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</item>

<item rdf:about="http://www.nytimes.com/2008/07/09/arts/music/09nickel.html?partner=rssnyt&#x26;emc=rss">
<title>Nickelback Signs Up With Live Nation</title>
<link>http://www.nytimes.com/2008/07/09/arts/music/09nickel.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[By signing the Canadian rock band, Live Nation took another step toward expanding its role at the center of the music industry.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/television/08kopp.html?partner=rssnyt&#x26;emc=rss">
<title>Ted Koppel Tours a China Brimming With Dreams and Consumerism</title>
<link>http://www.nytimes.com/2008/07/08/arts/television/08kopp.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ted Koppel takes viewers beyond the oft-seen China in an ambitious four-part series that begins Wednesday night on the Discovery Channel.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/movies/homevideo/08dvds.html?partner=rssnyt&#x26;emc=rss">
<title>Critic&#x2019;s Choice: New DVDs: &#x2018;Hill 24 Doesn&#x2019;t Answer,&#x2019; Stan Laurel and &#x2018;Remembrance of Things to Come&#x2019;</title>
<link>http://www.nytimes.com/2008/07/08/movies/homevideo/08dvds.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[New this week are Thorold Dickinson’s 1955 film “Hill 24 Doesn’t Answer,” “The Stan Laurel Collection, Volume 2” and Chris Marker’s “Remembrance of Things to Come.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/design/08mad.html?partner=rssnyt&#x26;emc=rss">
<title>Energetic Rabbits, Melt-Proof Candies and Other Advertising Coups</title>
<link>http://www.nytimes.com/2008/07/08/arts/design/08mad.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The new exhibition on advertising at the Science, Industry and Business Library wants to give a twist to the “Mad Men” series.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/design/08pere.html?partner=rssnyt&#x26;emc=rss">
<title>Suits and Disputes on an Art Deco Table</title>
<link>http://www.nytimes.com/2008/07/08/arts/design/08pere.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[A long legal battle over an Art Deco table owned by Ronald O. Perelman is just now being settled and is awaiting the judge’s final disposition.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/music/08gard.html?partner=rssnyt&#x26;emc=rss">
<title>Music Review: String Quartet That Also Whistles, Whispers and Wails</title>
<link>http://www.nytimes.com/2008/07/08/arts/music/08gard.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The opening night of Summergarden at the Museum of Modern Art featured the Attacca Quartet, whose members earned their master’s degrees at Juilliard in May.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/television/08pov.html?partner=rssnyt&#x26;emc=rss">
<title>Television Review: Four Marines on the Mexican Border, and the Killing of One Young Civilian</title>
<link>http://www.nytimes.com/2008/07/08/arts/television/08pov.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The film, which is being shown on the “P.O.V.” series on PBS, puts the killing of Esequiel Hernández, an 18-year-old Texan who was shot by a United States marine, in the context of geopolitics.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/fashion/08gossip.html?partner=rssnyt&#x26;emc=rss">
<title>Forget Gossip, Girl; the Buzz Is About the Clothes</title>
<link>http://www.nytimes.com/2008/07/08/fashion/08gossip.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[“Gossip Girl” is more than a series about students at elite private schools. It also presents a cavalcade of fashion.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/books/08disch.html?partner=rssnyt&#x26;emc=rss">
<title>Thomas Disch, Novelist, Dies at 68</title>
<link>http://www.nytimes.com/2008/07/08/books/08disch.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Mr. Disch twisted the inherently twisted genre of science fiction in new, disturbing directions, including writing his last book in the voice of God.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-STANLEYTRETI_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Stanley Tretick Photographs Available Online</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-STANLEYTRETI_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[More than 8,000 photographs taken by Stanley Tretick, a photojournalist who chronicled the Kennedy White House and who died in 1999, are now available online. The photo archive of Mr. Tretick’s work, at stanleytretick.com, was created by the writer Kitty Kelley, a close friend of the photographer’s and the legal representative of his estate, which is making the work available to historians and libraries and for sale to collectors. During the Kennedy years Mr. Tretick was given special access to the family. One of his most famous pictures shows John Kennedy Jr. as a toddler playing under his father’s desk in the Oval Office, above. The photo was taken a month before President Kennedy was assassinated. Later Mr. Tretick became close to Senator Robert F. Kennedy and covered his presidential campaign in 1968. He covered the Senate Watergate hearings and shot stills for many films, including “All the President’s Men,” “Reds” and “The Candidate.”.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-EMINAMESCHIE_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: EMI Names Chief of Recorded Music Unit</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-EMINAMESCHIE_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[EMI, the music company that was bought by the private equity firm Terra Firma last year for about $6.4 billion, has hired Elio Leoni-Sceti, 42, to be the chief executive of its recorded music division, the company said on Monday. Mr. Leoni-Sceti, who will take over on Oct. 1 as the chief executive of EMI Music, is the latest in a string of recruits from outside the music business. The company, which has sustained heavy losses in recent years, releases music by the Beatles, Coldplay, Norah Jones and others. Born in Rome, Mr. Leoni-Sceti currently serves as an executive vice president at Reckitt Benckiser, which owns brands including Lysol and Woolite. In an interview on Monday, he said he believed that understanding music consumers was crucial to turning around the company. “Understanding where they will need music in the future, where they will go, how they will interact with it,” Mr. Leoni-Sceti said, “and try to position the company so that you are there first.”.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-WAXHITLERFIG_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Wax Hitler Figure to Be Repaired</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-WAXHITLERFIG_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The new Madame Tussauds museum in Berlin said a wax figure of Adolf Hitler whose head was ripped off would be put back on display once it is repaired, Agence France-Press reported. On Saturday, just after the museum opened, a former police officer evaded security guards and tore the head off the figure, which depicts Hitler looking grim and defeated seated behind a desk in a re-creation of his bunker. The incident has attracted widespread news coverage and commentary, including accusations that the museum’s decision to include a Hitler figure was in bad taste and was made only to generate publicity. A spokeswoman for Madame Tussauds told the news agency the statue would return to its place in the museum’s history section as soon as possible. “Adolf Hitler represents a defining moment in German history that cannot be denied,” she said, adding that the display was created “with sensitivity and respect.” The 41-year-old who was arrested, identified only as Frank L., told reporters that he came up with the idea over drinks with friends, who dared him to do it; he said he now regretted it. “I did not do it for money, nor for fame,” he told the online edition of the newspaper Die Welt (welt.de), “though I suppose I will now be famous for a while.”.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-RETURNOFTHEO_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Return of the Osbournes</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-RETURNOFTHEO_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The Osbourne family, which helped invent the genre of celebrity-reality television on MTV six years ago, now wants to try its hand at reviving the variety show format. Ozzy and Sharon Osbourne, above, and their children Jack and Kelly are set to host six episodes of an hourlong variety show for Fox, the network said on Monday. The episodes could include musical performances, comedy skits, games and taped segments, reminiscent of classic variety shows like “The Sonny and Cher Variety Hour.” The four broadcast networks each bid for the Osbourne project, which will be produced by FremantleMedia North America. Mike Darnell, the president of alternative programming for Fox, said he believed that variety shows were primed for a comeback. Mr. Osbourne, who rose to fame as the lead singer for Black Sabbath in the 1970s, starred alongside his family on “The Osbournes” from 2002 to 2005. Ms. Osbourne is currently a judge on the NBC summer competition “America’s Got Talent.”.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/theater/08arts-BRIANMURRAYJ_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Brian Murray Joins Play</title>
<link>http://www.nytimes.com/2008/07/08/theater/08arts-BRIANMURRAYJ_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Manhattan Theater Club said that Brian Murray would join the cast of its coming Broadway production of “To Be or Not to Be.”    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-RETRIALFORCZ_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Retrial for Czech Artists</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-RETRIALFORCZ_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[An appeals court has ordered a retrial for seven artists who hacked into a Czech television weather broadcast to show a fake nuclear explosion in the Czech mountains, The Associated Press reported. Members of the Ztohoven art group, based in Prague, admitted tampering with equipment so that viewers watching a live shot of the Krkonose Mountains in June last year saw a flash of bright light and a mushroom cloud rising on the horizon. In March the artists were acquitted of spreading false information, but the state prosecutor appealed the verdict. An appeals court in Hradec Kralove overturned the decision last week in a ruling made public on Monday, said Michal Strnad, a court spokesman. The court ordered a new trial but did not yet set a date. If found guilty, the artists face maximum jail terms of three years. The group claimed its project wanted to show how reality could be manipulated by the media. Czech Television called such stunts improper and said they could incite panic.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-ABRUCELEEMUS_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: A Bruce Lee Museum</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-ABRUCELEEMUS_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[The owner of the house in Hong Kong where Bruce Lee lived before his death in 1973 has announced plans to turn the building, above, into a museum dedicated to Lee, the martial arts movie star, giving in to public outcry that the home not be sold, Reuters reported. The two-story, 5,600-square-foot town house is in the Kowloon area of Hong Kong. Yu Panglin, 86, a real estate tycoon and prominent philanthropist, had put the house up for sale but told reporters on Monday that he had decided to donate the property to Hong Kong’s government for use as a museum.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-RINGOSTARRSB_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: Ringo Starr&#x2019;s Birthday</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-RINGOSTARRSB_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[Ringo Starr, above, held a surprise “peace and love” party on a Chicago sidewalk on Monday to celebrate his 68th birthday, Reuters reported. “What could be wrong?” he said. “Peace and Love. What a great birthday gift. It’s a happening.” The event, which had sparse advance publicity, was held outside the Hard Rock Hotel in Chicago. “I saw it in the paper, left my sister’s house and came down here,” said Joyce McDaniels, who was visiting from Winton, Calif. She emerged from the crowd holding a chocolate cupcake, slightly mauled. “I saw a Beatle. That’s all I needed.”.    
]]></description>
</item>

<item rdf:about="http://www.nytimes.com/2008/07/08/arts/08arts-NBCLEADSONSU_BRF.html?partner=rssnyt&#x26;emc=rss">
<title>Arts, Briefly: NBC Leads on Sunday</title>
<link>http://www.nytimes.com/2008/07/08/arts/08arts-NBCLEADSONSU_BRF.html?partner=rssnyt&#x26;emc=rss</link>
<description><![CDATA[For the third consecutive Sunday, NBC led in the ratings among adults 18 to 49, thanks to coverage of the Olympic trials, followed by “Dateline.” According to Nielsen’s estimates, the two broadcasts gave NBC a slight edge over ABC for the night in the 18-to-49 set, but neither fared especially well in total viewers. The Olympic hopefuls attracted just 5.7 million viewers from 7 to 9, while “Dateline” earned 7.4 million from 9 to 11. Meanwhile, a two-hour “Extreme Makeover: Home Edition” from 8 to 10 (6.5 million) buoyed ABC’s all-repeat lineup. ABC finished second in the 18-to-49 set but third in total viewers behind CBS, once again the night’s most-watched network. CBS drew the largest audiences early in the night with “60 Minutes” at 7 (8.1 million) and “Million Dollar Password” at 8 (7.5 million). A rerun of CBS’s “Cold Case” at 9 brought 6.8 million viewers, while “Numb3rs” at 10 had 5.7 million. With reruns of its animated comedy lineup, Fox finished a distant fourth in total viewers but third, ahead of CBS, in the 18-to-49 set.    
]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/theatre/2008/07/07/080707goth_GOAT_theatre">
<title>The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2008/07/07/080707goth_GOAT_theatre</link>
<description><![CDATA[OPENINGS AND PREVIEWS  
        Please call the phone number listed with the theatre for timetables and ticket information.   
           
          
        ANIMALS OUT OF PAPER 
         Second Stage&#8217;s Uptown Series concludes with this play by Rajiv Joseph, an origami-themed love story. Giovanna Sardelli directs. Previews begin July 14. (McGinn/Cazale, Broadway at 76th St&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted1">
<title>The Garden of Last Days</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted1</link>
<description><![CDATA[Dubus&#8217;s follow-up to &#8220;House of Sand and Fog&#8221; is inspired by the rumored visit of 9/11 hijackers to a strip club shortly before their attacks. In the fictional Puma Club, in Sarasota, Florida, a twenty-six-year-old named Bassam al-Jizani watches Spring, a stripper, undress, and finds&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/atlarge/2008/07/07/080707crat_atlarge_ross">
<title>Symphony of Millions</title>
<link>http://www.newyorker.com/arts/critics/atlarge/2008/07/07/080707crat_atlarge_ross</link>
<description><![CDATA[In March, Chen Qigang, a Chinese composer who is supervising the music program for the opening ceremony of the 2008 Summer Olympics, received a National Spirit Achievers Award at a press event in Beijing. He was one of ten artists and businesspeople to receive the prize, which came courtesy of&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2008/07/07/080707crth_theatre_als">
<title>Spokespeople</title>
<link>http://www.newyorker.com/arts/critics/theatre/2008/07/07/080707crth_theatre_als</link>
<description><![CDATA[One hesitates to call the Canadian playwright Judith Thompson&#8217;s &#8220;Palace of the End&#8221; (an Epic Theatre Ensemble production, at Playwrights Horizons) a lyrical work, given its subject. Political pundits might be alienated by the idea of a hard-news story like the devastation in Iraq being treated in a poetic&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/readings/2008/07/07/080707goab_GOAT_above1">
<title>Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2008/07/07/080707goab_GOAT_above1</link>
<description><![CDATA[SUNDAYS AT SUNNY&#8217;S&#8221;  
         Tim McLoughlin reads from his contribution to the anthology &#8220;Brooklyn Noir 3: Nothing But the Truth,&#8221; and Anya Ulinich offers selections from her novel, &#8220;Petropolis.&#8221; The photographer Shelley Seccombe will discuss and display images from her book, &#8220;Lost Waterfront: The Decline and Rebirth of Manhattan&#8217;s Western Shore&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/07/07/080707gohz_GOAT_horizon">
<title>On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/07/07/080707gohz_GOAT_horizon</link>
<description><![CDATA[THE THEATRE  
        LET THE SUN SHINE IN  
        July 22-Aug. 31  
        Last year&#8217;s concert of &#8220;Hair: The American Tribal Love Rock Musical,&#8221; at the Delacorte Theatre, was so successful the Public Theatre decided to give it a full-fledged production. Jonathan Groff stars, at Shakespeare in the Park. (www.publictheater.org.)  
           
        ART&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2008/07/07/080707goni_GOAT_nightlife">
<title>Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2008/07/07/080707goni_GOAT_nightlife</link>
<description><![CDATA[ROCK AND POP 
        Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
           
          
        &#8220;AFRO-PUNK&#8221; 
         This annual festival features film screenings at the Brooklyn Academy of Music along with concerts by a number of bands in a newly built skate park outside the academy&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/07/07/080707gomo_GOAT_movies">
<title>Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/07/07/080707gomo_GOAT_movies</link>
<description><![CDATA[OPENING   
          
        AUGUST 
         A drama, directed by Austin Chick, about a businessman (Josh Hartnett) whose Wall Street company is caught in the burst dot-com bubble. Opening July 11. (Village East Cinemas.)  
          
        THE EXILES 
         Reviewed below in Now Playing. Opening July 11. (IFC Center.)  
          
        FULL BATTLE RATTLE 
         Tony Gerber and Jesse&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted3">
<title>Kafka Comes to America</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted3</link>
<description><![CDATA[Wax, the head of the Oregon Federal Public Defenders&#8217; office, writes that when he volunteered to represent inmates at Guant&#225;namo Bay he didn&#8217;t know if his clients &#8220;would be terrorists or innocents.&#8221; At least one, Adel Hamad, a Sudanese aid worker, seems patently innocent, and Wax also represented Brandon Mayfield&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_brody">
<title>Heavenly Bodies</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_brody</link>
<description><![CDATA[A few years ago, the Cin&#233;math&#232;que Fran&#231;aise, in Paris, screened a vintage Technicolor print of Alfred Hitchcock&#8217;s &#8220;Vertigo,&#8221; made with the dye-transfer process, and it was a revelation: the deep and rich colors suggested the lurid mysticism of El Greco and the romantic darkness of Goya. The tone befits&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_frerejones">
<title>Feeling Alright</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_frerejones</link>
<description><![CDATA[If you find fireworks a little quiet, consider a trip to Battery Park on July 4th, where Sonic Youth and the Feelies (the latter reunited after almost two decades) will be playing a free concert together. To be wildly reductive about the whole thing: the Feelies are the logical extension&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_als">
<title>Dionysian Darling</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/07/07/080707gonb_GOAT_notebook_als</link>
<description><![CDATA[When Euripides&#8217; &#8220;The Bacchae&#8221; premi&#232;red, in 405 B.C., it took the Dionysia prize. Since then, the tragedy has been interpreted by authors as diverse as Joe Orton and Wole Soyinka. Certainly Tennessee Williams must have been inspired by the work, too, given its central premise: a young god named Dionysus&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/07/07/080707crci_cinema_denby">
<title>Desperate Men</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/07/07/080707crci_cinema_denby</link>
<description><![CDATA[After &#8220;Speed Racer,&#8221; &#8220;Iron Man,&#8221; &#8220;Indiana Jones,&#8221; &#8220;The Incredible Hulk,&#8221; and &#8220;Get Smart&#8221; (which is so innocuous that you forget the jokes before you hit the street), it seemed clear that this year&#8217;s big summer movies, however spectacular, had lost all interest in making even a minimal emotional connection to&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/dance/2008/07/07/080707goda_GOAT_dance">
<title>Dance</title>
<link>http://www.newyorker.com/arts/events/dance/2008/07/07/080707goda_GOAT_dance</link>
<description><![CDATA[AMERICAN BALLET THEATRE 
         The men are dashing, the women are delightfully frisky, and there are enough waltzes to satisfy every taste in Ronald Hynd&#8217;s 1975 ballet remake of Franz L&#233;har&#8217;s beloved turn-of-the-century operetta &#8220;The Merry Widow.&#8221; The story--which hinges on the schemes to marry off a&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted4">
<title>Collections of Nothing</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted4</link>
<description><![CDATA[King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of &#8220;security&#8221; envelopes (eight hundred patterns), &#8220;the mute, meager, practically valueless object, like a sea-washed spigot&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/07/07/080707crbo_books_kirsch">
<title>Cloudy Trophies</title>
<link>http://www.newyorker.com/arts/critics/books/2008/07/07/080707crbo_books_kirsch</link>
<description><![CDATA[In July, 1820, John Keats published his third and final book, &#8220;Lamia, Isabella, The Eve of St. Agnes and Other Poems.&#8221; He had no reason to expect that it would be a success, with either the public or the critics: in his short career, the twenty-four-year-old poet&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/classical/2008/07/07/080707gocl_GOAT_classical">
<title>Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2008/07/07/080707gocl_GOAT_classical</link>
<description><![CDATA[CONCERTS IN TOWN   
          
        NEW YORK PHILHARMONIC: &#8220;SUMMERTIME CLASSICS&#8221; 
         The avuncular British conductor Bramwell Tovey once again brings his light but knowing touch (and his Pythonesque shtick) to the orchestra&#8217;s early-summer series, held in the air-conditioned confines of Avery Fisher Hall. Tovey&#8217;s final program--a collaboration between the orchestra&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted2">
<title>Breath</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/07/07/080707crbn_brieflynoted2</link>
<description><![CDATA[Bruce Pike, a middle-aged paramedic, is adept at distinguishing a suicide from an error in judgment; his own turbulent adolescence accounts for this grim bit of wisdom. Growing up in a conservative Australian mill town not far from the coast, he and a daredevil buddy are swiftly drawn by&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/art/2008/07/07/080707goar_GOAT_art">
<title>Art</title>
<link>http://www.newyorker.com/arts/events/art/2008/07/07/080707goar_GOAT_art</link>
<description><![CDATA[MUSEUMS AND LIBRARIES  
          
        METROPOLITAN MUSEUM 
         Fifth Ave. at 82nd St. (212-535-7710)--&#8220;J.M.W. Turner.&#8221; Through Sept. 1. |  &#8220;Art of the Royal Court: Treasures in Pietre Dure from the Palaces of Europe.&#8221; Through Sept. 21. |  &#8220;Superheroes: Fashion and Fantasy.&#8221; Through Sept. 1. |  &#8220;Medieval and Renaissance Treasures from the Victoria and Albert Museum&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/above/2008/07/07/080707goab_GOAT_above">
<title>Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2008/07/07/080707goab_GOAT_above</link>
<description><![CDATA[SUNSET HIDDEN HARBOR TOURS&#8221; 
         With the opening of an Ikea store in Red Hook, Brooklyn, dominating the news about the waterfront, it&#8217;s easy to get the impression that all the harbor&#8217;s traditional industry has gone the way of the steamboat. That&#8217;s not actually the case, though, and according to Captain&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/television/2008/06/30/080630crte_television_franklin">
<title>Working Girl</title>
<link>http://www.newyorker.com/arts/critics/television/2008/06/30/080630crte_television_franklin</link>
<description><![CDATA[As befits a show about a woman of the night, &#8220;Secret Diary of a Call Girl,&#8221; an eight-episode blast of summer heat from Showtime that started last week, arrived with something of a reputation. The series was produced in England, and was originally shown there last year. It was&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/06/30/080630gomo_GOAT_movies_brody">
<title>Way-Out West</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/06/30/080630gomo_GOAT_movies_brody</link>
<description><![CDATA[The director Anthony Mann, an early master of the film noir, turned to the Western in midcareer, and his second, &#8220;The Furies&#8221; (Criterion), from 1950, is one of the greatest--in effect, a frontier noir with epic ambitions and Shakespearean audacities.   
        The story revolves around T. C. Jeffords (Walter Huston&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/books/2008/06/30/080630crbo_books_mishra">
<title>Tiananmen&#x26;#8217;s Wake</title>
<link>http://www.newyorker.com/arts/critics/books/2008/06/30/080630crbo_books_mishra</link>
<description><![CDATA[It is still not clear how many unarmed civilians the People&#8217;s Liberation Army (P.L.A.) killed in Beijing on the night of June 3, 1989, as it sought to expel protestors from Tiananmen Square. The names of the victims, who were officially denounced as &#8220;counter-revolutionaries,&#8221; were never published. Their relatives&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/theatre/2008/06/30/080630goth_GOAT_theatre">
<title>The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2008/06/30/080630goth_GOAT_theatre</link>
<description><![CDATA[OPENINGS AND PREVIEWS  
        Please call the phone number listed with the theatre for timetables and ticket information.   
           
          
        CIRQUE DREAMS &#8220;JUNGLE FANTASY&#8221; 
         Neil Goldberg created and directs this spectacle, which features aerialists, contortionists, acrobats, jugglers, and musicians in a jungle setting. In previews. Opens June 26. (Broadway Theatre, Broadway at 53rd&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted3">
<title>The Story of Edgar Sawtelle</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted3</link>
<description><![CDATA[Set in rural nineteen-seventies Wisconsin, this loose retelling of Hamlet focusses on Edgar, a boy born mute and with a preternatural ability to commune with the dogs whose breeding and training is his family&#8217;s business. Idyllic routine is threatened when Edgar&#8217;s ne&#8217;er-do-well uncle comes to live with&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted1">
<title>The Pact</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted1</link>
<description><![CDATA[The story of how Bill Clinton and Newt Gingrich came close to secretly making a deal on Social Security by cutting out their respective political allies, only to be derailed by Clinton&#8217;s philandering (and, to an extent, by Gingrich&#8217;s), is far from edifying. Gillon, a professor and a History Channel&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/readings/2008/06/30/080630goab_GOAT_above1">
<title>Readings and Talks</title>
<link>http://www.newyorker.com/arts/events/readings/2008/06/30/080630goab_GOAT_above1</link>
<description><![CDATA[NUALA O&#8217;FAOLAIN TRIBUTE  
         Frank McCourt, Paul Muldoon (the poetry editor of this magazine), Fintan O&#8217;Toole, and others honor the Irish writer, who died earlier this year. With music by the vocalist Susan McKeown. (Celeste Bartos Forum, New York Public Library, Fifth Ave. at 42nd St. 212-868-4444. June 24 at 7&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted4">
<title>Personal Days</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted4</link>
<description><![CDATA[This comic and creepy d&#233;but novel takes place in a Manhattan office depopulated by &#8220;the Firings,&#8221; where one can &#8220;wander vast tracts of lunar workscape before seeing a window.&#8221; The downsized staff huddle like the crew of a doomed spaceship, picked off one by one by an invisible predator. Crippled&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/06/30/080630gohz_GOAT_horizon">
<title>On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/06/30/080630gohz_GOAT_horizon</link>
<description><![CDATA[MOVIES  
        BLACK LIGHT  
        July 4-9  
        BAM&#8217;s annual Afro-Punk Festival kicks off with &#8220;A Panther in Africa,&#8221; Aaron Matthews&#8217;s documentary about Pete O&#8217;Neal, a member of the Black Panther Party who fled the U.S. in 1969 and has lived in Tanzania for three decades. Other films include Bill Gunn&#8217;s 1973&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/nightlife/2008/06/30/080630goni_GOAT_nightlife">
<title>Night Life</title>
<link>http://www.newyorker.com/arts/events/nightlife/2008/06/30/080630goni_GOAT_nightlife</link>
<description><![CDATA[ROCK AND POP 
        Musicians and night-club proprietors live complicated lives; it&#8217;s advisable to call ahead to confirm engagements.  
           
          
        BAM RHYTHM &#38; BLUES FESTIVAL AT METROTECH 
         MetroTech Commons, Flatbush Ave. at Myrtle Ave., Brooklyn (718-636-4100)--June 26: The legendary Senegalese Afro-Cuban ensemble Orchestra Baobab performs a noontime show.  
          
        BEACON THEATRE&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/revivals/2008/06/30/080630gomo_GOAT_movies">
<title>Movies</title>
<link>http://www.newyorker.com/arts/events/revivals/2008/06/30/080630gomo_GOAT_movies</link>
<description><![CDATA[OPENING  
          
        ALL IN THIS TEA 
         A documentary, directed by Les Blank and Gina Leibrecht, about a tea connoisseur&#8217;s travels through China. Opens June 27. (Cinema Village.)  
          
        ELSA AND FRED 
         Reviewed below in Now Playing. Opening June 27. (Angelika Film Center and Paris.)  
          
        FINDING MIRANDA 
         Peter Tolan directed this drama, about&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/06/30/080630gonb_GOAT_notebook_aletti">
<title>Master Class</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/06/30/080630gonb_GOAT_notebook_aletti</link>
<description><![CDATA[You might want to argue with the Metropolitan Museum&#8217;s choice of the thirteen &#8220;masters&#8221; who represent the high points of photography&#8217;s first hundred years (1840 to 1940) in &#8220;Framing a Century,&#8221; if only because the premise of this trim, instructive survey has all the excitement of an intro-level art&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/06/30/080630gonb_GOAT_notebook_frerejones">
<title>Made in Africa</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/06/30/080630gonb_GOAT_notebook_frerejones</link>
<description><![CDATA[Orchestra Baobab was formed thirty-eight years ago, in Dakar, but time has done nothing to diminish the group&#8217;s quiet intensity. The band mixes so many regional styles that listeners can easily think they&#8217;re hearing three or four different genres. The guitarist Barthelemy Attisso, who is also a lawyer, leads&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/theatre/2008/06/30/080630crth_theatre_lahr">
<title>Indecision 2008</title>
<link>http://www.newyorker.com/arts/critics/theatre/2008/06/30/080630crth_theatre_lahr</link>
<description><![CDATA[At the finale of &#8220;Hamlet,&#8221; most of the main characters lie either poisoned or stabbed to death, scattered around the palace hall like so many toppled chairs. Horatio is left to tell the tale to the conquering Fortinbras, who enters upstage and surveys the carnage. By dying, after three hours&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/dancing/2008/06/30/080630crda_dancing_acocella">
<title>Guy Stuff</title>
<link>http://www.newyorker.com/arts/critics/dancing/2008/06/30/080630crda_dancing_acocella</link>
<description><![CDATA[For the past two decades or so, Twyla Tharp has tended, in her new dances, to recycle features of her earlier successes, but in &#8220;Rabbit and Rogue,&#8221; which just had its premi&#232;re at American Ballet Theatre, she seems to repeat every single thing that has worked for her before. It&#8217;s&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/skyline/2008/06/30/080630crsk_skyline_goldberger">
<title>Forbidden Cities</title>
<link>http://www.newyorker.com/arts/critics/skyline/2008/06/30/080630crsk_skyline_goldberger</link>
<description><![CDATA[The city planner Edmund Bacon once described Beijing as &#8220;possibly the greatest single work of man on the face of the earth.&#8221; When he was there, in the nineteen-thirties, you could still see that the city, from the walls surrounding it to the emperor&#8217;s Forbidden City at its heart&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/dance/2008/06/30/080630goda_GOAT_dance">
<title>Dance</title>
<link>http://www.newyorker.com/arts/events/dance/2008/06/30/080630goda_GOAT_dance</link>
<description><![CDATA[NEW YORK CITY BALLET 
         The company presents its final Robbins program, including the Olympian &#8220;Goldberg Variations,&#8221; paired with Robbins&#8217;s gamelike collaboration with Twyla Tharp, &#8220;Brahms/Handel.&#8221; On June 27, the dancers take over the theatre for the first annual Dancers&#8217; Choice program, an initiative to benefit the Dancers&#8217; Emergency Fund&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/classical/2008/06/30/080630gocl_GOAT_classical">
<title>Classical Music</title>
<link>http://www.newyorker.com/arts/events/classical/2008/06/30/080630gocl_GOAT_classical</link>
<description><![CDATA[CONCERTS IN TOWN  
          
        NEW YORK PHILHARMONIC: &#8220;SUMMERTIME CLASSICS&#8221; 
         The avuncular British conductor Bramwell Tovey, who has found a comfortable niche at the Philharmonic, brings his light but knowing touch (and his Pythonesque shtick) once again to the orchestra&#8217;s early-summer series, held in the air-conditioned confines of Avery Fisher&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/cinema/2008/06/30/080630crci_cinema_lane">
<title>Big Kills</title>
<link>http://www.newyorker.com/arts/critics/cinema/2008/06/30/080630crci_cinema_lane</link>
<description><![CDATA[What is it like being Timur Bekmambetov? No artist should be confused too closely with his creations, but anybody who sits through &#8220;Wanted,&#8221; Bekmambetov&#8217;s new movie, will be tempted to wonder if the life style of the characters might not reflect or rub off on that of the director. How&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted2">
<title>Austerity Britain</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/30/080630crbn_brieflynoted2</link>
<description><![CDATA[Drawing on a remarkable array of diaries, letters, memoirs, and surveys, Kynaston assembles a polyphonic history of a pivotal time. In July, 1945, Winston Churchill was swept from office in an electoral landslide, his wartime leadership already overshadowed by domestic worries like jobs and housing--seven hundred and fifty thousand&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/art/2008/06/30/080630goar_GOAT_art">
<title>Art</title>
<link>http://www.newyorker.com/arts/events/art/2008/06/30/080630goar_GOAT_art</link>
<description><![CDATA[MUSEUMS AND LIBRARIES  
          
        METROPOLITAN MUSEUM 
         Fifth Ave. at 82nd St. (212-535-7710)--&#8220;J.M.W. Turner.&#8221; Opens July 1. |  &#8220;Art of the Royal Court: Treasures of the Pietre Dure from the Palaces of Europe.&#8221; Opens July 1. |  &#8220;Superheroes: Fashion and Fantasy.&#8221; Through Sept. 1. |  &#8220;Medieval and Renaissance Treasures from the Victoria and Albert&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/above/2008/06/30/080630goab_GOAT_above">
<title>Above and Beyond</title>
<link>http://www.newyorker.com/arts/events/above/2008/06/30/080630goab_GOAT_above</link>
<description><![CDATA[BROOKLYN RECORD RIOT&#8221; 
         Everyone knows that the music business is in turmoil and that CD sales are collapsing. (According to the Recording Industry Association of America, sales fell more than seventeen per cent last year and just over twelve per cent the year before that.) Suddenly, though, old-fashioned vinyl&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/online/video/nakedcampaign/mapquest">
<title>Map Quest</title>
<link>http://www.newyorker.com/online/video/nakedcampaign/mapquest</link>
<description><![CDATA[Steve Brodner paints the pivotal states in the electoral college.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/notebook/2008/06/23/080623gonb_GOAT_notebook_frerejones">
<title>Young Folk</title>
<link>http://www.newyorker.com/arts/critics/notebook/2008/06/23/080623gonb_GOAT_notebook_frerejones</link>
<description><![CDATA[When, like Laura Marling, you d&#233;but as a singer and songwriter at sixteen, age will be part of the discussion for a while. Marling&#8217;s album, &#8220;Alas I Cannot Swim,&#8221; begs some of this talk. A slight, pale young woman from Eversley, England, Marling sometimes seems to be writing with a&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/theatre/2008/06/23/080623goth_GOAT_theatre">
<title>The Theatre</title>
<link>http://www.newyorker.com/arts/events/theatre/2008/06/23/080623goth_GOAT_theatre</link>
<description><![CDATA[OPENINGS AND PREVIEWS  
        Please call the phone number listed with the theatre for timetables and ticket information.   
           
          
        ARIAS WITH A TWIST 
         Joey Arias and Basil Twist join forces to perform a multimedia puppet show with live music, at HERE Arts Center. Opens June 18. (145 Sixth Ave., near Spring St&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/23/080623crbn_brieflynoted4">
<title>The Sorrows of an American</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/23/080623crbn_brieflynoted4</link>
<description><![CDATA[I&#8217;m lost,&#8221; a patient tells her psychiatrist in Hustvedt&#8217;s fourth novel. &#8220;I&#8217;m cold. I&#8217;m all alone.&#8221; She might be speaking for all the characters in this sombre meditation on the isolation of urban professionals, in which daily routines are nothing but &#8220;pillars in an architecture of need,&#8221; erotic love is&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/critics/musical/2008/06/23/080623crmu_music_giddins">
<title>Reluctant Diva</title>
<link>http://www.newyorker.com/arts/critics/musical/2008/06/23/080623crmu_music_giddins</link>
<description><![CDATA[In a world of niche audiences, the singer who refuses to go gently into a particular niche and stay there is at best a challenge and at worst a double agent. Cassandra Wilson, the willfully original jazz singer, has been puzzling her audiences for nearly half of her fifty-two&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/events/horizon/2008/06/23/080623gohz_GOAT_horizon">
<title>On the Horizon</title>
<link>http://www.newyorker.com/arts/events/horizon/2008/06/23/080623gohz_GOAT_horizon</link>
<description><![CDATA[ABOVE AND BEYOND  
        MAKE AN OFFER  
        June 25  
        James Gandolfini&#8217;s wardrobe from &#8220;The Sopranos&#8221;--including a black velour Fila tracksuit--highlights Christie&#8217;s pop-culture auction, along with other costumes from the series. (www.christies.com.)  
           
        THE THEATRE  
        WESTERN FRONT  
        June 25  
        Sam Shepard revisits one of his favorite themes, the Wild West&#160;.&#160;.&#160;.]]></description>
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<item rdf:about="http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/23/080623crbn_brieflynoted2">
<title>McMafia</title>
<link>http://www.newyorker.com/arts/reviews/brieflynoted/2008/06/23/080623crbn_brieflynoted2</link>
<description><![CDATA[Citing estimates that the world&#8217;s illicit economy accounts for nearly twenty per cent of worldwide turnover, Glenny tracks the spread of sophisticated transnational criminality. The collapse of Communism and the deregulation of financial markets have created rich opportunities for the criminally entrepreneurial in Eastern Europe, the Middle East, Africa, Southeast&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://www.newyorker.com/arts/events/art/2008/06/23/080623goar_GOAT_art">
<title>Art</title>
<link>http://www.newyorker.com/arts/events/art/2008/06/23/080623goar_GOAT_art</link>
<description><![CDATA[MUSEUMS AND LIBRARIES  
          
        METROPOLITAN MUSEUM 
         Fifth Ave. at 82nd St. (212-535-7710)--&#8220;Superheroes: Fashion and Fantasy.&#8221; Through Sept. 1. |  &#8220;Medieval and Renaissance Treasures from the Victoria and Albert Museum.&#8221; Through Aug. 17. |  &#8220;Framing a Century: Master Photographs, 1840-1940.&#8221; Through Sept. 1. |  &#8220;Jeff Koons on the Roof.&#8221; Through Oct. 26. |  &#8220;Tiepolo Drawings&#160;.&#160;.&#160;.]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/329156800/0827,w-eugene-smith-a,499174,13.html">
<title>Art: W. Eugene Smith: Art, Not News: The Life magazine lensman finds a new context at Silverstein</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/329156800/0827,w-eugene-smith-a,499174,13.html</link>
<description><![CDATA[The Life magazine lensman finds a new context at Silverstein (By R.C. Baker)
  
]]></description>
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<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409987/0827,the-met-s-century-of-photography,499182,13.html">
<title>Art: The Met&#x27;s Century of Photography: A striking, revealing lineup of giants from photography&#x27;s first hundred years</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409987/0827,the-met-s-century-of-photography,499182,13.html</link>
<description><![CDATA[A striking, revealing lineup of giants from photography's first hundred years (By Leslie Camhi)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409988/0827,moving-days,499214,14.html">
<title>Dance: Compagnie Maguy Marin: Moving Days: How many steps does it take to make a world?</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409988/0827,moving-days,499214,14.html</link>
<description><![CDATA[How many steps does it take to make a world? (By Deborah Jowitt)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409989/0827,opposite-poles,499273,11.html">
<title>Theater: Macbeth 2008: Opposite Poles: TR Warszawa&#x27;s Shakespeare made vivid&#x26;mdash;and almost invisible</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409989/0827,opposite-poles,499273,11.html</link>
<description><![CDATA[TR Warszawa's Shakespeare made vivid&mdash;and almost invisible (By Michael Feingold)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409990/0827,brunch-at-the-luthers-and-other-quacks,499296,11.html">
<title>Theater: Misha Shulman&#x27;s Brunch at the Luthers: Duck, motherfucker</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409990/0827,brunch-at-the-luthers-and-other-quacks,499296,11.html</link>
<description><![CDATA[Duck, motherfucker (By GARRETT EISLER)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409991/0827,bash-d,499299,11.html">
<title>Theater: Bash&#x27;d!: Rap, Now Even Gayer: Had us at &#x22;cocksuckaz&#x22;</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409991/0827,bash-d,499299,11.html</link>
<description><![CDATA[Had us at "cocksuckaz" (By ROB KENDT)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409992/0827,the-flat-earth,499302,11.html">
<title>Theater: The Flat Earth Glows: Masochistically marrying New York</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409992/0827,the-flat-earth,499302,11.html</link>
<description><![CDATA[Masochistically marrying New York (By McCann, Ruth)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409993/0827,leash-fatigue,499364,11.html">
<title>Theater: Palace of the End: Leash Fatigue: Another play featuring Lynndie England</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409993/0827,leash-fatigue,499364,11.html</link>
<description><![CDATA[Another play featuring Lynndie England (By Alexis Soloski)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324409994/0827,mission-abort,499366,11.html">
<title>Theater: Stitching: Mission Abort: A play that should shock&#x26;#150;but doesn&#x27;t</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324409994/0827,mission-abort,499366,11.html</link>
<description><![CDATA[A play that should shock&#150;but doesn't (By Alexis Soloski)
  
]]></description>
</item>

<item rdf:about="http://feeds.villagevoice.com/~r/articles/arts/~3/324507026/0827,celebrating-jerome-robbins-and-bidding-damian-woetzel-goodbye,499436,14.html">
<title>Dance: Celebrating Jerome Robbins and Bidding Damian Woetzel Goodbye: Feast and farewell</title>
<link>http://feeds.villagevoice.com/~r/articles/arts/~3/324507026/0827,celebrating-jerome-robbins-and-bidding-damian-woetzel-goodbye,499436,14.html</link>
<description><![CDATA[Feast and farewell (By Deborah Jowitt)
  
]]></description>
</item>

</rdf:RDF>