonio Jacobsen and 15 works painted between
1902 and 1917. ]
Antonio Nicolo Gasparo Jacobsen - AskART.com's auction results, biographies, images and books pertaining to this artist known for ship portraits.
Meta Description: [ value art prices, painting value, art appraisals and auction price information ]
Louisiana State Museum - Short biography and images of two of the 11 paintings by Jacobsen that are in their collection.